The Folio Society was named yesterday as the sponsor of a new international prize in fiction.  The £40,000 Folio Prize will be awarded for the first time in 2014 to the best fiction written in the English language.  Unlike the Booker, the new prize will be open to American writers, allowing literary luminaries such as Cormac McCarthy and Joyce Carol Oates to compete with Ian McEwan and Hilary Mantel.

Andrew Kidd, a London literary agent, originated the idea in 2011 in the midst of a public debate about the future of the Booker prize.  Some felt the Booker was heading in a worrisome direction when judges remarked that they were looking for "readability" or books that "zip along" in addition to literary merit.  Kidd wants to keep the focus more specifically on literary fiction with the hopes of bringing literary gems to a wider audience.

The Folio Society was announced as the surprise sponsor yesterday in the British press.  The Folio Society - who needs no introduction on this blog - was proud to be a part of the new prize.  Its managing director, Toby Hartwell, was quoted in the Guardian saying he was won over by the idea "of recognizing literature of enduring value and celebrating books that will be read not just in five years time but in 100 years' time."

Presumably the Folio Society will try to make some sort of arrangement with publishers to produce Folio Society editions of the prize winners.  This could initiate a whole new series of books for Folio Society collectors.

JA.jpgYou either love Jane, or you don't. Me, I'm a Janeite. So when a new biography appeared last month titled The Real Jane Austen: A Life in Small Things, I rejoiced! And the good news is that--unlike most of the Austen material flooding the market--this book delivers.

Written by Paula Bryne, author of the acclaimed Evelyn Waugh biography, Mad World, this new bio of Austen takes an innovative approach: Byrne collects a set of objects from Austen's world and uses each as a jumping off point to talk about one aspect of the author's life. For example, an East Indian shawl calls forth some family history, and a card of lace purchased in London conjures a time when Austen was perhaps preparing for the "marriage market" in Bath. Red velvet cushions are wonderfully evocative, and it turns out they can tell us a lot about the fine houses Austen visited and wrote about (Humphry Repton, known for his "Red Books" quite fittingly has a cameo in this chapter.)

It's a rare biographer who can write a serious book that is immensely readable. For me, the description and study of the objects and the emphasis on material culture makes Byrne's achievement all the greater. It tugs at my antiquarian side, and as someone who has studied book history, I found her insight into this subject using Austen's childhood notebooks, a subscription list, a royalty cheque, and Austen's lap desk encouraging for the discipline.

I would love to ask Byrne about the Austen ring sold last year at auction for $236,557. What does that humble gold and gemstone ring tell us about what was important to the author, or what relationship did it inform? Those are the kinds of questions Byrne takes up when she discusses Austen's topaz cross in chapter 14 or a painted ivory miniature in chapter 11. By rummaging through her "things," we see Austen at a personal level, and she's as amazing as ever. 


First, let's get February's sales recapped, then we'll take a look at March.


- Bonhams sold Fine Books & Manuscripts on 17 February, in 300 lots (results). A 1619 Mercator atlas sold for $27,500, and an inscribed original "Peanuts" strip fetched $25,000. The copy of Bien's Audubon failed to sell.


- PBA Galleries sold Rare Books & Manuscripts on 18 February, in 225 lots (results). The top lot was a copy of the second volume (only) of the first book edition of The Federalist, which sold for $16,800. The collection of all sixteen printings of the first edition of the Alcoholic Anonymous Big Book and the first issue King James Bible didn't sell.


- At Bonhams on 18 February, Printed Books and Maps, in 436 lots (results). A collection of ~70 maps of Germany and Eastern Europe (mostly C16-18) made £16,875.


- Bloomsbury sold the Beatrix Potter Collection of Mark Ottignon on 27 February, in 307 lots (results). A first issue of The Tale of Peter Rabbit sold for £20,000.


- Also at Bloomsbury, on 28 February, Literature, Manuscripts & Modern First Editions, in 386 lots (results). The two lots of Hester Thrale Piozzi letters were the main attraction, selling for £26,000 and £15,000.


- On 28 February at PBA Galleries, Rare Golf Books, Clubs & Memorabilia from the collection of Georgia Dyer Burnett, in 391 lots (results). A copy of History of the Edinburgh Burgess Golfing Society was the top lot, at $8,400.


And here's what's coming up for the rest of March:


- On 11 March, ALDE sells the Bibliothèque du Chateau de La Plagne, in 331 lots.


- PBA Galleries sells Fine Literature, Children's Books, &c. on 14 March, in 621 lots. A Hemingway family photo album and a first printer Tender is the Night with later jacket are each estimated at $10,000-15,000.


- There will be a Bibliophile sale at Bloomsbury on 14 March, in 579 lots.


