Los Angeles - The Getty Museum announced today the appointment of James A. Ganz to Senior Curator of Photographs. Ganz will oversee the museum’s renowned collection of nearly 150,000 photographs, which represent the history of the medium from its inception to the present day. He joins the Getty after ten years at the Fine Arts Museums of San Francisco, where he served as Curator of the Achenbach Foundation for Graphic Arts.

“Mr. Ganz’s experience is a perfect fit with the mission and scholarly focus of the Getty’s Department of Photographs. His many years of curating exhibitions and acquiring significant works will greatly enrich our collection and the work of our curatorial staff,” says Timothy Potts, director of the J. Paul Getty Museum. “He brings an energy, enthusiasm, and leadership that will help the department engage with an even broader audience and tell new and thoughtful stories about the history of photography up to the present day.” 

“I have long admired the Getty’s commitment to photography, from the depth and breadth of its collections to its spacious galleries and ambitious exhibition and publication programs,” says Ganz. “I look forward to working with my new colleagues on developing and interpreting the museum’s photographic holdings for its diverse audiences, and exploring innovative ways to embrace the public’s special fascination with this dynamic art form.”

The Getty Museum’s collection of photographs includes strong holdings of early European and American photography, as well as becoming increasingly international in scope, with significant holdings of work from Asia, Africa, and South America, and 20th and 21st-century photographs. In addition to overseeing this growing collection, Ganz will also help direct the 7,000 square foot Center for Photographs at the Getty Center, and spearhead a dynamic program of acquisitions, exhibitions, and research projects in partnership with a dedicated team of curatorial professionals.

Ganz received his Ph.D. in art history from Yale University, his M.A. from Williams College, and his B.A. from Trinity College. His specializations include 19th-century European and American photography, as well as California-based photographers, including Carleton Watkins, Eadweard Muybridge, Willard Worden, Peter Stackpole, and Arnold Genthe. Prior to his time at the Fine Arts Museum of San Francisco, Ganz was a curator for over ten years at the Sterling & Francine Clark Art Institute in Massachusetts, where he established the collection of photographs. While at the Clark, he taught the history of photography and of prints in the Williams College Graduate Program in the History of Art. Throughout his career, Ganz has organized dozens of exhibitions, including Jewel City: Art from San Francisco’s Panama-Pacific International Exposition (2015), Portals of the Past: The Photographs of Willard Worden (2015), Arthur Tress: San Francisco 1964 (2012), Édouard Baldus: Landscape and Leisure in Early French Photography (2003), and Arctic Diary: Paintings and Photographs by William Bradford (2002), among others. Ganz has contributed to and authored numerous articles and exhibition catalogues, lectured widely, and held leadership positions at the Print Council of America.    

Ganz will join the Getty in July 2018.

AntiquarianAuctions.com is an online auction site dedicated to the sale of rare and out-of print books, maps & prints, documents, letters, ephemera and vintage photography. All pricing is done in US$. No buyer’s premium is charged. 

Nongoal.jpgLot 1: South African Police The Nongqai 1907-1913 (Five volume set) Published: Pretoria, 1907-1913. Estimate: $3,000/3,500 

The Nongqai was published over a span of 54 years. Although the oldest magazine in South Africa was the African Journal, published in February 1824, the Nongqai counts among the earliest magazines in South Africa Since its inception the SAP magazine underwent several changes of name, i.e. Nongqai, Justitia, SARP, (SAP), and ultimately Servamus. 

Lot 7: VOC. Council of Policy Letter of Burghership (Vrybrief). Dated 10 November 1739 (Signed by Hendrik Swellengrebel) Estimate: $1,500/2,000 

The document grants Johannes Nille from Nyburg, his freedom. He arrived in the Cape on the ship Noordwadd, in 1736 and was paid 14 guilders a month, employed by the DEIC. He was released from Company employment and given the status of burgher by the signing of this document at the Castle of Good Hope on 10 November 1739. 

Lot 199: McClean (William) and others. Fine Boer War Autograph Correspondence, 1900 - 1901. Estimate: $1,000/1,500 

An autograph Boer War correspondence/archive from Lieutenant William N. McClean, mainly to his father, the well-known Astronomer Frank McClean and including a few to Sir David Gill, Her Majesty’s Astronomer at the Cape. 

