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Richard Goodman, known to you all as a long-time FB&C contributor, has published his third book, A New York Memoir, which hits stores this week. The story begins in 1975, when Goodman arrived in New York City, where he lives today. It follows the author as he meets remarkable people and grapples with the city's ups and downs. Susan Vreeland, author of Girl in Hyacinth Blue, said of the book, "So much more than an engaging memoir of New York, this is a heart laid bare. One can learn much from this man who feels tender toward cobblestones and old women, nostalgic about a daughter's childhood, frightened at the prospect of dying alone—a rare individual who, with honesty, sensuousness, and keen observation, turns yearning and remembrance into art."

Taking this opportunity to chat with Richard about something aside from rare books and deadlines, I asked him about creating this memoir and about his life in New York City.
Golden Legend Inc. of Beverly Hills, California, has just published a limited edition of John Ward and His Magnificent Collection, which looks at Ward as an educator, collector, and curator. Ward devoted his life to collecting rare music scores and original editions, all of which are now at Harvard.

From the book's introduction: "The purpose of John Ward and His Magnificent Collection, call it another festschrift, is to examine and celebrate John Ward's labors since his retirement. In these twenty five years, his second career continues the first and expands his work as a collector and curator of a vast and internationally important collection of original music and dance material for the Harvard University libraries."

Edited by bookseller Gordon Hollis, the 168-page book contains an introduction by Hollis and a transcription of an engaging interview between Hollis and Ward. It also contains chapters by noted antiquarian music dealers John and Jude Lubrano ("La Chasse et Le Professeur; or, Reminiscences of Four Decades on the Prowl"), Sir Curtis Price ("Origins of the King's Theatre Collection"), and Professor D.W. Krummel ("Lutebooks on the Loose"), among other curators and librarians.

The edition of 200 in hardcover costs $75 and may be ordered directly from Golden Legend. All profits will go to the Harvard Theatre Collection.

To read more about antiquarian music collecting, check out the feature written by Joel Silver from FB&C's May issue.  
A few days ago, this story popped up in the AP about a trove of nineteenth-century architectural drawings of Central Park features and other public spaces in New York City. It seems that a New Jersey real estate broker named Sam Buckley, who inherited the documents from his father, recently placed many of them with Christie's for an upcoming sale. Buckley said his father told him he found them in a city dumpster sometime before 1960. Now seen as priceless city archives, "The city asked a court to order the drawings turned over or award at least $1 million in damages" reported the AP. My reaction to that is, "What?!" I would love to hear what our readers think.

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Bethesda Fountain and Terrace in NYC's Central Park. Drawings of these features by
architect Jacob Wrey Mould are the subject of legal wrangling. Credit: Alonso Javier Torres. 


Incidentally, in this month's digital edition, I reviewed David Howard's new book, Lost Rights: The Misadventures of a Stolen American Relic which touches upon the same issues. How can anyone determine how an historic document was acquired 50 or 150 years ago? How much time can pass before cities, states, or governments are no longer able to make ownership claims? Particularly if they never attempted to get to back (e.g. in North Carolina), or never even knew it existed (e.g. in New York), or discarded it back in the days when 'institutional archives' were attics and basements with poor security and little professionalism.  

You may soon have an opportunity to purchase America's largest collection of books. The asking price will be steep and you will have to compete with one of Forbes' "400 Richest Americans."

Barnes and Noble announced on August 3rd that it is thinking of selling itself. Why? The push may be coming from billionaire Ron Burkle, who likes to buy and sell supermarket chains and is part owner of the Pittsburgh Penguins. He's been acquiring stock in Barnes and Noble since 2008, although he is not a majority shareholder.

Most discussions about bookstores eventually head down one conversational aisle: e-books. Burkle is convinced that Barnes and Noble should become - wait for it - a consumer electronics company.  He doesn't just mean that Barnes and Noble's e-book reader, NOOK, should compete more heavily with Amazon's Kindle and Apple's iPad, he feels that Barnes and Noble stores should go all out and become a retailing hydra: selling books, e-book readers and consumer electronics products from Hewlett-Packard. (Think Apple Stores with "Twilight" and Dan Brown novels over near the restroom.)

Burkle has been involved in a nasty proxy lawsuit with the Barnes and Noble board. The Delaware judge overseeing the fight, Vice Chancellor Leo Strine, struck down Burkle's suit, writing in his ruling, "At bottom, Yucaipa is simply positioning an absurd scenario at best fit for a discussion by a Red Bull fueled group of nerdy second year law school corporate law junkies, who find themselves dateless (big surprise) on yet another Saturday night."

Ouch.  Talk about being kicked in the nook.

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The 18th annual conference for the Society for the History of Authorship, Reading and Publishing begins on Tuesday in Helsinki, Finland. Titled "Book Culture From Below," the conference's focus is book culture among 'everyday' readers (peasants and proletarians). More than 250 scholars from various fields will delve into topics like Twentieth-Century Reading and Book Markets, Private Libraries in Rural Cultures, Publishing Fairy Tales in New Contexts, Transmission of Books and Manuscripts, and Materiality of Books, among others. The program lists numerous panel discussions and lectures (with links to PDF documents that contain abstracts on each topic). A few of the events will be available through webcasts.

