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At some point in childhood, who hasn't leapt onto a rope swing, real or imagined, beat their chest like a wild person, and hollered a blood curdling yell, before plunging into cool waters below?  Homage to this familiar scene will be paid this year with the centennial celebration of Edgar Rice Burroughs' creation of Tarzan.

     Burroughs' gentle jungle man first appeared in the pulp magazine All-Story in 1912. "Tarzan of the Apes" was an instant success. Seeing greater literary things for his character, Burroughs tried with little avail to get his story published by a "distinguished" publishing house. Finally in 1914, Tarzan of the Apes was published as a book by A.C. McClurg & Co. Since then, Tarzan has appeared in dozens of story lines, and in the process, shaped modern literary and pop culture.

     Bill Hillman, who curates the fan site, Edgar Rice Burroughs web museum, said Tarzan has had the ability to evolve with the times. "Tarzan is a multimedia hero: on film by 1918, as a comic by 1929, on radio by 1932, and a leader in the burgeoning multi-media boom as the century progressed: TV, gaming, merchandising, animation, Internet, etc. The character has the strange plasticity that allows him to be put into countless, even contradictory, kinds of stories."

     In the collecting world, the Tarzan books have grown to be quite desirable. Last year, a 1912 All-Story first edition sold at a Heritage Auction for well over $40,000. Hillman was not at all surprised to see the pulp magazine that was so "very disposable" in its day fetch such a price.

     Tarzan will enjoy quite the celebration this year. With a documentary about the early Tarzan films being released, as well as the centennial celebration with guest speaker Jane Goodall, Tarzan will certainly swing on into his next century as beloved as ever.


Photo Courtesy of the Edgar Rice Burroughs Web Museum
Catalogue Review: La fin des Livres?

Screen shot 2012-06-15 at 9.58.28 AM.pngIs this a catalogue review? Yes and no. But the list of ten books circulated this week by Justin Croft Antiquarian Books of Kent, England, deserves a closer look. I love the idea behind this list of books by the late nineteenth-century Parisian publisher Octave Uzanne, "a bibliophile who foresaw the potential of electronic publishing. But he also saw that printed books could survive in the coming era by becoming objects of desire." So he created beautiful books with well-designed covers, color plates, embroidered silk jackets, ribbons, and thick paper; the material artifact spoke volumes.

Here Justin Croft has curated a collection of ten books, not only for the collector of Uzanne or fin-de-siecle Paris, but also for those of us interested in this ongoing 'death of the book' narrative -- it is one of the consuming narratives of the current media landscape, and yet, as these books remind us, it has a much longer history. Croft explores the topic not by subject matter, but by the materiality of the books' production, which is a very cool concept.

To read these descriptions, it seems as if Uzanne's books were often delicate, with heavy paper and silk chemises. La femme a Paris, from 1894, is seen here in its scarce original pictorial and embroidered silk chemise, for example (£500). A study of women in 'nineties Paris, it contains twenty hard-colored engraved plates, plus other illustrations, on floral paper. A fine copy of Son Altesse la Femme, from 1885, likewise appears in its original blue paper chemise with broad silk ribbon ties (£800). La nouvelle bibliopolis, "a plea for a new bibliophily" from 1897, was another fragile production, and in this case, the former owner pasted the publisher's gilt wrappers to heavy boards to preserve them (£1000).   

With only ten books, the list is short and sweet. Don't miss it -- download it here
Fools-Map.jpgEurope's largest specialist map fair will take place this weekend at the Royal Geographic Society in London on Saturday, June 16th, and Sunday, June 17th. For those two days, the world's most significant assembly of maps for sale will be available for browsing in Kensington Gardens. 

Tim Bryars, an antiquarian map dealer and one of the co-organizers of this weekend's London Map Fair said, "The reason that the map fair has become an unmissable event for dealers, curators and collectors over the last thirty years is the sheer range of material that will be on offer." Bryars continued, "I know that I'm going to see maps I've never seen before, maps that I never heard of before, and maps that I want to buy."

