The Godmersham Lost Sheep Society (GLOSS) is on the hunt for wayward books out on the lamb that once belonged to Jane Austen's brother, Edward Austen Knight and has put out the call for help.


sheep.JPG

First, the facts: Edward inherited three estates from his adoptive parents, Thomas and Catherine Knight: Godmersham Park in Kent, Chawton House, and Steventon, both in the English coastal town of Hampshire. A catalogue Edward prepared in 1818 lists over 1250 volumes for Godmersham alone. Jane frequently consulted these books, and to recover them could potentially provide new insight into the Pride and Prejudice author's research methods and inspiration.


Most of the Godmersham books were sold in the years following Jane and Edward's death, but the ones that remained were embellished with one of three bookplates inserted by Edward's grandson, Montagu George Knight.


"Please help us return these books to the fold," implored GLOSS board member Deb Barnum in a recent posting on the EX-LIBRIS listserv. What should you look for if you think you've come across a stray? Montagu Knight commissioned three bookplates from artist Charles Sherborn in 1900. All three bear an image of Saint Peter, referred to in the image as Saint Pierre, and include Knight's full name and the year of creation. (Photos of the bookplates may be found here.)


If you happen upon such a volume, GLOSS would very much like to hear about it. The search has already yielded positive results and some books have been donated to Chawton House Library, which does not have funding to make acquisitions but happily accepts verified donations.


Got a tip? Contact Deb Barnum at jasnavermont@gmail.com or (802) 343-2294

sheep image: stock photo public domain

This fall, the Morgan Library will be exhibiting some of its most bejeweled medieval books in the show Magnificent Gems: Medieval Treasure Bindings. The exhibition, which is running September 2017 through January 2018, will include a dazzling collection of treasure bindings adorned with sapphires, diamonds, emeralds, pearls, and garnets and other precious stones.

 

Treasure binding is a practice that dates back to the end of the Roman Empire but became more popular in Medieval Europe and the Byzantine Empire. Gemstones and precious metals were incorporated into the bindings of Christian texts as a way to venerate the word of God. Treasure bindings may also have been allusions to the prophesized heavenly Third Temple of Jerusalem, which will be built in a coming Messianic age. In addition to all of this, treasure bindings served the more Earthly purpose of signposting the wealth and status of their owners.

 m1-front-cover_0.png

Among the most important works to be exhibited at the Morgan Library will be Lindau Gospels. J.P. Morgan's first major medieval purchase, the Lindau Gospels have become a staple of any Western Art History survey course. The book, a conglomeration of several outstanding, independently-produced pieces, represents the best of the Carolingian Renaissance. The back cover was likely produced in modern-day Austria in the late eighth century. The front cover dates to about a century later. The text of the Lindau Gospels are believed to have been created shortly after the front cover at the Abbey of Saint Gall. It is unclear when the pieces of the Lindau Gospel came together in their present form.

 

The Lindau Gospel's most striking element is its elaborate front cover. The front cover is adorned with gems and features gold repoussé embellishments. Gems frame a gold crucifixion scene at the center of the cover. The surrounding gems appear in a plant motif, something not unusual for the Carolingian period.

 

While the front cover is sure to make visitors gawk, one cannot forget that the text in the Lindau Gospel is also exceptionally beautiful. The beginning of each of the works' four Gospels are marked by elaborate two page embellishments of their opening verses. The Morgan Library reports that "as many as seven different scribes were engaged in the copying of the [Lindau] texts, and it is thought that a monk named Folchart--one of St. Gall's preeminent artists--was personally responsible for some of the manuscript's illuminated pages."

 matthew.jpg

Anyone interested in medieval art or the history of luxurious objects won't want to miss this show. For more information about the Lindau Gospels or the upcoming Magnificent Gems: Medieval Treasure Bindings exhibition, visit The Morgan Library online.

 

Images Courtesy of The Morgan Library

As part of a year-long celebration of two decades in existence, the National Center for Children's Illustrated Literature of Abilene, Texas, is hosting a summer exhibition dedicated to beloved children's picture book illustrator Garth Williams (1912-1996).

                                                                                                                                                                                                

charlotte.JPG
                                                                                                                                                           Showcasing over one hundred works of original art, including preliminary drawings for various children's books and other drafts, Garth Williams: Illustrator of the Century offers visitors an unexpected glimpse at the work of a perfectionist whose renderings of people, places, and things continue to elicit powerful emotional responses from readers of all ages.