Book historians doing webcasts? In a recent email, SHARP's vice-president, Dr. Ian Gadd of Bath Spa University wrote, "SHARP 2010 in Helsinki will be the most online SHARP conference yet, with webcasting, Facebook, Flickr photographs, and Twitter." So there are ways for those of us with an interest (that is not necessarily academic) to participate in this fascinating conference.

It should also be noted that SHARP recently redesigned its website, which is now a scholarly nook for book history news, academic events, and research guides. 
I sometimes encounter at book fairs, trade shows and the like, book collectors who complain that "there's nothing new to collect."  This often is after these collectors have come away empty-handed from such affairs, despite several hours spent wandering concrete floors.

Perhaps the subjects or authors they collect are subjects and authors other collectors also collect.  This can lead to depleted bookseller inventories, to much higher prices than they are accustomed to (or willing to) pay, and so forth.  

It is then that such collectors often seek what John Carter termed New Paths in Book Collecting--which is to say, there must be some interesting author or subject out there that no other book collector has yet latched on to--something that can be collected comprehensively, and relatively inexpensively, because no one else is yet collecting it.  But what?

Hello...!  Have you ever heard of libraries?!  What about bookstores?!  A few hours of wandering aimlessly about either of these will expose you to countless collecting possibilities.

Oops.  "My bad!"  I forgot that municipalities nationwide are shuttering their libraries.  And are just as rapidly withdrawing their support for brick-and-mortar independent bookstores.  So much for serendipity.

Or not.  The Internet is brimming with serendipity, as anyone can vouch for who has ever wasted time on social networking sites like StumbleUpon.  Consider, for example, the book collecting possibilities of a topic I recently came across in just such a serendiptious manner, synesthesia....

According to MedicineNet, synesthesia is a medical condition in which normally separate senses are not separate. Sight may mingle with sound, taste with touch, etc. The senses are cross-wired. For example, when a digit-color synesthete sees or just thinks of a number, the number appears with a color film over it. A given number's color never changes; it appears every time with the number. Synesthesia can take many forms. A synesthete may sense the taste of chicken as a pointed object. Other synesthetes hear colors.

Why collect books about this subject (assuming oneself or a loved one does not have this condition)?  Well, for one thing, the printed literature is not that vast. The earliest reference I could locate was a pamphlet published in 1820.  Most of the literature dates from the mid-20th century onwards.  Not more than a few hundred titles altogether.

Moreover, the majority of these titles do not appear to be particularly expensive (a couple of typical examples are depicted below).

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Articles about synesthesia might also warrant some space on one's bookshelves--many of these are readily available electronically (although the more scientific articles often require payment for access).  As with books, the literature is not that vast...yet.

Of course, someone may already have beaten you to the punch, and is furiously collecting everything he or she can about synesthesia....

In the current issue of Drew Magazine (of Drew University in Madison, NJ), editor Renee Olson brings to light a document buried deep in the university's archives, a document I had the pleasure of holding in my hands when I worked on the Drew Library's Gibbons collection back in 2004 and 2005. Her article, "Paper Cuts," describes a racist caricature and poem about Sally Hemings that Thomas Gibbons owned. Gibbons, a wealthy Southern planter, mayor, and steamboat magnate, was notoriously anti-Jeffersonian. The drawing is titled "Mrs. Sally Jefferson." The artist/poet can only be guessed at, and until recently, the document itself was unknown to all but a few Drew librarians and researchers. When Olson spoke to Annette Gordon-Reed, Pulitzer Prize-winning author of The Hemingses: An American Family, she was told that only two other representations of Hemings are known. 
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The Library of Congress launched an iPhone or (iPod Touch) app this week (you can download it here), which includes photo galleries, audio and video tours, and background essays on many of the library's major collections. The section on Jefferson's Library is particularly worth a browse (but then, I'm a bit biased).

Enjoy!
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The Raab Collection, historic document dealers located in Ardmore, Pennsylvania, has just published a new catalogue titled Great Collections: The 19th Century. Fully accessible online, the new guide includes chapters on how to build a collection, tips on preserving, displaying, loaning, or donating items, and highlights from their 19th-century holdings. "Our goal is ... to demonstrate the scope and nature of a great collection and to arm the reader with the tools to create one." For collectors, history buffs, or genealogists who are just beginning to build a collection and need advice on things like archival framing, acid-free binders, and insurance riders, this handy and well-illustrated guide is perfect. The images and  descriptions of several noteworthy autographs and historic documents make for enjoyable perusing, and, as an added bonus, they have reprinted an article on facsimiles that Raab recently wrote for Forbes.

For a longer treatment of historical autographs and document collecting, Raab published a more elaborate guide last year, In the Presence of History, which is available for purchase from their site. With 178 pages and hundreds of illustrations, it is much more comprehensive and appeals to serious collectors.   
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David Rees, a former comic artist in Beacon, New York, has started a business in which he hand-sharpens his customers' pencils. His company is called Artisanal Pencil Sharpening, And here I thought I was super cool with my wall-mounted Boston sharpener. The cost for this service is $15. On his site, the endearing Rees begs you to understand that this is not a joke, even if it does make you smile. For $60, you can get a super sharp No. 2 and a signed, limited edition print (seen here at left) that Rees made to celebrate the opening of his webfront.

On August 20th, Rees will be sharpening at the Montague Bookmill, near Amherst, Massachusetts. If you're in the area, check it out!

Many thanks to FB&C contributor Jonathan Shipley for posting a link on his blog to yesterday's LA Times story about David Rees and his unusual business.