- Bonhams sells Books, Maps, Manuscripts & Historical Photographs on 19 March, in 235 lots.


- Also at Bonhams, on 20 March, The Xi'an Incident: The Papers of Hyland "Bud" Lyon, in just eight lots.


- At Christie's London on 20 March, The Library of a Spanish Bibliophile, in 427 lots.


- Bloomsbury sells Travel, Topographical, Sporting and Natural History Books, Maps, Prints and Photographs on 21 March, in 366 lots.


- No preview yet for the PBA sale of Rare Americana and African American History on 28 March.

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The London Review of Books published a lost Charlotte Bronte story last week entitled, "L'Ingratitude."  The seven paragraph story was written in French as a homework assignment for Charlotte's French tutor while she was living in Brussels in 1842.

The writer Brian Bracken found the story in the Musée royal de Mariemont of Brussels, where he was researching Charlotte's tutor Constantin Heger.  The last time the story surfaced was in 1913 when Heger's son, Paul, gave the letter to a wealthy Belgian collector.  That was the same year Heger donated love letters from Charlotte to Constantin to the British Museum, making Charlotte's infatuation with her tutor public for the first time.  The revelation caused a minor public uproar.

Charlotte moved to Brussels at the age of 25 in 1842, accompanied by her sister Emily, to study on the Continent in the hopes of acquiring the skills and accomplishments necessary to open her own school.  While there, she quickly fell in love with the married Heger, who did not return the sentiment.  The experience affected her deeply and served as the inspiration for both "Vilette" and "The Professor."

Charlotte's lost story, "L'Ingratitude," is about a rat who regrettably leaves behind the protection of his family to seek adventure in countryside.  The London Review of Books printed the full text of "L'Ingratitude" in the original French and the translated English.  They have also included an embedded link of an audio file of Gillian Anderson reading the story.

"The Olive Fairy Book," by Andrew Lang, illustrated by Kate Baylay; The Folio Society, $84.95, 296 pages. 

 In late January, author Jane Yolen - considered by many to be the 'Hans Christian Andersen' of her generation  - spoke with me about the introduction she wrote to theFolio Society's The Olive Fairy Book, a new edition of fairy tales originally published in 1907 by Scottish author Andrew Lang. We also talked about heroes, magic, and discovering hope through storytelling.image

THE OLIVE FAIRY BOOK Reproduced by permission of the publisher, The Folio Society, London. 

The Folio Society & Andrew Lang

There are twelve Fairy books, and the Olive Fairy is the eleventh in the series. As a child Yolen read many, if not all, of the Rainbow Fairy series. In the introduction to the Folio Society's edition she highlights three of her favorite stories- 'Jackal or Tiger,' 'Samba the Coward,' and 'Kupti and Imani.'


"I'm pretty sure I read them all as a child. I was one of those childhood readers who, once I found something that I loved, I would seek out everything that was related to it." The Olive Fairy Book includes all the elements necessary for riveting reading - heroic princes, wise fairies, talking animals, evil trolls, and witches. While being a prolific writer of children's novels and poetry, Lang was recognized as a leading authority on world folklore and mythology.


Bound elegantly in olive green cloth, this edition of The Olive Fairy is itself a work of art, featuring an Art Deco frontispiece and bright gold illustrations by British artist Kate Baylay. Inside, readers will find more visual feasts- twelve full-color illustrations and thirteen black and white drawings.


Yolen discussed the era that inspired the artwork, and why it is wholly appropriate for this edition. "This book was published originally in 1907, which is when arts and crafts, art nouveau and art deco all come together." 


Yet as beautiful as these pictures are, this edition is perhaps most appropriate for older readers.  "I think the pictures in this book are exquisite. But they're also not for children. They're very sexy, very dark; some are quite violent. It's exquisite bookmaking and of course the Folio Society is known for that. And the price reflects that; it's for collectors. You can get the edition in paperback for very little money, but the point of this kind of book is that it's an art object." If a collector wishes to acquire the entireRainbow Fairy series, The Folio Society is issuing all twelve of the books, each similarly designed and illustrated by a contemporary artist. The Olive Fairy Book is the tenth to be published.

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THE OLIVE FAIRY BOOK Copyright © 2013 by Kate Baylay. Reproduced by permission of the publisher, The Folio Society, London. 

At least once a summer for the past twenty years Yolen has visited the gravesite of Andrew Lang in St. Andrews, Scotland, partly because his work played a significant role in her development as a writer. "He was one of the most important ones [to me.] And I happen to have a house there. When writers visit, I'll take them to the grave. Or if I'm on my own I'll go. It isn't that I'm genuflecting at his grave, it just happens to be a lovely grave with a beautiful Celtic cross on it."