Over forty international map dealers will be in attendance and prices will range from the entry level £10 to several hundred thousand pounds. In addition to maps, sea charts, globes, travel books, and atlases will all be on display. Several free lectures will be offered, including one on London's hidden rivers.

Bryars will be bringing several satirical maps to the fair, "including Louis Raemaekers' 1915 satirical map of Europe, which he titled 'het gekkenhuis' (roughly translates at ' the lunatic asylum'!)." Byars continued, "Raemekers made powerful enemies in Germany. The German government made the Dutch put him on trial for compromising Dutch neutrality, and after he was acquitted and fled to England they put a price of 12000 Guilders on his head, dead or alive! They took satire more seriously in those days."

gekkenhuis.jpgSpeaking to Bryars for a few minutes will turn anyone into a map collector.  His enthusiasm for maps is contagious. As he said in our recent conversation, "Maps were rarely made simply because something was there; they were seldom made (in their final form) by anyone who had been to places shown; until the modern era, they were expensive items, beyond the reach of most people; they were more likely than not intended for armchair travellers rather than people trying to get from A to B, and what has been deliberately distorted or left off the map altogether is often as significant as what the map actually shows. It can often be reduced to some combination of trade, politics and religion, power and propaganda."

"Maps are anything but neutral represenatations of parts of the world, made to the best abilities of the map-maker!"

The London Map Fair, with free admission, will take place this weekend:
Saturday, June 16th: 12:00 - 7:00 and Sunday, June 17th: 10.00 - 5:00 at
The Royal Geographical Society (RGS),
1 Kensington Gore, London,  SW7 2AR


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In 1935 a reader of the Times Literary Supplement wrote in to address a 'revolution' in libraries: "Perhaps the greatest change which has taken place has been in the conception of what a library really is. It is no longer regarded merely as a place where books are kept, nor as a collection of books remaining in such a place." The correspondent had not read Borges. The piece did not conclude at the indefinite Library of Babel and its endless possibilities. Instead, it was about bookmobiles:
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To address the problem of access, local libraries had equipped trucks with a rotating selection of books, extending their services to the outer reaches of their communities. The system was an effective deterrent to dust settling, and the cold hard statistics of borrowing from village to village could make claims for a library's place in the world, its relevance, its use. This was especially critical during the war: as Percy Muir put it in a 1940 TLS column "The war gave...obscurantists a splendid opportunity to popularise their anti-literary bias under a patriotic camouflage" and close down libraries. But for the bookmobiles on the front lines, among other factors.

Even if it is shocking to think that libraries are still under threat, it's nothing new, and neither is the success of a little creative advocacy on their behalf: in this case what began as a lone man pushing books in a wheelbarrow through Cumberland in 1857, then a horse-drawn cart by the turn of the century, and finally a fully tax-funded scheme complete with branded vans that continues to this day. There are bookmobiles serving villages across England from Staffordshire to Cambridgeshire (UK residents, find your local bookmobile's route here). 

Traveling libraries have their place in the US as well (see above image, Rolling Prairie Library Book Mobile, Illinois, 1966): the first 'Perambulating Library' was driven by a librarian named Mary Titcomb in 1905 around the backroads of Washington County, "a cross between a grocer's delivery wagon and the tin peddler's car of bygone New England days" (Source). The American Library Association celebrates National Bookmobile Day on April 11th each year. Which brings us to 2012, where the itinerant library of the 21st century still has a lot to teach about the outer limits of reading:

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There is Always More Space to Fill, because states of disuse are in constant flux. In the town of Westbury-sub-Mendip, population 800, people have teamed up with British Telecom to adopt disused red telephone booths across the countryside for conversion into mini-libraries, an idea that has caught on around the rest of the country. On the opposite end of the spectrum, even New York isn't too crowded for the same kind of real-estate recycling: the Department of Urban Betterment has set up libraries in a few locations (Source):
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Traveling Libraries Can Fight Injustice, the old fashioned way. For instance, in Tucson, Arizona this March the 'Librotraficante' ('Booktrafficker') movement was born, a caravan of cars carrying books throughout the area's school districts that had been banned by the Governor. The caravan handed out copies of the books that were banned, most pertaining to Mexican-American history, The Dictionary of Latino Civil Rights History, Rethinking Columbus, but also other works such as bell hooks' Feminism is for Everyone and Howard Zinn's People's History of the United States. If libraries exist to provide free services to those least likely to have access to information, traveling libraries have the unique ability to reach audiences whose resources have been cut off. 

