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 "Thomas Jefferson: Life, Liberty and the Pursuit of Everything," by Maira Kalman; Nancy Paulson Press, $17.99, 40 pages, ages 5-8. 



Thomas Jefferson was a study in contradictions.  He believed in freedom for all, yet owned 150 slaves.  He built a gorgeous home at Monticello, enjoyed sumptuous foods, yet at his death, had gone bankrupt from financing his lifestyle.    In Maira Kalman's latest ode to a great American, she illustrates the complexity and brilliance of our third president in her own inimitable style, intertwining whimsical gouache paintings with flowing, handwritten text. 


I had the pleasure of speaking with Kalman earlier this week.  She discussed her approach to projects and how she writes for children.  This is the first of two articles about her. 


Thomas Jefferson grew out of an online column Kalman wrote in 2009 for The New York Times.  "It's been part of my life for the past 5 years - going to Monticello and working with the curator there, Susan Stein," explained Kalman.  "I didn't know anything about Jefferson, and so I was easily surprised."  Jefferson possessed an extraordinary desire to learn. Yet, as Kalman concluded, "Coupled with his lifestyle, he was a great study in contradictions.  He was a human being who relentlessly explored everything." 


 Kalman's bibliography includes such works as Last Stop, Grand Central; Looking at Lincoln, and Fireboat. In each she is able to explore some difficult topics, yet maintains a certain lightheartedness that makes her work accessible to children.   For example, in Fireboat, Kalman describes the heroic efforts undertaken on 9/11 by the fireboat John J. Harvey.  The boat, built in 1931, was reactivated to pump water when the city's water mains stopped working and pumped water for 80 hours, until the mains were restored.  


Initially, Kalman didn't want to write Fireboat, but friend and boat co-owner Florent Morellet pressed her to write it.   "A month after the attacks, he approached me, but I flatly refused - I deal in humor, I told him.  Florent believed that it would be an important book, and that I could do it.  The more I thought about it, the more I realized that I could frame it as a love letter to New York and to the resiliency of the human spirit."  


 

In all of her books, Kalman knows exactly how to capture children's attention.  She is adamant that children can handle any subject - slavery, love, even death - as long as it's done the right way.  "There's always a way to talk to children as long as you are candid and kind," Kalman said.  "You don't have to scare them beyond their understanding or above their age level.  But it's absolutely possible to talk about anything with children.  Because they do understand contradictions, and they do understand sadness and they do understand kindness. There isn't a child in the world who doesn't."

Next time we talk dogs, deadlines and drawing inspiration. 



Our series profiling the next generation of special collections librarians and curators continues today with Richard Ring, Head Curator and Librarian of the Watkinson Library, Trinity College, in Hartford, Connecticut.

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How did you get started in rare books?

My interest in rare books began in graduate school at the Ohio State University (I was an M.A. candidate in English from 1994-1996), when I studied William Camden's Britannia in all of its editions, from the small first Latin edition of 1586 to the great 4-volume folio edition edited by William Gough published in 1806--which I actually checked out of the OSU library in 1995! (You know a book-nerd when you see him staggering under a stack of thick volumes, each the size of a cookie sheet, across the quad).  Mostly I was fascinated by how the text grew over two centuries, first in Camden's hands, and then in those of his successors.

I disliked the hyper-theoretical discourse that was so prevalent in the early 90s, and it was clear that the life of a literary scholar was not what I had imagined (i.e., puffing a pipe in a book-lined office). Seriously though, I wanted more practical work. One of my professors suggested I speak to Joel Silver, then Curator of Books (now Director) of the Lilly Library at Indiana University, about going into rare book librarianship. I visited Bloomington, Joel took me on a tour of the stacks, and I was hooked.  I went to IU for my MLS and spent every minute I could in the Lilly, doing anything they would let me do, and it was the most fabulous experience.

What is your role at your institution?

My title is Head Curator & Librarian of the Watkinson Library--but put simply, I am the head of special collections. The Watkinson is a library within a library.  It was a separate institution for 85 years before it was conveyed to Trinity College in 1950, and folded into the Trinity College Library.  Think of a small liberal arts college suddenly receiving 130,000 volumes, most of them rare or special! Those books were merged with Trinity's rare books, and currently we have over 175,000 volumes. So it is a huge rare book collection relative to the size of the school (2,200 undergraduates and less than 100 graduate students). We have our own endowment and Board of Trustees, but it is still a division of the College Library. There are not many places like it.

Favorite rare book / ephemera that you've handled?

It changes, depending on what I've recently bought. I like a broad range of stuff, and I'm always looking for unique things that would make a good paper project (or even a thesis) for an undergraduate, as well as making sense with our existing strengths.  Currently I am enamored of 19th c. games, especially those dealing with history and interesting manuscript material

What do you personally collect?