In a classic example of serendipity, Yolen was unaware of the writer's presence in the town before settling there with her late husband, David Stemple. "I didn't even know about the connection when I first moved there. My husband was a professor of computer science, and took his second sabbatical at St. Andrews." (Now she spends her summers there, and returns to her home in western Massachusetts each winter.) After some poking around, Yolen found a chapel with a plaque dedicated to Andrew Lang. "I discovered that Lang was buried on the cathedral grounds. It was a hunt."


In November 2012, Yolen was the 22nd person and the first woman to deliver the annual Andrew Lang Lecture at the university, which was also celebrating the centennial of Lang's death. "Every academic in Cambridge has lectured here. The month after I was born, in March 1939, an Oxford professor named J.R.R Tolkien gave the lecture, which became the iconic essay on fairy stories - and really changed my life as a writer.  So St. Andrews asked me, and I said, 'How can I follow in these footsteps?' As I said to the audience, 'Here I am, walking in Tolkien's shoes, who walked in Lang's shoes -- why not give me a ring and point me towards Modor?'"

To continue reading about The Olive Fairy Book, read my full review at Literary Features Syndicate! 

Richard_III_earliest_surviving_portrait.jpgA rare book formerly owned by Richard III - and bearing his signature - has gone on public display for the first time since it was compiled 550 years ago.  The book is part of the new exhibition "The Kings Body: Richard III King of England 1483 - 1485" at Longleat House in Wiltshire.  

Richard III has been the subject of a resurgence in interest ever since archaeologists uncovered his bones last month at the formerly lost site of Greyfriars Church in Leicester.  Immortalized by Shakespeare's play, Richard III's controversial personality and historical influence continues to be debated by scholars.

The book, written on vellum, includes stories by Chaucer as well as other popular writers of the 15th century.  It is one of only thirteen surviving books from Richard III's library.  Above his signature, in neat and educated handwriting, is a French line: "Tant le desieree," which translates to "So much desired." Richard signed the book as "R Gloucester," as he was still a teenager when the book was given to him and his only title was Duke of Gloucester.

RichardIII_side_02.jpgThe book was purchased by Thomas Thynne, the First Viscount Weymouth, as part of a collection of medieval manuscripts in 1709.  It has been housed at Longleat House ever since, still in the care of the Thynne family.

The exhibition at Longleat also includes a First Folio from 1623.

Longleat_House.jpg[Images from Wikipedia and Longleat House]

As Oscar Wilde put it, "The birds are singing for joy of the Spring's glad birth." The New-York Historical Society is set to open part one of a major, three-part exhibition featuring all 474 original watercolors related to the double-elephant folio first edition of Audubon's Birds of America. NYHS acquired all but one of the watercolors in 1863 from the artist's widow, Lucy Bakewell Audubon. She also sent all 435 watercolor models.

1863_17_039_TuftedTitmouse.jpgAudubon's Aviary: The Complete Flock, Part I, on view March 8 - May 19, will display the artist's watercolors in the order in which they were engraved--and received by original subscribers. It will showcase more than 200 avian watercolors, the first 175 models, and a range of objects from the NYHS's Auduboniana collection, including a handwritten draft, Robert Havell's engraved copper plates, hand-colored proofs, and various documents related to the book's publication.

Even if The Birds of America was not the most expensive printed book ever sold at auction, this exhibit would still be a must for bibliophiles. A lavishly illustrated and award-winning book by Roberta J.M. Olson, curator of drawings at the New-York Historical Society, complements the exhibit.

Coincidentally, Abbeville Press has just published a new baby elephant folio printing of Birds of America, derived from the original plates of the National Audubon Society's archival copy of the original, with text by Roger Tory Peterson and Virginia Marie Peterson.

Image caption: John James Audubon (1785-1851), Tufted Titmouse (Baeolophus bicolor), Study for Havell pl. no. 39, 1822. Watercolor, graphite, gouache, and black ink with touches of black chalk and glazing on paper, laid on card; 18 5/8 x 11 11/16; in. (47.3 x 29.7 cm). New-York Historical Society, Purchased for the Society by public subscription from Mrs. John J. Audubon, 1863.17.39

Today's post is a guest blog from Zhenya Dzhavgova, proprietor of ZH Books in California and a former profile in our Bright Young Things series. She writes about the significant relief effort recently undertaken by the book trade to rescue Blue Jacket Books in Ohio after the store lost 20,000 books in the aftermath of a burst water pipe.

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Several weeks ago, every antiquarian book dealer's worst nightmare was realized when, over the course of a few hours, Blue Jacket Books in Xenia, Ohio effectively ceased to exist. Word spread around the book world of the calamitous sequence of events which began overnight with a burst water pipe in the building housing the bookshop and ended up with half of the entire inventory being reduced to a sad, unrecognizable, soggy mess. To add insult to the injury of thousands of independent bookstores closing down and doomsayers professing the end of books as we know them - a simple fact glared, to wit: money helps but money cannot instantaneously replace an inventory of carefully picked and assembled books the way money buys a replacement car from the neighborhood dealership. Fortunately, what started as a disaster ended up as the ultimate tribute to collegial camaraderie, friendship, and true appreciation for books and for one of our own.