Not Everyone Has Computer Access, let alone the luxury of travel by car. Luis Soriano Borges takes his "bibliodonkeys" Alfa and Beto through the mountain villages of Columbia to bring books to children. In Kenya, the mobile library is powered by Camels.
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Unconventional Approaches Have Lasting Effects. The itinerant library is something of a spiritual reminder that the library as a communal space can lead anywhere, as long as it leads to anyone. But its dependence on petrol makes it a little easier to comprehend than Borges' limitless library "whose circumference is inaccessible". The future is a little more concrete. In Argentina Raul Lemesoff's "Weapon of Mass Instruction", a mobile library that looks like a tank with space for 900 books provide free reads - with a pacifist message - to anyone he meets. Some kids pick up a love of reading early in life when they find a story that really grabs their attention...others will be lifelong readers after a run-in with a tank on the streets of Buenos Aries.
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Ditto Tom Corwin's refurbishment and revival of an old American bookmobile. Chasing a bookmobile down the street rather than an Ice Cream truck could raise the next generation of book collectors as well as keep us well in touch with the history of access in all its aspects, positive and negative. Corwin has already reconnected with the history of his truck's influence, according to an article in the Smithsonian: "As Corwin navigated his new ride through the streets of Chicago, he was approached by an African-American man who asked if it was possible to peak inside. Bookmobiles, he said, had been a fundamental inspiration while growing up in rural Mississippi in the mid-1960s. The public library had been closed to blacks - but the bookmobile stopped right on his street, a portal into the world of literature. The man was W. Ralph Eubanks: today an acclaimed author, and director of publishing for the Library of Congress."

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The Museum of Printing in North Andover, Massachusetts, will hold its ninth annual printing arts fair this Sunday. This free event has live demonstrations of letterpress, intaglio, papermaking, and typemaking, and it's perfect for families. If you're in the area, check it out!
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A Guest Blog by Carol Fitzgerald, author of the bibliographies The Rivers of America and Series Americana, both of which are available from Oak Knoll Press.

The Rivers of America
75th Anniversary

kennebec.jpgJune 14, 2012, will mark the 75th Anniversary of the publication of Kennebec: Cradle of Americans by Robert Peter Tristram Coffin, the first volume in The Rivers of America Series. The series, conceived and planned by Constance Lindsay Skinner in the mid-1930s during the depth of the Great Depression, was to cover about twenty-four rivers, but the quality and popularity of the books carried the series far beyond the original plan, topping off at sixty-five volumes when the series ended in 1974 with the publication of The American: River of El Dorado by Margaret Sanborn.

americanriver.jpgA succession of publishers: Farrar & Rinehart; Rinehart & Co.; and Holt, Rinehart & Winston, as well as several editors: Constance Lindsay Skinner, who planned and started the series; Stephen Vincent Benét; Hervey Allen; and Carl Carmer, kept the series going during some of the darkest days in our nation's history. The books, written by some of the finest writers of their time, and illustrated by artists, some of whose work today hangs in fine art museums, captured and preserved the folklore and history of not only the United States, but of Canada, and even of a river in Panama, The Chagres: River of Westward Passage.

chagres.jpgOver the past 75 years, the Rivers of America books have become highly collectible for several reasons: their regional appeal, their authors or illustrators, or for those like me, collectors who wanted to own a complete set of the books in the series.

We should not let this anniversary go unnoticed, as the Rivers of America series is a testament to our heritage, and for future generations the series will serve as a perspective of where we as a nation stood so long ago, as well as our appreciation of our country and its resources, our culture, and literature that mattered during the mid-1900s.

As I reflect on the joys of collecting books in the Rivers of America series, it is hard to decide which of the books are most important or meaningful, as each title is an important part of the whole, with a distinguished author and, if illustrated, a talented artist who, together tell the story of a great river and the region it served.