Lot 165: “Bob” Remarkable Manuscript Diary of the Siege of Mafeking. Published: Mafeking, 1899 - 1900 Estimate: $2,000/2,500 

A remarkable circa 15 thousand word diary/journal of the Siege and Relief of Mafeking written by a British soldier identified only as "Bob". Contained in 4 small notebooks measuring 16 x 10cms. and comprising 143 closely and neatly written pages in the form of letters to his parents in England. 

Lot 220: Milbert (J.G.), Deltil (JJ) & Zuber (J.). Papier peint "West Point in New York" on a three-fold screen. Published: France, [19th-century]. Estimate: $3,000/5,000 

Papier peint landscape scene of "West Point in New York", backed onto canvas and mounted on a three-fold screen. The set offered an idealized view of the United States under the leadership of Andrew Jackson, as conceived by its designer, Jean-Julien Deltil. He probably never visited the Americas, but did draw from a reliable eye-witness: the set was based on the views made on the spot by Jacques- Gérard Milbert. 

AntiquarianAuctions.com is an online auction site dedicated to the sale of rare and out-of print books, maps & prints, documents, letters, ephemera and vintage photography. 

Dealers and collectors worldwide have been selling and bidding on the site since 2010. Only established booksellers who are members of major national trade associations such as ABA, ABAA, PBFA or SABDA or are of good standing in the trade are permitted to sell on the site. 

Auctions are held every five weeks and run on the model of a timed auction for one week. 

All pricing is done in US$. No buyer’s premium is charged. 

Next auction: Auction #67: 7 - 14 June 2018 

Antiquarian Auctions: Paul Mills P.O. Box 186 7848 Constantia, Cape Town South Africa E-mail: support@antiquarianauctions.com Tel: +27 21 794 0600 

85-Midolle copy.jpgNew York—Swann Galleries’ Thursday, April 26 auction of Fine Illustrated Books & Graphics will offer books, magazines, portfolios, editions and unique works, with material that changed the trajectory of design and influenced book arts in the last two centuries.

Luminous works by Gustav Klimt lead the auction with the limited edition tours-de-force Das Werk, 1918, and Eine Nachlese, 1931. With text by Hermann Bahr and Peter Altenberg, Das Work is the only monograph published during Klimt’s lifetime. The present copy, numbered 103 of 300, retains 49 of the original 50 plates, including the ten printed in color and heightened in gold and silver, carries an estimate of $25,000 to $35,000. The lavish portfolio Eine Nachlese boasts 30 plates, 15 in color, compiled by Max Eisler. The tome features several important works by Klimt, including some which were destroyed by wartime fires. Rarely seen complete, it is here estimated at $15,000 to $25,000.

Works by fine artists of the twentieth century will include volumes by Jean Arp, Jean-Michel Basquiat, Salvador Dalí and David Hockney. One of 55 copies on vellum of Pablo Picasso’s idiosyncratic bestiary, Eaux-Fortes originales pour des textes de Buffon, 1942, with text by Georges Louis Marie Leclerc Buffon, is estimated at $20,000 to $30,000. Fernand Léger’s Cirque, 1950, is an unusual interpretation of the artist’s book: rather than use reproductions of existing works, he conceived and developed the theme and prints especially for the project ($20,000 to $30,000).

Fine presses are well represented in the auction, with a section devoted to works produced by the Ashendene, Cheloniidae, Doves and Kelmscott Press houses, as well as the Limited Editions Club. Both the second issue of the first book published by the Kelmscott Press, The Story of the Glittering Pain, 1894, with elaborate decorations by William Morris, and The Defence of Guenevere, 1892, published and decorated by the same and bound in vellum, carry an estimate of $2,500 to $3,500. An original woodblock carving by Eric Gill for the Golden Cockerel Press edition of The Canterbury Tales of a “naked man dead” dangling from a vine, 1929, was featured no fewer than ten times throughout the volumes ($2,000 to $3,000).

Of note is a never-before-offered trade catalogue of brightly colored wallpaper samples by Jacques-Émile Ruhlmann, the legendary Art Deco interior designer. Bound in original oblong leather folio, it is the most extensive array of Ruhlmann’s wallpaper designs known. The 47 pochoir sheets of 19 patterns reveal the effect of variant colorways on his designs ($15,000 to $25,000). Additional wallpaper sample books will also be available.

