- Forest Fire (1933, est. $1,500 - $2,500)
- How Like a God (1929, est. $2,000 - $3,000, Stout's first published book)
- The League of Frightened Men (1935, est. $7,000 - $10,000, second Nero Wolfe mystery)
- The President Vanishes (1934, est. $800 - $1200, written anonymously by Stout)
- The Red Box (1937, est. $3,000 - $4,000)
- The Rubber Band (1936, es. $4,000 - $6,000, third Nero Wolfe mystery)
- Seed on the Wind (1930, est. $2,500 - $3,500, Stout's second published book)
- Some Buried Caesar (1939, est. $3,500 - $5,000, a copy of the sixth Nero Wolfe mystery with a laid-in signature)
- Too Many Cooks (1938, est. $4,000 - $6,000, fifth Nero Wolfe mystery)
Friday-Sunday: Boston International Antiquarian Book Fair at the Hynes Convention Center. 120 antiquarian booksellers offering books, manuscripts, maps, autographs, photographs, and prints. Some highlights to ponder (and evidence of the show's depth): a first edition of Pride and Prejudice, a first edition of the first issue of Playboy, and a 1969 U.S. dollar signed by John Lennon. In addition, there are several special events held during the fair, including a Saturday talk on sports book collecting; a Saturday lecture on scrimshaw books; a Saturday roundtable with the Ticknor Society, a book-collecting group; and a book signing with our own Nick Basbanes, for his newest book, On Paper. On Sunday, there will be free appraisals.
Sunday only: Skinner, Inc.'s auction of Fine Books & Manuscripts at 63 Park Plaza, 11:00 a.m. The bi-annual books auction from Boston's premier auction house is not to be missed, featuring a wide selection of rare books, documents, prints, and maps. A particular focus for this auction is children's books from the collection of Julia F. Carter, who worked under NYPL children's librarian, Anne Carroll Moore. Many first editions of Caldecott and Newbery Award winners will be on the block, including a signed first of Boston's beloved, Make Way for Ducklings (seen below via Skinner).
Master printer Steven M. Andersen studied in New York City before founding Vermillion Editions Limited in Minneapolis, MN, in 1977. Over the next fifteen years, the studio allowed contemporary artists to experiment with print, particularly in the form of multiples. Says Meredith Hilferty, director of fine art at Rago, "Artists from Arakawa to Warhol were eager for Andersen's expertise and his willingness to translate unconventional ideas into print. The work he retained from his years in New York and Minneapolis, originals and editions, is much of the best of his years of extraordinary collaborations." The Vermillion Limited Editions Collection also includes works by Red Grooms, Sam Gilliam, T.L. Solien, Robert Rauschenberg, Jasper Johns, Willem de Kooning, William Wegman, Nicolas Africano, Larry Rivers, Herb Ritts, Ed Moses, Dan Flavin, and many others. Here are some of my favorites:
Lot 892: Red Grooms' Katherine, Marcel & the Bride. Mixed media. Signed, edition 45/48. The estimate is $7,000-9,000.
Lot 785: Robert Rauschenberg's Signs (1970). Screenprint in colors. Signed, dated, and numbered 7/10. The estimate is $5,000-7,000.
Lot 862: Wayne Thiebaud's Neighborhood Ridge (1984). Etching. Signed, dated, and numbered 1/50. The estimate is $4,000-6,000.
If you happen to be in New Jersey on Wednesday of this week, Andersen will speak at the auction house's open house. His topic: "Why Can't We Do This? Renegade Artists and Contemporary Art." Reception at 5 p.m., lecture at 6 p.m.
"Lego® Minifigure Year by Year: A Visual History," by Gregory Farshtey and Daniel Lipkowitz; DK Publishing, $40, 256 pages, ages 8 and up.
Budding architects and lifelong LEGO® collectors will have Lego® Minifigure Year by Year: A Visual History, at the top of their gift lists this holiday season. Published by DK, this comprehensive volume chronicles the thirty-five year history of LEGO® minifigures. The company has been in the business of manufacturing plastic blocks since 1949, but minifigures didn't appear until 1978, and they have covered bedroom floors and tripped unwitting parents worldwide ever since. Every minifigure ever created is cataloged here, and the book also includes significant details about particularly rare and sought after pieces. Author and LEGO® authority Daniel Lipkowitz is a story developer for the company and has authored other books dedicated to the iconic wedges. This hefty tome (weighing just under four pounds) will be a welcome addition in any collector's reference library and likely encourage die-hard enthusiasts to expand their own ranks of tiny, molded figurines. For the truly devoted, LEGO® created a complete miniature replica of the book on a 1:15 scale and can be gripped by minifigures' claw-like hands.
