I'm on vacation this week and find myself in Tampa, Florida, looking for something bookish to do. By a stroke of luck, the Henry B. Plant Museum is currently hosting "Facing the Late Victorians: Portraits of Writers and Artists from the Mark Samuels Lasner Collection."
The exhibit features portraits of dozens of well-known figures -- in drawings, lithographs, photographs, manuscripts, books, even a bookplate. My favorite was probably an albumen photograph of a brooding Alfred Lord Tennyson (pictured here at left), taken by his neighbor, Julia Margaret Cameron, famous in her own right. The delicate etching of Sarah Bernhardt from 1887 looks as fragile as her figure. A lithograph of a boyish William Butler Years from 1898 is charming.
Several of the images come from English Portraits: A Series of Lithographed Drawings (1898), a limited edition of 750 copies that proved very successful. John Singer Sargent is there, as is George Bernard Shaw. A drawing of George Gissing, author of New Grub Street (an exceptional Victorian novel about writing and publishing), makes him look positively cowboy-ish.
Another highlight is the personalized bookplate of Richard Le Gallienne (at right), showing him and his wife surrounded by books and bearing the words, "He loved bookes day/ and night to pore/But yet he loved his wife more."
I felt one of the pieces poking fun at me, literary tourist that I was. The Home and Early Haunts of Robert Louis Stevenson by Margaret Armour (Edinburgh Riverside Press, 1895) shows a frontispiece of the famous author. The exhibit label calls attention to "literary tourism" as a "full-blown business by the end of the nineteenth century."
The Lasner exhibit, curated by Margaret D. Stetz of the University of Delaware, is open until June 5; for more information, visit the exhibit's website. The Henry B. Plant Museum is located in the historic, Moorish-style Tampa Bay Hotel (now Plant Hall, part of the University of Tampa's campus) and is open year-round. The Museum interprets the life of railroad and hotel magnate Henry B. Plant and resort life in the Gilded Age.
A lovely afternoon all around. If you're in the Sunshine State, it's well-worth a visit.
There is more than hope, there is certainty. I have been exploring and cataloguing the archives of Montague Summers, thought to be lost in the 1950s. Father Sewell wrote an interesting article in 1970 in The Antigonish Review about the loss of the collection and what might be contained within it. Having rediscovered its location, scholar Gerald O'Sullivan wrote a new article in The Antigonish, The Manuscripts of Montague Summers, Revisited. He and I had been following each other on Twitter for some time and one thing led to another and the archive is now with me.
According to yesterday's New York Times, the student, a freshman named William John Scott, had a part-time job in the archives when he began stealing letters. An antiques dealer in England alerted library officials after he bought ten Charles and John Wesley letters from the student and was suspicious of the way the delicate letters had been packaged and mailed. Scott was arrested on Sunday, after the F.B.I. found more stolen documents in his dorm room, including letters from Abraham Lincoln, Franklin Delano Roosevelt, and Richard Nixon.
What is unclear from the NYT report is that the student did not work in the university archives; he worked in the Methodist Archives. At Drew, there is the Library, which houses the university archives and special collections, and then there is a separate structure, the United Methodist Archives Center, that holds the records of the Methodist Church as well as related rare and historical collections. In any case, the student was given a key to a locked special collections room, which, unfortunately, raises a BIG security question. The press release issued by the university is brief.
Beholding "the several thousand volumes that are piled up around me," Benjamin exclaims: "O bliss of the collector! Bliss of the man of leisure!" With nothing piled up around me but the Kindle and its charger, I may be missing out. But even Benjamin, who managed to see the future of media and technology more than once, knew he was writing an elegy for a way of experiencing books. I like to think he would be the first to recognize that the Kindle delivers a new kind of bliss.
WASHINGTON—I busted out of cabin fever Friday night ... heading straight to the Washington Antiquarian Book Fair to hunt for a few new prizes to add to my collection of 18th and 19th century books related to the American Revolution. I'll be there again Saturday (March 6) not long after the doors open at 10 a.m. If you're within reach of the nation's capitol, you should come join me. The event runs until 5 p.m. so you've got time.
The Golden Notebook is housed in a building it owns right in the center of the Town of Woodstock, NY. It consists of a general bookstore with approximately 750 square feet of selling space and an upstairs stock room and office. Right next door is our children's bookstore in a rental space with approximately 600 square feet of selling space and access to a basement for storage. Both stores have garnered a well deserved reputation and have many established customers. Our goal is to find a buyer who will continue to maintain it as an independent bookstore. If interested, direct inquiries to ellen.tgn@gmail.com.
As you can imagine, Woodstock is a pretty neat place (even if the legendary concert did NOT in fact take place there).
As devoted readers of FB&C will know, I've been following Quirk Classics from its very quirky beginning. Last year, Quirk Books of Philadelphia published a "mash-up" of Jane Austen's classic Pride and Prejudice called Pride and Prejudice and Zombies, which became a New York Times bestseller. I interviewed the mastermind behind that book for the September 2009 issue of FB&C. It was a very cool concept, followed quickly by Sense and Sensibility and Sea Monsters, which was about 25% less engaging its precursor, but still lots of fun. (I say 25 % because in P&P&Z, there was an ratio of 85% classic Austen to 15% "bone-crushing zombie mayhem." The follow-up had 60% real Austen and 40% bloody filler.)
The newest title in the series, Pride and Prejudice and Zombies: Dawn of the Dreadfuls, however, is entirely original, and has entirely failed to capture my imagination. It's meant to be a precursor to Pride and Prejudice and Zombies, so most of the characters are Austen's, excepting ones like Master Hawksworth, Elizabeth's ninja instructor and love interest. For a young adult audience, this might work. Otherwise, I fear Quirk has taken a grand idea and run it aground.
Still, the jacket art is stunning. And, you've got to hand it to an indie publisher for doing something--anything--to counter the same old corporate publishing nonsense that fills superstore shelves. Their marketing campaigns are themselves worthy of awards. In the case of Dawn of the Dreadfuls, March 3--today--has been declared BlogSplosion 2010. This means that if you click here, you can enter for a chance to win one of fifty Quirk Classics prize packs. They'll also give a preview of two illustrations from the book, due out later this month. Good luck.
In the meantime, I suppose we'll have to wait until June to see if the next mash-up, Android Karenina, redeems the spirit of Quirk Classics.