Design cornerstones can be found throughout the offerings: an early nineteenth-century piece de resistance of color printing and typography, Jean Midolle’s Spécimen des Écritures Moderns Romaines fleuronées, Gothiques nouvelles, Fractures, Françaises, Anglaises, Italienne et Allemande, 1834-35, influenced printers and designers for years to come ($3,000 to $4,000). The Russian avant-garde journal Zhurnalist, by El Lissitzky, helped to define the look of the Soviet regime; the first six issues of this extremely scarce periodical carry an estimate of $2,000 to $3,000.

An archive of material from a late office of Marcel Breuer’s architectural firm offers edifying insight into the architect’s vision. The largest section pertains to the monolithic building on Manhattan’s Upper East Side—previously the Whitney Museum of American Art and currently the Met Breuer. The files include early photographs of construction and finished buildings, floorplans and sketches for many of his iconic structures, including the Bobst Library at New York University and Yale University's Becton Engineering and Applied Science Center. Records span the 1960s and ‘70s, when Breuer was partnered with Hamilton Smith ($3,500 to $5,000).

The complete catalogue with bidding information is available at www.swanngalleries.com.

Image: Lot 85: Jean Midolle, Spécimen des Écritures Modernes Romaines fleuronées, Gothiques nouvelles, Fractures, Françaises, Anglaise, Italienne et Allemande, with 39 plates, Strasbourg, 1834-35. Estimate $3,000 to $4,000.

b56349e1056cf65b90174fa0267a2b638ba43ba9.pngBoston, MA—An amazing archive of signed drawings, diagrams, charts, and letters by Dr. Wernher von Braun concerning his pioneering ‘Man Will Conquer Space Soon’ series will be auctioned by Boston-based RR Auction.

The archive is comprised of a total of 26 items that include; 17 drawings and schematics, two orbital diagrams, four calculations and graph plots, and three autographed letters. All relate to four of the Collier’s articles: ‘Crossing the Last Frontier,’ ‘Man on the Moon: The Journey,’ ‘Man on the Moon: The Exploration,’ and ‘Baby Space Station,’ which appeared in in the magazine between 1952 and 1954. Also includes the four issues of Collier’s magazine associated with the items in the archive. 

Von Braun prepared the original drawings in this archive as reference materials for magazine artists Chesley Bonestell, Fred Freeman, and Rolf Klep, and most are evident as the direct inspiration for the illustrations that grace the pages of Collier’s in the ‘Man Will Conquer Space Soon!’ series. 

Von Braun’s skillful drawings are filled with engineering detail to provide the Collier’s illustrators with scientifically accurate renderings of the spaceships of the future.

In its introduction to the series, Collier’s makes clear: ‘What you will read here is not science fiction.’ Von Braun’s vision was not only fantastic, but scientifically viable—his copious scientific notes and calculations are proof. 

A few highlights from the archive: 

Detailed signed drawings for the three-stage rocket described in ‘Crossing the Last Frontier,’ including its nose section and exhaust system. Von Braun would later serve as the chief architect of the Saturn V, the rocket that brought man to the moon, which used a similar three-stage design. 

A fantastic sketch of the “Round trip ship” destined to bring man to the moon, which served to inspire Chesley Bonestell’s cover artwork for ‘Man on the Moon: The Journey.’ 

A page of von Braun’s calculations for propellant volumes necessary for “landing on the moon.” 

A crude sketch of a tracked “Moon Transport” vehicle, as described in ‘Man on the Moon: The Exploration.’ 

Comprehensive diagrams and schematics for the solar power plant of the ‘Baby Space Station’ and its ground support trailers. 

A lengthy autograph letter about the land-based ‘Headquarters’ for the ‘Baby Space Station,’ describing the layout and equipment inside. 

The Collier’s series drew widespread attention to von Braun’s vision of manned spaceflight—after the success of the first issue, he appeared on TV and radio shows around the nation to discuss the subject. He was soon recruited by Walt Disney, and served as a technical advisor for three TV films about space exploration between 1955 and 1957. These broadcasts brought the idea of the space program into American living rooms nationwide. 