Members of ABAA (Antiquarian Booksellers' Association of America) and IOBA (Independent Online Booksellers Association), two trade organizations for booksellers, were notified. The ABAA came through with a generous financial donation from its Benevolent Fund, a non-profit charity fund intended to assist any antiquarian bookseller in time of need. Hank Salerno of H&R Salerno first raised the alarm on the IOBA internal network closely followed by Elizabeth Svendsen, proprietor of Walkabout Books in Xenia and former owner of the destroyed bookshop which she had sold to Dr. Lawrence Hammar a few years earlier. The response was immediate and swift. We simply refused to accept the involuntary demise of a bookstore. Mark Lambert of Cereal City Books dropped a bomb with an announcement which Lorne Bair of Lorne Bair Rare Books deemed "one of the most generous gestures I have ever encountered in the book business." Having decided to focus on his developing bindery, Mark offered to donate his entire inventory of about 4,000 books to Dr. Hammar. It turned out that Mark also had a strong personal connection to Xenia where his great-great-grandfather had lived, farmed, and raised a family during the Civil War. Many others, though not able to nearly match Mark's number, immediately began assembling boxes of good solid stock to ship to Blue Jacket Books. Meanwhile, amidst emails flying and arrangements being made, Stephen of Allington Antiquarian Books, LLC had the presence of mind to point out that transporting the thousands of books comprising the inventory of Cereal City Books from Michigan to Ohio would put a tremendous financial stress on Mark. Problem solved: IOBA members from as far away as Great Britain offered to send money to offset the cost of renting a truck, boxing, and driving the massive load of 180 cartons. With the news coming in of a kind landlord offering his commercial space just a few doors down from the soaked former premises, what came to be called "The Xenia Relief Project" was set in motion. Mark made the interstate trek on February 22 - bringing all-around best wishes, leftover cash from the generous donations, and, of course, thousands of books.

In the meantime, concerned citizens and booklovers from the region had also gathered to help. Volunteers worked, with no power and in 8 degree weather, to remove the damaged books and set up the new place. Somebody brought a home-cooked meal for the workers. A retired professor donated 104 boxes of books from his personal collection. A little Cub Scout from Jamestown, Ohio made everybody cry when he walked in and put $1.12 in change in Dr. Hammar's hand while solemnly announcing: "I emptied my piggy-bank for you so you can buy more books." The same child and his mother later organized a Boy Scout book drive. The "Book Nook" on WYSO-FM did a piece on the disaster and the consequent developments. The whole community rallied to prevent another bookshop from going on the "endangered species" trade list.

In the end, Dr. Hammar - a former college professor of anthropology and a true lover of books - got a semblance of his old business back in less than 4 weeks. We, as an organization, got the satisfaction of helping a colleague and the assurance that we have each other's backs. The community of Xenia, Ohio got a new-old bookstore. I would not go as far as saying that one day Hammar would look back and laugh at the memories but he would certainly remember the happy parts of the story fondly. As will everybody else who believes that books of the old-fashioned paper kind are here to stay.


Opening tomorrow at New York's Gagosian Gallery is an exhibit titled Ed Ruscha: Books & Co. Ruscha, who once said, "I want to be the Henry Ford of book making," wanted to make artists' books accessible to a wider audience. His first photobook, Twentysix Gasoline Stations (1962), was a series of photos of gas stations along Rt. 66. It originally sold for $3.50. According to the gallery's press release, the book received a poor reception at first and was even rejected by the Library of Congress for its "unorthodox form." But the ensuing years have been kinder to the book, now considered one of the first modern artists' books. (Looks like a first edition goes for about $7,500-8,500). The Los Angeles-based artist followed up with other photo-conceptual books, Various Small Fires, Every Building on the Sunset Strip, Thirtyfour Parking Lots, Real Estate Opportunities, and A Few Palm Trees.

The current exhibition is not of Ruscha's own work--that was held last fall--but of contemporary art that responds to or is inspired by Ruscha's seminal debut. It runs through April 27. Homage is also paid in a coinciding book, Various Small Books: Referencing Various Small Books by Ed Ruscha (MIT Press, $39.95).

Ruscha, who studied commercial design and typography, told the New York Times last week, "I love books, the physical objects of them ... My interest was always in books and how to make them." The article goes on to talk about the value of printed books--catalogues, zines, art books--and the intimacy they evoke, particularly for artists.