
From the 1970s to the present, artists have experimented with printing technology for creative works that blur the line between art and publishing
Tony White is the library director at Purchase College, SUNY. Before spending over twenty years as an art librarian, he worked in book and paper conservation studios, a commercial offset and letterpress shop, a hand-pulled lithography shop, an intaglio editioning shop, and was the master printer for two summers at the Pilchuck Glass School. And as an undergraduate, he was a studio assistant for the painter Sam Gilliam. Tony teaches “The History of Artists’ Books Since 1950” at RBS.