For the first time, Americans had a vision of space travel not out of Buck Rogers, but grounded in scientific reality as envisioned by the central figure of the coming Space Age.

Among other items to be featured: 

Tom Stafford's Apollo 10 Lunar Orbit Flown American Flag.

Buzz Aldrin's Apollo 11 Lunar Surface-Flown Double Star Chart.

Gene Cernan's Apollo 17 Lunar Surface-Used Rover Map.

Space Shuttle External Tank Nose Cone Assembly complete with aerospike. 

The Space and Aviation Auction from RR Auction began on April 12 and will conclude on April 19. For information, visit the RR Auction web site at www.rrauction.com.

Image: A fantastic sketch of the “Round trip ship” destined to bring man to the moon, which served to inspire Chesley Bonestell’s cover artwork for ‘Man on the Moon: The Journey.’ Courtesy RR Auction

JFK Cuba.pngBoston - John F. Kennedy's personal 'victory map' of Cuba used during the Cuban Missile Crisis sold for $138,798 according to Boston-based RR Auction.

The map in two sheets that feature eight types of sticker symbols applied to the surface, representing Soviet MiG fighter jets, Komar-class missile boats, IL-28 bombers, SS-4 missiles, SSM-Cruise missiles and nuclear storage sites. 

The intelligence represented by this map was supplied by U-2 spy planes, confirming President Kennedy's worst fears of an increasing Soviet military presence just one hundred miles away from the American coast. 

The map is marked "Secret" in the lower left and upper right corners. A two-page key, dated October 27, 1962, summarizes the Soviet military buildup in Cuba, listing sites, enumerating number of launchers and missiles, and completion status.

Accompanied by a detailed letter of provenance, in part: "This ‘victory map’ was given to me about twenty years ago by Robert McNamara, the secretary of defense during the Cuban Missile Crisis of October 1962. During a meeting at his office, McNamara described for me the pressure President John Kennedy was under from the Joint Chiefs of Staff to order an attack on Soviet targets in Cuba. McNamara said the president pored over this map before deciding to delay the attack.When Kennedy presented the map to McNamara, he called it the ‘victory map.’ During my meeting with McNamara, he said this was the only time he ever heard Kennedy say anything that sounded like gloating about how the crisis ended.” 

In the annals of the Cold War, no event is more talked about and debated than the Cuban Missile Crisis of October 16, 1962 to October 28, 1962. It is considered the closest the world has ever come to nuclear war. 

"This amazing map dates to a critically important day of the crisis—a day that saw an American pilot shot down over Cuba. Had Kennedy given the order to attack, this map shows the nine Soviet targets that American fighters would have bombed," said Bobby Livingston, Executive VP at RR Auction.  

“It’s a remarkable, museum-quality Kennedy piece— the current political tension between the United States and Russia may have played a role in elevating interest, and helping the map achieve such an impressive figure.”  The winning bid came from a collector in Los Angeles with a deep appreciation for American History who wishes to remain anonymous.

Highlights from the sale include, but are not limited by:

George Washington Revolutionary War-dated letter from West Point in 1778 sold for $36,546. 

Thomas Jefferson signed letter from Monticello in 1820 sold for $28,843. 

Benjamin Franklin twice-signed handwritten letter home from England while fighting the 1765 Stamp Act sold for $14,822. 

Giuseppe Verdi musical quotation from “La traviata” sold for $10,000. 

The Fine Autographs and Artifacts auction from RR Auction began on March 16 and concluded on April 11.  More details can be found online at www.rrauction.com.

57dae1d663f3b5beb31a5932_834x1100.jpgNew York—The Morgan Library & Museum announced today the acquisition of an extremely rare manuscript leaf by the finest and most original illuminator of the Dutch Middle Ages, the Master of Catherine of Cleves. The work is from an otherwise lost Book of Hours and is the first to be discovered by the artist since 1980. 

The Master of Catherine of Cleves was active in Utrecht, the Netherlands, from around 1430 to 1460. He is named after his masterpiece, the Hours of Catherine of Cleves, which is part of the Morgan’s collections, and only fifteen of his illuminated manuscripts survive. The newly discovered page contains the beginning of the Seven Penitential Psalms, written in Dutch, and the artist framed the text in an elaborate gold and foliate border. Figures depicted in the leaf include David playing the harp, two fighting birds, and an abbot praying to the Virgin Mary who holds the Christ Child. 

