Catalogue Review: Priscilla Juvelis, #53 Contemporary Book Arts

P-J-catalogue53.pngPriscilla Juvelis of Kennebunkport, Maine, specializes in literary first editions, especially women authors; nineteenth- and twentieth-century reform movements, especially suffrage and temperance; and contemporary book arts. She has her hand on the pulse of contemporary book art and stocks the work of the finest artists and private presses, such as Donald Glaister, Julie Chen/Flying Fish Press, and Walter Hamady/Perishable Press.

Indeed all three can be found on the pages of her short but incredibly sweet new catalogue. From Glaister, she has an artist's book, one of ten copies, of A Few Questions, among others ($3,500). From Chen's Flying Fish Press and Barbara Tetenbaum's Triangular Press (a collaboration), a brand new artist's book in a modified flag book structure, one of one hundred copies, titled Glimpse ($975). And from Perishable Press, a scarce 1964 title, The Disillusioned Solipsist, written, printed, and published by Hamady ($2,650). There are also several books from Cheloniidae Press (now Press of the Sea Turtle).

Book art is, more so than other areas of book collecting, about subjective tastes. What appeals to the heart or the eye, rather than one more title from a specific author or genre. For me, Bad Girls, a 2011 unique artists' book by Mary McCarthy and Shirley Veenema, is one such piece ($6,000). It is made up of six "dos-a-dos" titles--Seductress, Promiscuous Actress, Rich Man's Mistress, Miser, Mass Murderer, and Robber Plunderer--in which a saint is produced twice, first as a "bad girl" and then as a converted saint.

The other that draws my attention is Remember the Ladies, a 2008 artist's book in a custom box, one of ten copies, by Sande Wascher-James ($1,200). The image of Abigail Adams sitting on Liberty Lawn fabric of red roses with the hand-printed admonition to her husband, John, "Remember the Ladies..." has a traditional look to it, and yet contains layers of meaning. Inside, the pages contain postage stamps of famous American women, such as Georgia O'Keefe, Margaret Mitchell, and Eleanor Roosevelt, that have been digitally printed onto fabric in a collage with text, ribbon, lace, and other fabrics. I love the idea and the execution. When stood on its "spine," it is truly a compelling book object (you must see the catalogue picture to understand how it works).

Go ahead, download catalogue 53 and take a look. 
"You ain't a beauty, but hey you're alright."

So says the Boss in the lyrics to Thunder Road, one of the most famous rock songs of all time.

Well, Mark Cashion, a book collector and newly turned chapbook publisher, sure churned out a beauty in his first publication, which combines the classic Springsteen lyrics to Thunder Road with an essay in praise of the song by Nick Hornby.

thunder-road1.jpg

While enrolled in a class in letterpress printing and bookbinding at the Center for Book Arts, Cashion decided on a whim to try to publish a chapbook uniting Springsteen's lyrics with Hornby's essay from his 2003 collection Songbook.  To the surprise of everyone, including himself, he managed to wrangle permission from both artists to publish the chapbook as long as the sale proceeds were donated to charity.  Several years, and two letterpress printers later, the Thunder Road chapbook was born.

thunder-road2.jpg

Thunder Road is a limited-edition letterpress publication in a dos-a-dos binding with Hornby's essay on the left spine and a broadside of Springsteen's lyrics on the right spine.  The cover is printed on black somerset velvet with a hand-rolled yellow deckle edge meant to resemble, appropriately enough, road paint.  The book is hand-stitched with matching yellow thread.  The cover and fly-sheet are illustrated with a linocut of storm clouds.  The letterpress printing was conducted by both synaestheia press and Lead Graffiti.

