Exhibit | July 28, 2020

The Carle Presents Eric Carle's Angels: An Homage to Paul Klee

Collection of The Eric and Barbara Carle Foundation © Penguin Random House LLC

Eric Carle's Homage to Paul Klee 6, 2016.

Amherst, MA — Four years ago, at the age of 87, picture book artist Eric Carle began creating a series of cardboard and found object collages depicting angels. He dedicated these abstract assemblages to the artist Paul Klee (Swiss, 1879-1940), who created over 70 drawings and paintings of angels during his lifetime. The Eric Carle Museum of Picture Book Art is pleased to present Eric Carle’s Angels: An Homage to Paul Klee, which opened on July 22 and will be on view until November 29, 2020. The Museum reopened to its members on July 22 and will open to the general public on August 1. See reopening guidelines and new hours here.
“Klee and his angels have become my strange and mysterious passion,” says Carle. “Several years ago I began to feel the need to honor Klee’s angels in visual form.” Carle created 20 artworks in a spirit of playful improvisation, unbound from the restraints of the picture book. Exhibited for the first time in the United States, the angels reveal his artistic interests beyond children’s books and affirm his love of collage.
Carle’s angels—singular, bold, three-dimensional—are a testament to the expressive power of collage in the hands of a master. His primary material is cardboard, cut from old shipping boxes and the mats on which he paints his tissue papers. The cardboard fragments show the colorful brushstrokes of Carle’s past creations, and he integrates logos and bar codes into the compositions. He mines his studio for other objects—crayons, fabric, aluminum, carpet, and empty tubes of paint—to adorn his angels. Constructed of everyday materials, Carle’s angels are earthbound meditations on art, process, and temporal beauty.
“When Eric showed me his angels, I knew I wanted to present them in a special exhibition,” says Ellen Keiter, the Museum’s chief curator. “The intimacy of our smaller Central Gallery seemed the perfect setting. We painted the walls a celestial blue and designed a reading area with books about Eric and Paul Klee. I think guests will find Eric’s angels as fascinating as I do. They are deeply personal and so different from his picture book illustrations.”
While the Museum has been closed, the staff posted online content featuring artwork in its collection. Keiter created a short video introducing Carle’s angels. In it, she describes Angel #6: “One of the early works in the series, Angel #6 is constructed of simple geometric shapes cut from the old cardboard mats on which he paints his tissue papers. The forms bear thick and feathery brushstrokes, the colorful remnants of past creations. In contrast to some of Carle’s more abstract works in the series, this angel’s form is clearly delineated with two large metallic wings.”
A new publication, Eric Carle’s Angels: An Homage to Paul Klee by H. Nichols B. Clark, was printed for this exhibition. It is available in The Carle Bookshop. $18.95