I don't collect for myself--only for the institution.

What excites you about rare book librarianship?

I like that every item we have contains, inherently, many stories; I like that there are thousands upon thousands of items, and millions of stories, and that I get to try to tell some of them every day to a (mostly) appreciative audience. Most of all, I like to create an environment where curiosity, inspiration, and discovery is contagious and electrifying. One way I've done this at Trinity is through my Creative Fellowship Program for undergraduates. Here is the program website and here are our two Fall Fellows. We are funding four Fellows this spring.

Thoughts on the future of special collections / rare book librarianship?

If we play our cards right, it can be the sexiest part of the library world with the most physical growth potential. If you want more of my ideas, you'll need to meet my consulting fee.

Any unusual or interesting collection at your library you'd like to draw our attention to?

Another impossible question, but I love that we have a collection of British and American Valentine's Day cards back to the 1840s, and several hundred British playbills from 1790-1830; If you want to know what's happening, what we're buying, and what I like, see my blog The Bibliophile's Lair.

Any upcoming exhibitions at your library?

In the spring I like to have student-curated exhibitions, to show off during Commencement and Reunion Weekend. Every fall I teach a course in the American Studies department on museum and library exhibitions, and my students curate their own shows "soup to nuts," - not just telling a story with artifacts, but also fundraising, planning and budgeting for an opening event and producing a published catalog. This fall I had 13 students, and each one did their own show, so I called the collective exhibition "Lucky 13." The shows will be on display through June 15 (each student has one case in the library, and an online extension using an Omeka platform will be up soon).

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YYEK85TOS428vluH.jpgOur winter issue features Richard Minsky's interview with book artist Doug Beube. For those intrigued by Beube's work--or book art in general--his 2011 book, Breaking the Codex, is an incredible production. A large hardcover of 220 pages, it includes 275 illustrations and longform essays by writers, scholars, curators, collectors, and fellow artists. Having had a taste of his work in the magazine, there's so much more to enjoy in this book. His 1991 altered atlas, Invisible Cities, a tribute to Italo Calvino's novel, was new to me, as were the earlier pieces that Beube collects in a final chapter: a 1979 altered comic book, early sketches for his zipper books, and his 1988 Chair of Censorship, once on the campus of Minnesota's Carleton College, which held a Russian text frozen outside so that viewers could watch its gradual thaw.

For those who enjoyed Minsky's Q&A, Judith Hoffberg's interview elaborates on many of these questions.

It was also fun to see Buzz Spector's contribution to the book, since he will be featured in our spring issue. Spelling out "Douglas Beube," Spector's poem uses each letter to list twelve books from his library. FB&C readers will get a kick out of the fact that Nick Basbanes' A Gentle Madness is there, as is Nicholson Baker's Double Fold.

To see more of Beube's work, check out this Vimeo video that was created to accompany the exhibition Rebound: Dissections and Excavation in Book Art at The Halsey Institute of Contemporary Art.


Rebreaking the Codex from Halsey Institute on Vimeo.

You may never have a chance to purchase Menabilly - Daphne Du Maurier's famous estate and the inspiration for Manderley in the Gothic classic Rebecca - but you now have a once-in-a-lifetime opportunity to purchase the original Jamaica Inn.  All you need is two million pounds. A desire to eek out a living as a remote innkeeper might help a bit too.

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That's right, the Jamaica Inn, in operation since 1750 and dramatically situated on the windswept moors of Cornwall - is up for sale. Du Maurier stumbled across the Inn by chance in 1930 when she was wandering the moors alone on horseback after becoming lost in a thick fog.  Shaken by her ordeal, Du Maurier holed up for a few days at the Inn, where the local rector regaled her with colorful ghost stories. The rector - who inspired the Vicar character in the novel - also introduced Du Maurier to the rich history of smuggling in the region.

The remote location, howling winds and eerie local stories were a heady mix for the young writer. Six years later, she published Jamaica Inn, which brought all of these ingredients together into a Gothic masterpiece.

The inn was originally built in 1750 as a coaching inn, a place for changing horses on stagecoach runs over the Bodmin moor. It was expanded in 1778 and soon became a local smuggling haven, a veritable den of thieves, where contraband could be safely and secretly stored. By the early 19th century, the Cornwall coast was practically crawling with smugglers, importing items such as Jamaican rum (a possible inspiration for the Inn's name), brandy, and tea. Worst of the smugglers were the crews of wreckers who would lure ships into dangerous territory to run them aground, before killing the sailors and stealing the cargo. A gang of such wreckers features prominently in Du Maurier's novel.

Perhaps predictably, the Jamaica Inn is listed as one of the most haunted places in Britain.