Cashion published the book in a limited run of 200 copies, all of which are signed by Nick Hornby.  Each chapbook costs $60.00 and all the proceeds are being donated to TreeHouse, a London school for autistic children.  

thunder-road3.jpg

You can order the book and read more about the story behind its publication from Cashion's blog here.
Samaritan.jpgEarlier this week the Atlantic posted an interesting article about a Tim Brookes, who preserves ancient scripts by carving them into wood. His "Samaritan" is seen here above (with his permission). From the Atlantic:

...Without support from governments, NGOs, or foundations, the English-born, Vermont-based writer Tim Brookes has been documenting this heritage in a unique way, carving specimens on local curly maple in his Endangered Alphabets Project. Every research library may have one or more reference books of world alphabet specimens, but wood carving presents texts in what is literally a new light...[read more]

Intrigued, I visited the Endangered Alphabets site. It is a singularly awesome project that consists of fourteen 18" x 12" slabs of Vermont maple onto which endangered alphabets (Manchu, Samaritan, Syriac, etc.) are carved and painted. These art objects have been on exhibit at several universities and colleges over the past year and are available for future exhibitions. Mr. Brookes has also published a book that acts as a catalogue to the exhibition. You can read an excerpt here; and buy one here.

He is now working on an Endangered Poem Project, and the coming attractions look very cool.

Bali-poem2-1024x768.jpg"First stage of the Endangered Poem Project: using carbon paper to transfer the text to the wood." Credit: Tim Brookes, here with his permission.

The Associated Press reported last week on the loss of historical records and documents in the 9/11 attacks, a frequently (if understandably) overlooked aspect of the tragedy.  The twenty-one libraries destroyed in the World Trade Center attacks joined a long list of war-damaged archives stretching back to the Library of Alexandria.

Among the lost and missing:

  • The art and sculpture collection of the Cantor Fitzgerald brokerage, which included a cast of Rodin's "The Thinker."  The brokerage's founder, B. Gerald Cantor, was one of the world's largest private collectors of Rodin.

  • The Ferdinand Gallizoli Library of the U.S. Customs Service, which included U.S. trade documents dating back to the 1840s.

  • Over 900,000 objects from the Five Points Neighborhood during its heyday as a working class slum.  (Vividly depicted in the Martin Scorsese film "Gangs of New York")


  • The archive of Helen Keller International, which burned up in the aftermath of the crash and included a number of Helen Keller first editions and original letters. (For more on this, read FB&C's story from a few years back.)

  • A significant portion of the photographic archive of the Broadway Theatre Archive, which held 35,000 photos depicting the development of the American stage. 

Most of these items were destroyed in the attacks or the aftermath, however some are classified as *missing* and thus may be out there circulating in the trade for rare documents and antiquities.  The bust of Rodin's "The Thinker," for example, turned up briefly after the attacks only to disappear again.  So stay vigilant.

A more detailed report of the cultural loss sustained on 9/11 is available here as a PDF from Heritage Preservation.


This Wednesday Swann Galleries will hold a two-session auction of vintage posters that are truly fun to look at, which is why a handful of interesting examples are in order. The sale opens with American turn-of-the-century literary posters, including magazine cover art for Harper's, Scribner's, Collier's, and Lippincott's, and moves on to summer resort and travel posters, WWI and WWII propaganda posters, Russian prop art, circus posters, and advertising art. The vibrant colors, the classic graphic design, the embedded cultural history--all make these vintage posters something worth seeing. And a few Henri de Toulouse-Lautrecs too!

Lippincotts.jpgA collector of late nineteenth-century novels? This poster for Lippincott's Series of Select Novels by Will Carqueville would be an excellent addition to your library. The estimate is $400-$600.

harpers.jpgA poster of a Harper's cover from February 1898 of a man reading with his attendant literary cat? An awesome buy. Designed by Edward Penfield, whose work is represented throughout the auction. The estimate is $1,200-$1,800.

army.jpgOne of several in the auction by James Montgomery Flagg, this is the one we all know and love (we love it, right?). I Want You for U.S. Army, 1917. The estimate is $6,000-$9,000.

circus.jpgA handful of circus posters by designers unknown from Ringling Bros. and Barnum & Bailey are on the block. This one is Dainty Miss Leitzel from 1918/The Strobridge Litho. Co. The estimate is $1,500-$2,000.

readinglady.jpgI couldn't pass up the opportunity to share this lovely reading lady by Sadie Wendell Mitchell, 1909. The estimate is $400-$600.

Mucha.jpgAnd, of course, the classic Art Nouveau ad art of Alphonse Mucha is not to be missed. Here's one of his Job Cigarette ads from 1898. The estimate is $8,000-$12,000.