Born in New York City and raised in London, Williams illustrated dozens of now-classic children's books such as E.B. White's Charlotte's Web and Stuart Little as well as the Little House series by Laura Ingalls Wilder. For a while, Williams also illustrated for the New Yorker and various postwar advertising campaigns, which the exhibition explores as well.


"Williams made it all look so easy," said children's picture book critic Leonard Marcus. It certainly seems all great masters have that gift.


Garth Williams: Illustrator of the Century is on view at the National Center for Children's Illustrated Literature at 12 Cedar Street in Abilene. Why Abliene? The city has spent the last twenty years transforming itself into a mecca for children's book aficionados. For example, the city touts its impressive collection of outdoor storybook-themed sculptures and regularly hosts children's literature-centric festivals and events.


More information about the exhibit is available at https://www.nccil.org/.

Our Bright Young Collectors series continues today with Edwin D. Rose of Cambridge, England, who collects natural history and natural philosophy:


LHL face shot 1.jpgWhere are you from / where do you live?


I am originally from Cardiff (Wales) and now live in Cambridge, UK.


What do you study at University?


I am currently a PhD student in the History and Philosophy of Science Department at the University of Cambridge. My research is on the relationship between natural history collections and libraries during the period between c.1740 and 1830. Before this, I completed an MPhil. in History and Philosophy of Science at the University of Cambridge, with a thesis looking at the botanical collections of Sir Hans Sloane (1660-1753), part of which has recently been published in The Journal of the History of Collections.


Please introduce us to your book collection.  What areas do you collect in?


I collect natural history and natural philosophy books (a field which became known as 'science' by the late nineteenth century) which date from the late seventeenth century to the third quarter of the nineteenth century, although the majority of these date from the period between 1750 and 1820. My main interests are in natural history, in particular those books which relate to my research. A central line of my collecting relates to the provenance and the subject of a book, not necessarily its state of preservation or completeness. I have a particular interest in working copies of books owned by important natural historians and natural philosophers of the late eighteenth and early nineteenth centuries. Many of my books have distinct signs of being heavily used by former owners, resulting in many of them being in a fairly poor level of condition, especially as many of these are still held in their original publishers' bindings.


How many books are in your collection?


I currently have 116 books in my collection.


DSC01326 (1).JPGWhat was the first book you bought for your collection?


The first book I purchased was the fifth and sixth volumes from a six volume set, R. Brookes, A New and Accurate System of Natural History (London, J. Newbery, 1763). These classify both fossils and plants and reflect the relative controversies the Linnaean system of naming and classifying nature awoke in Britain during the 1760s. These books contain a number of copper plates, including one which names a fossilised bone 'Scrotum Humanum', as a joke to mock Linnaean binomial naming practices.    



DSC01328.JPGHow about the most recent book?


My most recent book was a copy of George B. Emerson's A Report on the Trees and Shrubs growing naturally n the Forests of Massachusetts (Boston, 1846) which comes from the library of the Prussian explorer and polymath Alexander Von Humboldt (1769-1859). This book was sent to Humboldt by Emerson and reflects a number of Humboldt's main interests, such as Americana. However, Humboldt did not pay a huge amount of interest to this particular book, as evidenced by the leaves remaining uncut and it still being in its original paper covers. Following his death, Humboldt's collection was sold at Sotheby, London, in 1865. During the sale a fire destroyed much of Humboldt's collection. Sotheby issued a new Catalogue of the Remains of the Humboldt Library in 1871which contained only 574 items out of the original 11,164. This is one of the few surviving books from Humboldt's collection and has traces of burning on many of the pages. It appears to have been given a new binding in the late nineteenth century, although the original covers have been retained which include the inscription. This copy can be found in the sale catalogue of Humboldt's collection, listed as '2663 Emerson (G. B.) Report on the Trees and Shrubs of Massachusetts, author's autograph inscription, royal 8vo. Boston 1846'.


DSC00919.JPG


And your favourite book in your collection?