A BBC adaptation of the novel is set for later this year.

In the meantime, if you'd like to purchase the Inn, you can make inquiries on the Inn's website.

[Image from Wikipedia]

At auction this week a rare lithographed map of New York City's early sewer system. Potty humor aside, the Sanitary and Topographical Map of the City and Island of New York, 1865, is an important map, included in Stokes' Iconography of Manhattan Island. It depicts original land and water sources, as well as reservoirs, landfill, piers, and streets. The hand-coloration shows marsh (pale blue), made land (yellow), and meadow (white), with sewers denoted by a black lines that run along the roads.

146593_0.jpgAccording to PBA Galleries, which will sell this map on Thursday, the map is "fragile" and "seldom found in reasonable condition." Only seven institutional copies are listed in OCLC/WorldCat. The estimate for this one, even with two small center holes, is $6,000-9,000.

Image via PBA Galleries.

"Clara and Davie," by Patricia Polacco; Scholastic Press, $17.99, 40 pages, ages 4 to 6. 


Before she earned her nickname "Angel of the Battlefield" from tending to wounded soldiers during the Civil War, American Red Cross founder Clara Barton (1821-1912) was a shy farmer's daughter with a lisp, who was home-schooled because classmates teased her.  This tale of inspiration and family strength comes straight from Barton's own flesh and blood - Polacco is a relative, and as a child was told stories about her remarkable ancestor. 

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Growing up on a farm in North Oxford, Massachusetts, Barton was the youngest of five children.  Clara was born on Christmas Day, but her mother died shortly thereafter.  Polacco reveals this in such a way as not to frighten young children, yet still  poignantly conveys the loss; "Mama grew weak from illness. Soon all of the mothering of that baby was left to [Clara's older sister] Dolly." Dolly was a stern guardian, but Clara's great champion was her older brother Davie.  He encouraged her to accept and cultivate her ability to heal others - eventually, farmers would travel from all over for her to cure their sick animals.   Clara's strength and courage are put to the test when Davie is gravely injured in a fall. 

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As mentioned above, Clara was home-schooled - each of her four older siblings was responsible for teaching her a different subject.  She thrived in this homemade schoolhouse, and Polacco's loving illustrations of the family reading in the parlor surrounded by filled bookshelves is a wonderful testament to the healing power of books. 

Polacco's trademark storytelling and charismatic illustrations will delight readers of all ages.  Don't wait until Women's History Month to read this book - Barton's captivating story is one to share year-round.

Publication Date: January 28, 2014


 




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"Percy is growing up a very fine young man, and developing tastes and talents that would remind you of his father - though he has not that touch that at once made Shelley angelic and unfortunate..." wrote Mary Wollstonecraft Shelley of her son Percy in a newly discovered letter.

Thirteen previously unknown Shelley letters were recently unearthed by Nora Crook, professor emerita at Anglia Ruskin University, and an expert on on the Romantic period. Crook chanced upon the letters while conducting Internet searches for an obscure 19th century novelist. She discovered listings for thirteen documents cataloged as "Letter from Mary Wollstonecraft Shelley" held at the Essex Record Office. Crook suspected immediately that the letters had not previously been published.

And she was right: the cache at Essex University is the largest collection of unknown Shelly letters to surface in decades.

The letters cover the period in time between 1831 and 1849, concluding two years before Shelley died from a brain tumor. Shelley wrote the letters to Horace Smith - a stockbroker with a societal reputation as a wit - and his daughter Eliza.  The Smith family had been close with Mary's husband, the poet Percy Shelley, and befriended Mary after his death. 

The letters will soon be published in the Keats-Shelley Journal. Their contents range from asking for small favors, to describing last-minute preparations to attend the coronation of William IV, to reflections on her son Percy (her only child to survive infancy) as he grows into a young man.
In the not-too-be-missed reading pile this week, an article on book crime from Travis McDade, whose recent book, Thieves of Book Row: New York's Most Notorious Rare Book Ring and the Man Who Stopped It, we excerpted in our spring 2013 issue. McDade writes in The Millions that the Massimo De Caro news combined with the Bay Psalm Book sale back in November "put me in the mind of an earlier tale that combined forgery, theft, and the earliest American imprint in one stranger-than-fiction saga." He then details the Hofmann "Oath" forgery and how a thieving librarian from the Library of Congress assisted the plot. 
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On January 29th, the Rothschild Prayerbook will be offered for auction by Christie's with an estimate at $15 -$18 million. The book already holds the world record for an illuminated manuscript, when it was sold by Christie's fifteen years ago for $13 million.