Beginning April 17th, the illumination will be added to the current exhibition on view at the Morgan, Now and Forever: The Art of Medieval Time, which runs through April 29. Visitors will be able to compare the new leaf to the Hours of Catherine of Cleves, two volumes of which are on view in the show.

“This is an extraordinary addition to the collections of our Department of Medieval and Renaissance Manuscripts and testimony to the connoisseurship and eagle eye of department head Roger Wieck,” said Morgan Director Colin B. Bailey. “The work of the Master of Catherine of Cleves is exceptionally scarce and any new discovery is an important development for art history. We are delighted that we can share the leaf with the public almost as soon as it arrives at the Morgan, and we are deeply grateful to the anonymous donor to the manuscript department who made the purchase possible.” 

The Master of Catherine of Cleves decorated books of private devotion for wealthy and noble families and illustrated liturgical books and Bibles for members of the high-ranking clergy. Stylistically, the new leaf suggests the late phase of the artist’s career. This is evident in the thick, angular drapery, the muscular facial features of the Virgin Mary, and the border design and layout. 

Image: The Virgin Offering her Milk to St. Bernard; King David Harping; and Two Fighting Birds on a leaf from a Bookof Hours illuminated by the Master of Catherine of Cleves, The Netherlands,Utrecht, ca. 1460.  Morgan Library &Museum, MS M.1209; purchased as an anonymous gift in honor of Roger S. Wieck, 2018.


america-4-1920x1000-hero.jpgLos Angeles — The Annenberg Space for Photography, a cultural destination dedicated to exhibiting both digital and print photography, announced its next exhibition - Not an Ostrich: And Other Images from America's Library

The exhibition, running from April 21 through September 9, 2018, is a collection of nearly 500 images - discovered within a collection of more than 14 million pictures - permanently housed in the world's largest library at the Library of Congress in Washington, D.C. Put together by the distinguished photography curator Anne Wilkes Tucker, the exhibition features the image entitled "Not an Ostrich" and a large selection of rare and handpicked works from the vaults of the library, many never widely available to the public. Each picture documents a special moment in America's culture and history. Tucker, named "America's Best Curator" by TIME, was granted special access to the photographic archives at the Library of Congress.

The images selected for Not an Ostrich: And Other Images from America's Library span three centuries of photography (1800s, 1900s, 2000s), simultaneously telling America's story through evocative imagery, while revealing the evolution of photography itself - from daguerreotypes, the first publicly available photographic process, to contemporary digital images. The exhibition's name, Not an Ostrich, refers to an actual image included in the collection - a photo of actress Isla Bevan holding a "Floradora Goose" at the 41st Annual Poultry Show at Madison Square Garden - and hints at the unexpected and unusual artifacts collected at the Library of Congress over its 218-year history, some of which will be on display inside the Annenberg Space for Photography.

Other pictures among the hundreds on display: The Wright brothers' first flight, the earliest known portrait of Harriet Tubman, Harry Houdini bound in chains for a magic trick, action scenes from Vietnam War protests, Ku Klux Klan demonstrations, and an image of John Lennon and Yoko Ono. 

Not an Ostrich marks the first time an exhibition of this scale, featuring a selection of photographs from the Library of Congress, has been displayed on the West Coast, and represents a fraction of the Library's full collection as a way for visitors to rediscover one of America's most important cultural institutions. The full exhibition will include over 440 photographs from 1839 to the present, by 148 photographers - displayed both physically and digitally - including the works of Sharon Farmer, Donna Ferrato, Carol M. Highsmith, Danny Lyon, Camilo José Vergara, and Will Wilson, who will also be featured in the exhibit's original documentary produced by the Annenberg Foundation in partnership with Arclight Productions.

"The exhibit Anne Tucker has put together is one that truly reflects America in images. Each photograph exposes us to just a fraction of the millions of American stories held in the Library of Congress, from the iconic to the absurd," said Annenberg Foundation Chairman of the Board, President and CEO Wallis Annenberg. "Though cameras and technology have changed over the years, this exhibition shows us that nothing captures a moment, a time, or a story like a photograph."