My favourite book is a relatively recent acquisition--an extensively annotated, interleaved copy of the third volume of Thomas Pennant's British Zoology (1812).  This copy is Thomas Pennant's son, David Pennant's personal working copy, and many of the additions and annotations reflect revisions he was making to this work in order to prepare it for a new edition--which never appeared. This copy contains numerous letters which refer to specimens; newspaper cuttings on fish and reptiles; and notes, some of which are David Pennant's field notes from when he was observing various fish in and around his local parish of Whitford, near Holywell, North Wales. This particular book is of central importance for my research (Pennant's is one of the main collections I study) and this work gives an impression of how David Pennant was used his library in relation to his natural history collection.


DSC01324.JPG


Best bargain you've found?


Probably my best bargain was an annotated and interleaved copy of Francis Bacon's Novum Organum (London, 1856). I purchased this book for approximately £5. The annotator was John Grote (1813-66), Knightsbridge professor of moral Philosophy at the University of Cambridge. This was Grote's working copy.


DSC01329.JPG


How about The One that Got Away?


I once saw a signed presentation copy of Richard Owen's Description of the skeleton of an extinct gigantic sloth (1842) for a very small amount of money. I left it and once I returned to buy it, it had already been sold.


What would be the Holy Grail for your collection?


Probably my annotated copy of Pennant's British Zoology.


Who is your favourite bookseller / bookstore?


My favourite bookstore is David's bookshop in Cambridge. They frequently have exceptional rarities turn up in the rare books room.  


What would you collect if you didn't collect books?


I would collect natural history specimens -I have a particular interest in palaeontology and already have a small fossil collection. This is nicely complimented by the early natural history and geology books in my collection. 

 





























On July 6, 1917, the disparate Bedouin tribes of the Arabian Peninsula joined forces against the Ottoman Empire in the Battle of Aqaba, made famous by the 1962 motion picture Lawrence of Arabia. Seeing a strategic opportunity to break open the war against the Ottomans, the British military sent T.E. Lawrence to advise Emir Faisal I, king of Greater Syria. But Lawrence did more than just provide counsel: he was an active leader in the attack. The battle represented a turning point in the war in the Middle East, and the story and images of Lawrence on camelback with Bedouin cavalry charging across the desert have captivated the public imagination ever since.

                                                                                                                                                                                 

With_Lawrence_in_Arabia.jpg

image credit: Lowell Thomas. Public domain. 


Thursday marked the centennial of the Battle of Aqaba, and antiquarian bookseller Maggs Bros. Ltd. is exhibiting material relating to Lawrence and his exploits while also celebrating the firm's move to 48 Bedford Square, a stone's throw away from the British Museum.


"Lawrence is a fascinating target for the book collector," said Ed Maggs, managing director for the company. "To have written two books, translated a few extra, and to have a bibliography of some 8000 items, is remarkable." Admirers and collectors are drawn to the romantic wartime figure, whose "dash, brio, and unconventionality of the Arab Revolt was in stark contrast to the clumsy mechanised brutalities of the Western Front," said Maggs. "He was painfully aware that the dream of complete independence for the Arab nation or nations that he was pitching to the Arabs was not deliverable because of the existence of the Sykes-Picot treaty, but he went to great lengths after the war to compensate for this."

Others connect with Lawrence because of his ability to keep cool under pressure. "He consciously kept his emotional core closely guarded, while subjecting himself to pretty scorching self-examination of his motives and his being," Maggs explained. "There are few people of his period who were so self-aware and so eloquent on the subject of their own failings: as a model for the postmodern male, he led from the front."

Entitled To Aqaba, the exhibition features items from various moments of Lawrence's life. Highlights include a 1919 pencil portrait of Lawrence by Welsh artist Augustus John and the bloodstained map Lawrence carried with him on his walking tour of Syria in 1909. A unique proof copy of Lawrence's best-selling Seven Pillars of Wisdom includes an inscription from Lawrence to his literary agent, Raymond Savage. Notes prepared by Winston Churchill, who addressed mourners at Lawrence's funeral in 1935, reads, "What a tragedy it is that we have not got Lawrence with us to settle up Palestine. He alone could have done it and everybody would have taken his decision."

                                                                                                                                                                         

maggs.JPG

image credit: Maggs Bros. Ltd.