The Rothschild Prayerbook is a Book of Hours commissioned by a member of Holland's imperial court circa 1505. The gorgeously detailed manuscript features 150 decorated pages with miniatures and borders painted by renowned artists including Gerard Horenbout, Simon Bening, Alexander Bening and Gerard David.

"Every aspect of this Book of Hours - from the quality of the parchment to the wealth and refinement of the decoration - marks the Rothschild Prayerbook as one of the most prestigious and exquisite examples of Flemish manuscript illumination," said Nicholas Hall, International Co-Chairman of Old Masters & 19th-Century Art.

Dr. Sandra Hindman, expert on Medieval and Renaissance illustration and owner of Les Enluminures galleries in Chicago, New York, and Paris, offered some context on the sale:

"Recent demand for Books of Hours has been fueled by increased scholarship over the last few years, which in turn has led to new discoveries and attributions. Moreover, Books of Hours remain such treasured objects because of the exceptional level of artistry exhibited by the distinctive craftsmanship of each work -- each illuminated initial, handset page, and gilt binding -- puts other rare books to shame. Also their condition makes them quite exceptional, as illuminated manuscripts cannot be restored. In fact, among our recent museum-quality offerings, the Tree of Jesse by the Master of the Chronique Scandaleuse (France, Paris c. 1490) and Virgin and Child, Book of Hours (Use of Rome) (Southern Netherlands, Bruges c. 1450) constitute some the best preserved examples of medieval painting from those time periods and regions."

Hindman also added some advice for any collectors considering branching into Books of Hours:

"Look for richness of detailing on the border, and the quality of the marginal illustrations. Medieval clients paid by the page and painted scene, and even more for such expensive materials as gold leaf or lapis lazuli, and so should you. Often commissioned by royals and aristocrats, best examples among these "Medieval bestsellers" feature richly painted and layered visual illustrations, ornately decorated with gilding and inks made with pigments of ground precious stones. Avoid fading or flaking paint, retouched miniatures, excessive trimming due to rebinding, and paper backing as early fine manuscripts were mostly made from papyrus and animal skins."

Dr. Hindman will be speaking about Books of Hours at the Winter Antiques Show in New York City on Jan. 29, the same day the Rothschild Prayerbook will go under the hammer.

View a special e-catalogue issued by Christie's for the Prayerbook here.

Some literary anniversaries coming up in 2014. Obviously not an exhaustive list!


50 years ago (1964):


Bret Easton Ellis born, 7 March.

Elizabeth Kostova born, 26 December.

T.H. White dies, 17 January.

Rachel Carson dies, 14 April.

Flannery O'Connor dies, 3 August.

Ian Fleming dies, 12 August.

- Roald Dahl's Charlie and the Chocolate Factory published.

- Ian Fleming's Chitty Chitty Bang Bang published.

- Shel Silverstein's The Giving Tree published.


100 years ago (1914):


William S. Burroughs born, 5 February.

Ralph Ellison born, 1 March.

Octavio Paz born, 31 March.

Bernard Malamud born, 26 April.

Dylan Thomas born, 27 October.

Patrick O'Brian born, 12 December.

- James Joyce's Dubliners published.


150 years ago (1864):


Nathaniel Hawthorne dies, 19 May.

Walter Savage Landor dies, 17 September.

- J. Sheridan Le Fanu's Uncle Silas and Wylder's Hand published.

- Jules Verne's A Journey to the Center of the Earth published.


200 years ago (1814):


J. Sheridan Le Fanu born, 28 August.

William Wells Brown born, 6 November.

Marquis de Sade dies, 2 December.

- Walter Scott's Waverley published.

- Lord Byron's The Corsair published.

- Jane Austen's Mansfield Park published.


250 years ago (1764):


Ann Radcliffe born, 9 July.

Robert Dodsley dies, 23 September.

- Horace Walpole's The Castle of Otranto published.

- George Psalmanazar's Memoirs published.

- Cesare Beccaria's Of Crimes and Punishments published.


300 years ago (1714):


William Shenstone born, 13 November.

Scriblerus Club founded.

- Bernard Mandeville's The Fable of the Bees published in book form.


350 years ago (1664):


Matthew Prior born, 21 July.

- John Evelyn's Sylva published in book form.


400 years ago (1614):


Isaac Casaubon dies, 1 July.


450 years ago (1564):


Galileo Galilei born, 15 February.

Christopher Marlowe born, February (bap. 26 February).

William Shakespeare born, April (bap. 26 April).

John Calvin dies, 27 May.

Andreas Vesalius dies, 15 October.

- First datable printed work in Russian printed, 1 March.


500 years ago (1514):


Georg Joachim Rheticus born, 16 February.

Andreas Vesalius born, 31 December.

Hartmann Schedel dies, 28 November.

- Albrecht Dürer engraves Melencolia I and St. Jerome in His Study.