"What a pleasure and an honor it was to work with the Library of Congress selecting these photographs. Glamour, worship, invention, bravery, humor, cruelty and love - this collection of photographs preserves all examples of our humanity as well as chronicling America's history in extraordinary photographs. The Library is an inexhaustible trove available for anyone to explore," said Anne Wilkes Tucker, Curator Emerita of the Museum of Fine Arts, Houston. 

"The Library of Congress not only collects and preserves America's cultural heritage but also works to make those comprehensive collections accessible to as many people as possible. I am so thrilled about this opportunity to present the Library's rich photography collection at the Annenberg Space for Photography," said Librarian of Congress Carla Hayden. "I hope photography and history enthusiasts around Los Angeles and beyond who visit this unprecedented exhibition will have their curiosity piqued about all that is available to them at their national library."

Not an Ostrich will remain on display from April 21 through September 9, 2018. Visitors can access the exhibition with free admission Wednesdays through Sundays from 11 AM to 6 PM, at the Annenberg Space for Photography (2000 Avenue of the Stars Los Angeles, CA 90067). For more information about Not an Ostrich: And Other Images from America's Library visit: https://www.annenbergphotospace.org/exhibits/not-an-ostrich

Heritage Casa.jpgDallas, TX - A rare post-war French release double grande poster from Casablanca soared to $143,400, helping Heritage Auctions’ Movie Posters Auction reach $1,958,775 in total sales.

A film that was made with the hope of creating a successful war drama only to evolve into a beloved classic is represented beautifully in this Casablanca (Warner Brothers, 1947) First Post-War French Release Double Grande, which drew multiple bids before ultimately selling for $143,400. This poster is extraordinarily rare, one of just two known to exist anywhere, and features artwork believed to have been done by Hervé Morvan, the popular 20th-century poster artist.

“This auction contained a variety of desirable posters for collectors of all tastes,” Heritage Auctions Vintage Posters Director Grey Smith said. “The Casablanca poster is a beautiful poster that drew the attention of our most serious collectors.”

One of the most actively pursued lots in the auction was Superman (Columbia, 1948) Six Sheet, which realized $35,850. The first comic book superhero made it to the big screen in a live-action format 10 years after he first was introduced in Action Comics #1. This poster also is exceptionally rare - one of just two of this large format known to exist.

The poster from The Lady Eve (Paramount, 1941) One Sheet is exceedingly rare, which helped spark demand from multiple bidders before it eventually brought $33,460. This classic Preston Sturges comedy is considered one of his best.

Believed to be the only known copy in existence, Morocco (Paramount, 1931) French Horizontal Double Grande validated its rarity when it passed its high pre-auction estimate on its way to a final sale price of $31,070. This extraordinary French stone lithograph from Josef von Sternberg’s classic drama bears a magnificent image for a magnificent film. Roger Soubie’s depiction of the sultry Marlene Dietrich is considered one of the best illustrations ever painted of the star.

Offered for the first time through Heritage Auctions, Adventures of Captain Marvel (Republic, 1941). One Sheet Chapter 1—“Curse of the Scorpion” is another that sparked significant competition among bidders before ultimately yielding $31,070. This poster is one of only a small handful still known to exist from what many consider to be one of the greatest serials produced.

Other top lots included, but were not limited to:

·       Casablanca (Warner Brothers, R-1949) Insert: $28,680

·       King Kong (RKO, 1933). Swedish Oversized Poster: $26,290

·       Star Wars by Michelangelo Papuzza (20th Century Fox, 1977). Original Mixed Media Concept Artwork: $26,290

·       Sunnyside (First National, 1919) Six Sheet: $24,258.50

·       Creature from the Black Lagoon (Universal International, 1954) One Sheet: $23,900

·       Harry Potter and the Prisoner of Azkaban (Warner Brothers, 2004) Lenticular One Sheet: $17,925

76-Ray.jpgNew York—Swann Galleries will offer an auction of Graphic Design on Thursday, May 3, celebrating innovation in the field, with an array of vintage posters, along with a coterie of fine graphically-oriented objets d’art including original maquettes, an Hermès scarf and playing cards.

