When I was in fifth grade, I went to my first book signing, where I was thrilled to watch J.K. Rowling sign my first printing of Harry Potter and the Sorcerer's Stone (alas, not the Philosopher's Stone). I knew it was special, as did my parents. When I wanted to take it to school with me so that my friends could see it, they ensured that I put it in a Ziploc bag. I gave everybody handling instructions when they wanted to touch it. I guess that counts as early practice for my reading room spiel? Researching the book introduced me to Abebooks and Ebay, which led me down the rabbit hole. Eventually, my undergraduate advisor at the University of Georgia, Professor Frances Teague, suggested an internship at Hargrett Rare Book and Manuscript Library. That sealed the deal.

 

 

I graduated with an MSLS and a Concentration in Archives and Records Management from the University of North Carolina, Chapel Hill.

 

 

Amongst other things, I select for, acquire, and manage our rare book, manuscript, and maps collections. You can watch me open boxes of orders and gifts on our Vine. I also run the Map Collection tumblr.

 

 

My current favorite items in Iowa's collections are our medieval manuscripts (digitized versions can be seen here). I find something new to me every time I look at them. During a recent class, I noticed a map in the margins of our 1465 Pharsalia manuscript, which I suspect is the oldest map in our collection. The collection that has had the most lasting effect on me is the Heralds of Science, which is located at the Dibner Library of the History of Science and Technology at the Smithsonian. I transcribed copy specific information for each of the books during the course of an internship there. Working my way through that collection gave me a tremendous appreciation of scientific books and the history of science.

 

 

I collect for the institution, so I tend to stay away from too much personal collecting. I have a few signed first printings from my favorite authors, and I would like to collect 19th century fashion images.

 

 

I enjoy disc golfing and attending weekly trivia with an ever-increasing number of librarians.

 

 

Everything! There is always something to explore, something to share, and somebody to share it with. I can spend one day focusing on bindings, the next day looking at scrolls, and the next day looking at typography. The topics discussed in our shared office each day might include 20th century science fiction or a 15th century palimpsest. I just returned from Rare Book School, which I knew would be great, but which still surpassed my expectations. It was invigorating to be around so many people who share the same sort of passion.

 

 

Special collections are becoming increasingly available to the public and interest is growing in leaps and bounds, which is quite thrilling. Space will always be a problem, whether digital or physical, but the material going into that space is wonderful, and increasingly diverse.  My special collections colleagues (at Iowa and around the world) continue to amaze me with their passion and dedication, and are the biggest reason special collections is such an exciting place to be. Overall, I cannot wait to see where we are heading.

 

 

There are so many that it's hard to pick just one. Colleen Theisen highlighted a few when she answered this question two years ago, but there are many more. One is the Szathmary Culinary Collection, which continues to grow as donations and purchases come in. I have focused on manuscript cookbooks in recent additions to the collection. Those can be a lot of fun. If you need a remedy for canine distemper, you can find it right next to the ingredients for a scent jar and a recipe for apple jelly. I am also partial to the Map Collection since it was the first one I worked with here, and it never gets enough love from researchers. There is a lot of untapped potential there for exciting and fresh research.

 

 

This Fall Special Collections is partnering with the University of Iowa Center for the Book and the John Martin Rare Book Room to host Micrographia: Book Art Responses to Early Modern Scientific Books. The call for interest closed at the beginning of July, so now we are looking forward to seeing what the book artists come up with. We also have several exhibits planned in anticipation of the grand opening of our shared exhibit space on the first floor of the library. One of them is First Folio! The Book that Gave Us Shakespeare, which is coming our way in Fall of 2016.

A Tyndale Bible is coming up for auction on July 14 at Sotheby's London. The copy is a 1536 printing, the last printing of Tyndale's Bible during his lifetime.

William Tyndale, inspired by Martin Luther's German translation of the Bible, translated the New Testament from Greek into English and printed the first complete copies in 1526 while on the run in Europe as a religious fugitive from England. He published two revised editions, one in 1534 and the other in 1536. That same year Tyndale was betrayed to the authorities, arrested, convicted as a religious heretic, and strangled to death in Belgium.

Copies of his Bible, meanwhile, were burnt on discovery in England where they were condemned. (In a terrible twist of irony, only a few years after Tyndale's death, Henry VIII commissioned the first official Bibles to be published in England in its native tongue).

The Tyndale Bible heading to auction next week is also notable for its discovery by its current owner. In a once-in-a-lifetime "great find" moment, the present owner stumbled across the Tyndale Bible while browsing for books in a secondhand bookshop in Cambridge in the 1960s. The price? 25 shillings or about $2.

At auction next week, the Tyndale Bible is expected to fetch $38,000-53,000.

John Tenniel (1820-1914), "Nothing but a pack of cards! "1885, Hand-colored proof. Gift of Arthur A. Houghton, Jr., The Morgan Library & Museum, Photography by Steven H. Crossot, 2014.


Everyone has Alice fever this year, and with good reason; the precocious title character of Lewis Carroll's (1832-1898) Alice's Adventures in Wonderland turns 150, and museums and libraries around the world are hosting exhibitions and lectures dedicated to exploring the enduring fascination with what many consider one of the greatest stories ever told. From June 26 through October 11, New York's Morgan Library & Museum will celebrate Alice with original correspondence, drawings and photographs from the Morgan's own vast holdings. The centerpiece of the show is on loan from the British Library - Carroll's original 1864 manuscript, complete with his own pen and ink drawings, that the author had presented to Alice Liddell, the inspiration for the Alice in his book.

Charles Lutwidge Dodgson was polymath in every sense, and his love of languages and logic touched every aspect of his personal and professional life. Even his pen name was carefully conceived; translated into Latin, Charles Lutwidge becomes Ludovicus Carolus, then retranslated back into English as Lewis Carroll. This and other such intriguing trivia are part of the Morgan exhibit and bring yet another dimension to the worldwide success.


Lewis Carroll (1832-1898), John Tenniel (1820-1914), illustrator, Alice's Adventures in Wonderland, London: Macmillan and Co., 1865, First printing (first suppressed edition). Gift of Arthur A. Houghton, Jr., The Morgan Library & Museum. Photography by Graham S. Haber, 2015. 

While Carroll may have been a well-regarded professor at Oxford, his true passion lay in telling stories for children. As the oldest of eleven children, Carroll had always held the role as entertainer, often creating stories to entertain his siblings, a talent that  blossomed throughout his career.

The first edition of Alice's Adventures in Wonderland appeared in 1865, though Carroll had hoped to have the book published in 1864 in time for Christmas shoppers. That edition was suppressed almost immediately (illustrator John Tenniel was dissatisfied with the printing quality), and twenty copies of the first printing are believed to be in existence today, one of which is on display at the Morgan. Though Carroll missed the holiday rush, he needn't have worried; since its appearance between hard covers, the book has never gone out of print, and became an overnight sensation as soon as it hit bookshelves. The exhibit is by no means limited to scholars - the museum has put together a fabulous family guide, complete with interactive activities and large, brightly colored carpets and stools - perfect spots for following Alice down the rabbit hole and into a captivating world of the imagination.


John Tenniel (1820-1914), Painting the Roses Red, 1885, Hand-colored proof. Gift of Arthur A. Houghton, Jr., The Morgan Library & Museum,  Photography by Steven H. Crossot, 2014. 

Alice: 150 Years of Wonderland at the Morgan Library from June 26 through October 11, 2015
 http://www.themorgan.org/exhibitions/alice