Still, many books remained in the Berkeley landmark. Some estimated the number at 50,000, but Scott Brown of Eureka Books in Eureka, California, who purchased Serendipity's closing inventory this fall, says the number of items actually reaches 100,000. Brown, the former editor of this magazine, says he has spent the last few weeks looking at every book in the store. "And by book I mean every scrap of paper, letter, flyer, broadside, prospectus, poster, oil painting, engraving, sculpture, baseball, and African mask," he adds. "We definitely didn't realize the magnitude of what we were undertaking, but overall it's going pretty smoothly and we are right on schedule."
Eureka Books is now planning a series of sales over the next five weekends at Serendipity's Berkeley location, 1201 University Ave. Aside from the poetry, drama, and Canadian sections, which have been sold en bloc to other buyers, all books will be offered at $5 each the first two weekends, dropping to $3 at later sales, and $1 during the final weekend. (The full schedule is here.) It will be a book scout's dream. "The books are quite good and they are going to be very cheap," says Brown. "There's a sense that the store's picked over, but that's really not true. Sure they're probably aren't very many $500 books left, but there are a lot of hundred-dollar books left."
Howard, it seems, predicted this end for his shop. He once told Nick Basbanes that he would have liked a colleague to take over the business, but he knew better: "I have made my business so big and so complex that no one in their right mind but me would ever want to take the responsibility for it." The second-best option would be to sell the books to other booksellers and collectors, therefore supporting the market that he helped to create over his fifty years in the business.
For Brown, sorting through the final contents of Serendipity has been exciting, exhausting, and a little sad. Customers have come in to reminisce about the good old days, and Brown himself recalls Howard's generosity toward young booksellers. He said, "It's been great talking about Peter with people who knew him in many different ways--it's really like an ongoing memorial service for him at the store right now."
What better memorial than a legacy of books to be shared by so many.
Image Courtesy of Eureka Books.
Codex Seraphinianus is an art book in the most direct sense--there are big, beautiful drawings accompanied by indecipherable letterforms--and it is impossible to "read" it in a literal way. Form prevails, and that form is an elegant large quarto bound in cream canvas with gold lettering and laminated decoration, containing thick, textured paper. When paired with the cryptic script, Serafini's surreal illustrations recall centuries-old manuscripts of natural history--and yet the overall effect is not old-fashioned; it is Salvador Dali and Italo Calvino with a dash of Dr. Who.
Rizzoli's newest edition, Codex Seraphinianus XXXIII, is published to coincide with the book's thirty-third anniversary. It is available as a deluxe limited edition signed by Serafini for $400 or the trade edition for $125.
The text has remained a mystery all these years, and perhaps that's part of its draw as an art object. And if you think the Decodex pamphlet provided in the book's back pocket will give you even a sliver of understanding, think again. In it, Serafini tells us that the true author of the Codex was a stray white cat found on the streets of Rome.
Courtesy of Penguin Young Readers Group
Courtesy of Penguin Young Readers Group
"Flo & Wendell," by William Wegman; Dial Books for Young Readers, $16.99, 32 pages, ages 3-5.
After a decade-long hiatus, William Wegman and his loveable, huggable Weimeraners are back in print. In this story, we meet little Flo and her brother Wendell, and aside from their adorable faces, these puppies have very little in common. Flo likes dressing up and baking delicious cupcakes, while her younger brother is more interested in playing sports and causing mischief. Their hopeful parents encourage them to try and find something to do together, but with each page it seems less and less likely. Wegman playfully dissects the intricacies of sibling rivalry through simple text and engaging images. In previous Wegman books, the dogs are pictured in actual clothing; here the author departs from tradition and mixes photographs of the dogs with painted costumes and backgrounds. This book is so cute parents may find themselves suddenly besieged with requests to bring home actual puppies. (Full disclosure: our family recently brought home a pair of pups after reading this book.) Cave canem amabilem.