Leading the selection is an extremely rare panel from Man Ray’s iconic campaign for the London Underground, - Keeps London Going, evoking the artist’s signature Rayographic style. The indelible image equates the solar system with the functionality of the London subway system; it was the world’s most expensive travel poster from June of 2007, when it sold for $100,906 at Christie’s, until 2012, when a poster by A.M. Cassandre sold at Swann Galleries for $159,900. In this auction, it carries an estimate of $80,000 to $120,000.

Another masterwork of urban transportation design is Massimo Vignelli’s iconic map of the New York City subway system, the descendant of which is still in use today. The neat, organized lines of what in reality was a veritable labyrinth of overlapping train systems signaled a new age in graphic design, in which geographic accuracy was subordinate to visual appeal. Offered in the auction is the revised edition of the original 1972 version, printed in 1978 ($1,000 to $1,500).

A wealth of early Secessionist works will be available, many of them in the strikingly tall vertical format common in Viennese posters at the time. Of special interest is Alfred Röller’s tri-color graphic masterpiece for XIV Ausstellung / Secession / Klinger Beethoven, 1902, which also served as the frontispiece for the exhibition catalogue, estimated at $30,000 to $40,000. Another fine example is Oskar Kokoschka’s Kunstschau, 1908, done in a whimsical fairytale style, and valued between $20,000 and $30,000. The cover lot for the sale is Frommes Kalendar, 1899, by Koloman Moser, depicting a woman holding an hourglass and an ouroboros, symbolizing the waning of the century and the circle of life ($20,000 to $30,000).

Charles Loupot is well represented in the sale with a large selection of works spanning his career. Leading the pack is a dramatic tour-de-force of printing: the 1949 advertisement for Lion Noir / Cirage - Crème, a shoe-polish company, depicting a lion in glossy black against a matte background ($30,000 to $40,000). Another highlight is Cailler / Chocolat au Lait, 1921, and the minimalistic ad for Voisin Automobiles, 1923 (each $15,000 to $20,000). Also by Loupot is a pair of pochoir prints depicting high Art Deco fashion on models against a complementary misty background. Together they carry an estimate of $2,500 to $3,500.

The auction will feature a large selection of advertisements for automobiles, perhaps as a consequence of the manufacturers’ wish to seem forward-thinking. Among several early highlights are Ludwig Hohlwein’s rose-tinted poster for Mercedes in 1914, and the azure version of Roger Pèrot’s masterpiece, Delahaye, 1932 ($20,000 to $30,000 and $8,000 to $12,000, respectively).

Adolphe Mouron Cassandre was commissioned by Hermès to design fashionable accessories in his signature style. The resulting collaboration is represented in the auction by a fine silk scarf reminiscent of the architectural mazes of M.C. Escher, 1951, and a set of playing cards with two decks in vivid color (each $700 to $1,000).

Based on the recently released map of the London Underground by Henry Beck, Laszló Moholy-Nagy’s poster for Imperial Airways / Map of Empire & European Air Routes, 1936, reimagines the world as an interconnected, eminently navigable network for travel ($3,000 to $4,000).

Influential works from the second half of the twentieth century include signed exhibition posters by Keith Haring and Roy Lichtenstein, as well as Günther Kieser’s concert poster for The Doors and The Canned Heat, 1968 ($3,000 to $4,000). Also of note is an original oil painting by Stanley Mouse, designer of The Grateful Dead’s iconic skull and roses motif, of, naturally, a skull crowned with roses. The estimate is $3,000 to $4,000.

The complete catalogue with bidding information is available at www.swanngalleries.com.

Additional highlights can be found here.

Image: Lot 76: Man Ray, [London Transport] - Keeps London Going, 1938. Estimate $80,000 to $120,000.

In celebration of the 100th anniversary of Leonard Bernstein’s birth, the Library of Congress has made available online—for the first time—musical manuscripts and scrapbooks from the legendary composer’s personal and professional archives housed in the nation’s library. These digital offerings and others nearly tripled the existing content at loc.gov/collections/leonard-bernstein/about-this-collection/. The public can now access for free more than 3,700 items, including photos, writings, correspondence, scripts, musical sketches, scrapbooks and audio recordings. This web presentation is a revealing snapshot of Bernstein’s extensive collection at the Library.