Maggs also reports that he and his team have adjusted perfectly to the new location. "We're loving our new digs, and it's been a very easy transition to the more bookish milieu of Bloomsbury, where we're surrounded by publishers, agents and academics: on one side we have Bloomsbury Publishing, on the other we have Yale University Press. Our first walk in customer, just a few minutes after we opened for the first time, was a charming man whose wife, a successful novelist, was having a meeting at Bloomsbury," enthused Maggs. "The building itself is magnificent and we've done (in all humility) a first rate job of restoration of a first rate building. It is something of a palace of rare books, and I encourage people to come and visit." The firm is retaining its impeccable shop in London's Mayfair for the time being.

                                                                                                                                                                       We all wish Maggs Bros. many happy years in Bloomsbury. To Aqaba will be open to the public through July 14th. For more information, contact Maggs Bros. Ltd. here.

As we gear up for the 17th Library of Congress National Book Festival on September 2, take a look at this year's poster, designed by Roz Chast. The New Yorker cartoonist was chosen for the job by a team of graphic specialists at the LOC. Its whimsical design depicts the festival from the books' point of view, wondering what is going to happen to them today.

NBF17-Poster-April-sm-581x1024.jpg"Books have always been a major part of my life from the time I learned to read," explained Chast. "They are a way to escape from the world, but also a way to feel more deeply connected to it. I wanted to make a poster that expressed the excitement, appreciation, and delight I have for the books of my life."

Last month, the LOC announced the festival's Main Stage line-up, which includes historian David McCullough and novelist David Baldacci, and yesterday, the Library announced the "Booklovers Circle," a fundraising program that provides perks to donors. For a $1,000 gift, a "Booklover" will receive two badges for reserved seating in any of the festival stages; expedited entry; invitations to literary events at the LOC throughout the year; and a signed limited edition of Chast's poster.

Image courtesy of the Library of Congress

Potter & Potter, the Chicago auction house that has until now focused mainly on magic, is officially entering the book biz, with its inaugural books and manuscripts auction on July 8. With a few notable exceptions--e.g., this Lovecraft-Houdini typescript--Potter & Potter has previously focused its efforts on music and movie memorabilia, posters, circus ephemera, and other collectibles. This first books and manuscripts sale will, according to Potter & Potter, "feature high spots in a number of collecting categories, including printed and manuscript Americana, modern first editions, travel and exploration, natural history, fine bindings and continental books from the 16th century to present day."

There's a lot of ground to cover in this 564-lot sale. Here are a few highlights:

Screen Shot 2017-07-04 at 8.32.47 AM.pngA complete run of Street & Smith's The Shadow (1931-1944), in forty-eight bound volumes, from the library of Walter B. Gibson, creator of "The Shadow" character. The estimate is $8,000-12,000.

A Peter Force engraving of the Declaration of Independence on rice paper, from Force's 1837-53 series of books, "American Archives." The estimate is $15,000-20,000.

A first edition of Andy Warhol's Children's Book (1983), signed five times by Warhol. The estimate is $5,000-7,000.

A signed check from Samuel Clemens (Mark Twain) to his brother, Orion, in the amount of $82 on July 26, 1875. A related letter at the Bancroft Library tells us that the money was to rent a church pew, which didn't sit well with Twain. "I am willing to lend you money to procure the needs of life, but not to procure so useless a luxury as a church pew." The estimate is $1,200-1,800.

Image via Potter & Potter Auctions

Lot 65.jpgComing to auction later this month at Christie's in London is an early nineteenth-century walking stick that belonged to the Scottish novelist and poet Sir Walter Scott. Made of malacca, or East Indian rattan palm, this walking stick was given by Scott to the Scottish painter, William Allan in 1831, just a year before the author's death. According to Christie's, "The stick is recognisable from well-known portraits of Scott, including one painted by Allan himself (Edinburgh, Scottish National Portrait Gallery), and the portrait by Sir Thomas Lawrence, commissioned by George IV (Royal Collection)." It is estimated to fetch £3,000-5,000 ($3,800-$6,500) at auction on July 12.

Lot 65 a copy.jpgWalking sticks are the kind of personal artifacts that interest collectors. Those once owned by Charles Dickens, Henry David Thoreau, Max Beerbohm, and Branwell Brontë are all in institutional collections (Thoreau's is currently on view at the Morgan Library). Desks are also coveted objets d' auteur; one of Scott's sold back in 2014 for $8,500.

Images courtesy of Christie's Images Ltd. 2017