But as I developed what would be the definitive collection of Rivers books, and had the pleasure of sharing my collection through my work, The Rivers of America: A Descriptive Bibliography, a few books hold special meaning to me, and some have become valuable beyond my expectations.

st johns.jpgI shall never forget my first Rivers of America book: The St. Johns: A Parade of Diversities by Branch Cabell, and illustrated by Doris Lee. The purchase of that book in 1986 began a grand adventure of visits to untold numbers of dusty bookshops across the U.S., and led to precious and unforgettable friendships with authors and illustrators of books in the series, as well as others who shared my passion and interest in the series, an adventure that continues today.

By far my most thrilling "find" was the elusive edition of Powder River: Let 'er Buck, by Struthers Burt, published in German in 1948, and titled Der Pulverfluss. I learned of this edition while reviewing the Rivers of America files at the offices of Henry Holt in New York, and through Inter-library loan I was able to examine the book -- a cheaply-produced paperboard edition of five thousand copies. But despite years of online and personal searches abroad, I had no luck finding a copy for my personal collection until one afternoon about twelve years ago, when, for what seemed the 100th time, I did a search on abebooks.com, and there it was. A book dealer in Germany was offering it for $11.00 U.S. The book arrived in a thin manila envelope, still in the original publisher's protective plastic wrapping.

Although it is still possible to assemble a nice collection of first edition Rivers books, many titles command a respectable price in today's market. For serious collectors the signed, limited editions are particularly attractive, but they can be very expensive, and hard to find.

Here, in no particular order, are a few of my favorite and most memorable books in the series.

brandywine.jpgThe Delaware Edition of The Brandywine, signed by Henry Seidel Canby and Andrew Wyeth (his first commercial illustrations), is currently offered for $500, but I have seen it offered for as much as $900.

everglades_river_of_grass.jpgThe Florida edition of Everglades: River of Grass by Marjory Stoneman Douglas, and illustrated by Robert Fink is currently offered for $900.

cape fear.jpgThe Cape Fear by Malcolm Ross, published posthumously and not illustrated, is one of the scarcest books in the series. The book is currently offered for as much as $600.

hudson.jpgThe Hudson by Carl Carmer, with magnificent illustrations by Stow Wengenroth, was issued with four different dust jackets, a challenge for serious Rivers collectors.

st lawrence.jpgFour titles were issued as Armed Services Editions: The Hudson; Powder River; The St. Lawrence; and The Colorado. Of the four, The Colorado and Powder River are difficult, if not impossible to find today.

songsoftherivers.jpgAnd finally, Songs of the Rivers of America, edited by Carl Carmer, with music arranged by Dr. Albert Sirmay, a distinguished composer, conductor, and musical editor. The book, published in 1942, included illustrations taken from fifteen books of the Rivers series. This scarce book is currently offered at between $400 and $500.

And now, on a personal note, regarding my first Rivers purchase, The St. Johns: A Parade of Diversities, my life is coming full circle as my husband and I will soon relocate from Fort Lauderdale to Jacksonville and reside directly on the St. Johns River.

[Many thanks to Carol for this guest post on one of the most interesting Americana series of the last century. For interested collectors, Town's End Books frequently handles Rivers of America books and has a dedicated page on their website devoted to the series, offering many titles for sale.]



DANCING CHANCELLOR_PAGE3-4.jpgWith Queen Elizabeth II on our minds these days (even over here in the U.S.), a newly published fine press book captures the moment. Alice Simpson, a California-based artist who makes sculpture and artist's books inspired by dance, has designed and illustrated Queen Elizabeth I & Sir Christopher Hatton, The Dancing Chancellor.

DANCING CHANCELLOR_Open-2.jpgThe twelve-page, accordion-style book is set in 17th Century Print typeface and illustrated with original pieces by Simpson as well as sixteenth-century historical prints. The edition of sixty was printed on a Vandercook on Rives BFK Tan mouldmade paper by Dee Cutrona and hand-bound in gold-stamped clamshell boxes in Asahi silk by Bruce Kavin. The "Bronze Diamond" pastepaper endpapers were done by Claire Maziarczyk.