“Bernstein arguably was the most prominent musical figure in America in the second half of the 20th century,” said Mark Horowitz, curator of the Leonard Bernstein Collection. “A polymath—a Renaissance man—he was a composer, conductor, pianist, educator and social activist. He composed musicals, ballets, operas, film scores, a mass, chamber music and symphonies.” 

New online content includes materials on Bernstein’s involvement in the civil rights movement, his time as a student at Harvard and scripts for the “Ford Presents” and “Omnibus” programs. Other highlights include:

• “West Side Story” outlines, synopses and notes, including an early synopsis titled “Romeo and Juliet” in which the gangs pit Jews against Catholics as opposed to Anglos versus Hispanics; 

• “West Side Story” audition notes, including Bernstein’s comments about Warren Beatty’s audition for the role of Riff (“Good voice - can’t open jaw - charming as hell - cleancut”);

• All of Bernstein’s musical sketches for “Candide,” including “Glitter and Be Gay” (titled “Cunegonde’s Jewel Song”); “I Am Easily Assimilated” (originally titled “Old Lady’s Jewish Tango”) and “Overture”;

• Materials relating to the Black Panther Party fundraiser that resulted in the famous Tom Wolfe article in New York Magazine, “Radical Chic: That Party at Lenny’s”; also included are letters from Coretta Scott King, Gloria Steinem and Jacqueline Kennedy Onassis;

• A sound recording of Bernstein’s sermon, “Hope in the Nuclear Age,” presented at the All Souls Unitarian Church, Jan. 27, 1985. 

The Bernstein Collection consists of an estimated 400,000 items, one of the largest and most varied in the Library’s Music Division. In addition to music and literary manuscripts, personal correspondence, audio and video recordings, fan mail, business papers, photographs and datebooks, there are unexpected items that range from passports and license plates to batons and the suit in which Bernstein conducted his New York Philharmonic debut in 1943. Also among these unusual items are Bernstein’s notes for a Holocaust opera (tentatively titled “Babel”) he was working on the year of his death; a manuscript for an unproduced circa 1941 ballet, “Conch Town” that included the music for what became “America” from “West Side Story”; and a seven-page, color-illustrated letter to his mother documenting a trip to Israel during the 1948 war. 

The conductor’s collection is also one of the most heavily used in the Music Division. Among its researchers is Bernstein’s own daughter, who is working on a memoir. “It’s beyond gratifying to see that not only musicians and scholars can access these materials, but also students of all ages, and in fact virtually anyone on the planet with an internet connection,” said Jamie Bernstein. “The word I so often find myself using to describe my father is not a word he knew in his lifetime: broadband. The Bernstein collection has this same broadband quality.” 

In addition to the expanded website, the Library will celebrate the Bernstein centennial with a spring mini-fest of activities May 12-19 drawn from the richness of the collection. On Friday, May 18, the Library will present an evening of excerpts from three of Bernstein’s major stage works—the musical “1600 Pennsylvania Avenue” and the operas “Trouble in Tahiti” and “A Quiet Place”—and other extraordinary rarities from the Library’s collection. On Saturday, May 19, rarely seen materials will be on display, providing an illuminating portrait of the man and the artist and informal behind-the-scenes presentations and performances will uncover fascinating details about “West Side Story,” “Candide” and “On the Town.” The celebration also includes film screenings, which include “On the Waterfront,” a National Film Registry classic scored by Bernstein. More information about events can be found at loc.gov/concerts/bernstein100.html.

The Music Division at the Library of Congress contains an unparalleled collection of manuscripts, scores, books, libretti, music-related periodicals and microforms, copyright deposits and music instruments. Manuscripts of note include those of European masters such as Mozart, Beethoven and Brahms and those of such American masters as George and Ira Gershwin, Aaron Copland, Samuel Barber and Charles Mingus. More information can be found at loc.gov/rr/perform.

The Library of Congress is the world’s largest library, offering access to the creative record of the United States—and extensive materials from around the world—both on-site and online. It is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office. Explore collections, reference services and other programs and plan a visit at loc.gov, access the official site for U.S. federal legislative information at congress.gov and register creative works of authorship at copyright.gov


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