A book fit for royalty with a whimsical spirit, for $350. 
I have periodically written about my time at the Colorado Antiquarian Book Seminar, including on this blog. But the further along I get in my bookselling career, the more I recognize the enormous part attending played in whatever success I've managed to have. As this year's seminar approaches, I have expanded on my earlier praises for the seminar:

I doubt I would have been satisfied continuing to sell five and ten dollar books, and doubt even more I ever could have made any kind of living doing that [...] I certainly wouldn't have had the confidence to buy a bookstore without the seminar. Or to know what to do with a catalogue once it was printed, even assuming I finished one. And being, like many booksellers, predisposed to shyness and independence, I doubt I would have found a foot in the door to meeting other dealers that CABS provided. It is probably not too much to say that CABS provided me the vocation I am now pursuing.
I have posted these (lengthy) thoughts, along with some thoughts on the future of the book trade, on my blog. I hope anyone considering attending will take a few minutes to read and then go and register. With Bradford Morrow and Adam Davis as guest faculty, it promises to be a banner year.
Catalogue Review: Tomberg Rare Books, #1

Screen shot 2012-06-07 at 8.28.18 PM.pngIt is always a pleasure to review a bookseller's first catalogue, and this one, just issued by Tomberg Rare Books, is no different. The Connecticut-based bookseller specializes in little magazines, the mimeograph revolution, Beat poetry, artists' books, art, and ephemera.

A selection of William Burroughs includes a signed catalogue from Atticus Books listing 360 items for sale with a foreword by Burroughs on "The Future of the Novel" ($400) and the very cool Burroughs cut-up of the Nov. 30, 1962 Time magazine cover ($400). That issue contained a negative review of Naked Lunch, and Burroughs lashed back with this "part parody and part critique."

A complete set (four volumes) of City Lights Journal is a nice find ($120) for collectors of Burroughs, Ginsberg, Corso, Snyder, etc. Too much San Fran? The "overseas wing of the New York School" is represented in a complete set of Locus Solus ($320).

Here are some other names you'll encounter in this stand-out debut catalogue: Timothy Leary, Bob Dylan, Ezra Pound, & Hunter Thompson.   

My favorite? The Complete Press Kit for 'Fugs' Cross Country Vietnam Protest Caravan -- actually, a two-page handbill -- but what a great piece ($450). And this one comes from the collection of Ralph J. Gleason, San Francisco Chronicle music editor & co-founder of Rolling Stone.

Check out the full catalogue in PDF here
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As many of you will have heard already, Ray Bradbury passed away yesterday in Los Angeles at age 91. The versatile and much-beloved author of such classics as "Fahrenheit 451" and "Something Wicked This Way Comes," left behind an expansive literary legacy. His many interests led him to explore, and subsequently master, a variety of genres, including fantasy, science fiction, mystery, and horror.  But what really elevated Bradbury out of the ordinary rank of writers - and what he is most fondly remembered for within the rare book community - was his warm and generous personality.

Bradbury was always a cheerful book-signer, which accounts for the plethora of signed Bradbury books available online.  He was also famously generous with his time, mentoring other writers, and encouraging young people to continue to write in the face of many obstacles.

Bradbury was born in Waukegan, Illinois in 1920 and published his first collection of short stories, "Dark Carnival" in 1947. In the early 1950s, Bradbury produced an astonishing succession of future classics: "The Martian Chronicles," (1950) "The Illustrated Man," (1951) and, of course, "Fahrenheit 451" (1953). The rest is history.

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The bookish side of the Internet is quickly filling up with tributes to Bradbury, but if you are only going to read one essay on his life and work, check out Neil Gaiman's post on the Guardian's book blog. His touching tribute perfectly encapsulates the warmth of Bradbury's personality and the importance of Bradbury's work.

And for collectors, see Rebecca's post from earlier this week on "Death and Collectability," which discusses the tendency for demand to rise sharply in the wake of an author's death.  For an overview of current rates for Bradbury books, and for some great images of his dust jacket covers, visit this post at the Abebooks blog, which includes the 15 most expensive copies of Bradbury currently available on their website.