National Book Auctions has been engaged to sell a trove of important theological and historical texts dating back to the sixteenth century that were rescued from a flooding church in Akron, Ohio in 1969. The volumes were saved from the deluge by the church's minister and have gone unseen by the public for the past past five decades.

Dan Cole, Operations Director for National Book Auctions, arrived in Akron in the company van not knowing what to expect. "All we knew beforehand was that the minister had carried off as much as he could as the church was filling up with water. When I got inside the house, there were close to a hundred boxes along rows and rows of shelves, all basically untouched since the day of the flood. It still wasn't clear what condition the contents were in-whether the water had already gotten to them."

Explains Founder and CEO David Hall, "It wasn't until we got the books back to the auction gallery that the real archaeological work began. We were pleased to discover that the collection was on the whole very well-preserved and contained some very scarce and early titles. It is a real honor to bring this kind of material out of the dark and into the light again after so long. Discoveries like this are what make our jobs so rewarding."

The first session of the consignment, offered at the auction house's Freeville, New York saleroom and simulcast via Invaluable on January 7, 2017 realized over $27,000. The top lot was George Leo Haydock's "The Holy Bible Translated From the Latin Vulgate", published in two illustrated volumes in 1812 and 1815, which fetched $2,250. 

Other titles of note included William Cave's "Antiquitates Apostolicae", published as a full-leather folio in 1676; the complete 24-volume "Encyclopedia Londonensis" dating from the early 19th century and lavishly illustrated with over 1,000 engraved plates; and a scarce first edition of "Le Vite Degli Imperatori Romani"-Antonio Ciccarelli's 1590 biographical history of the Roman Emperors. 

Further religious and secular material from this fascinating collection will be offered on January 22, 2017. They include Hachette's "La Devotion a la Divine Providence"; James Fennimore Cooper's "The Two Admirals"; and Digby's "The Broad Stone of Honour".

National Book Auctions is a specialist auction house focusing almost exclusively on rare and collectible books and ephemera since the 1990s. Its sister company, Worth Auctions, handles a broad variety of personal property including fine art, furnishings, jewelry, coins, and more. For more information, contact mail@nationalbookauctions.com or mail@worthauctions.com.

AntiquarianAuctions.com is an online auction site dedicated to the sale of rare and out-of print books, maps & prints, documents, letters, ephemera and vintage photography.

All pricing is done in US$. No buyer’s premium is charged.

Lot 2

Clouet (Jean Baptiste) Carte d'Afrique divisée en ses principaux Etats...
Published: Mondhare & Jean, Paris & Cadiz, 1785

Estimate: $12,000/13,500

Stunningly beautiful wall map, with historiated border, which also shows Cook's voyages. One of the few of these all maps to survive in good condition. A work of art.

L'abbé Jean Baptiste Louis Clouet (1729 - 1790) was a French cartographer and geographer born 1729 in Rennes. He was a member of the Academy of Science in Rouen. His main work was the Géographie Moderne, which first was issued in 1767. This carte de cabinet (a wall map) is one of a set of four continents and the world (five maps in all), all with historiated borders, published in 1785 by Mondhare & Jean in Paris and Cadiz.

This map of Africa is printed on four sheets which are joined and laid on reinforcing linen. This is a beautiful wall map of Africa, with two title cartouches; the principal one in French and another in Spanish. The main cartouche is elaborate and richly embellished with iconography representing various features of Africa, e.g. Africa is personified by a Ceres like female figure wearing an elephant scalp headdress from Roman iconography - and she is holding a cornucopia; pyramids; and a crocodile representing the Nile River.

Lot 3

2 Photograph Albums with 95 original photos from Gambia

Published: London, 1840 - 1843

Estimate: $1,500/2,000

With stunning pictures of Gambia during the colonisation, among the market in Basse, building of police station at Basse, police forces, Fulas, Fatoto, musicians, building of shops in Kudang, Soudan traders, Governors of Gambia (Sir Edward John Cameron and later Sir Cecil Hamilton Armitage, formerly Chief Commissioner of the Northern Territories of the Gold Coast), Cape St. Mary, views of streets and markets, villages, ports, landscapes, etc. Extremely rare photos of steamers Artimon, Tendaba, Sandu, Duncannon, Swan, Waterwitch, Combo, Mungo Park, Mansa Kila Ba, Vampire, official governor's and ships Kade, Fuladu, Rip, Maypole, Fuladu, Scout, etc.

The earliest photographs show construction and other scenes in the port of Banjul, now the capital, then still called Bathurst, including a flood in 1918. Several show the building of stores in Kudang in 1917. The latest show visits of Governors to Basse, the major city on the Eastern side of the country, in 1922. Especially interesting are the images of the native inhabitants, including Sudan traders, market scenes, washerwomen, musicians, street life, a "wizard" with worshipers, Fulas. Many travel albums have a few interesting subjects among a lot of fillers, but here almost every image is rich in content. All photographs titled in English.

Lot 7

Tyler (Richard Oviet) The Planets (limited to 25 copies)

Published: Uranian Press, New York, 1958 Estimate: $5,000/7,500

Although this spectacular work should be viewed as a cohesive work of art, with Tyler responsible for the design and execution of every part, it is nonetheless also true that each of the beautiful prints are stand-alone pieces which repay close examination, and re-examination. The subjects clearly presage Tyler's subsequent life as the Rev. Relytor of the Uranian Phalanstery.

Richard Oviet Tyler's work is "included in the permanent collections of the Library of Congress, Museum of Modern Art, U.S. Embassies Overseas, New York Public Library, David Rockefeller, and many private collections" (quote from resume published in 1962)

Large 4to. 20 leaves of sekishu paper, printed one side only in colours from woodblocks, by Tyler, each leaf signed, numbered, and titled in pencil by the artist. Unbound as issued within an original cloth portfolio, the cloth hand-printed with images by Tyler, decorative paper endpapers, cloth ties.

Lot 8

Cobb (Irvin S.) Film Script: a 152pp. original holograph manuscript “ ... The Dark Horse or So This is America ..." Published: [Los Angeles?], 1934

Estimate: $5,000/7,500

A 152pp. holograph manuscript , “ ... The Dark Horse or So This is America or Homespun”, being a 1934 early draft of a film script which eventually became a movie titled “Our Leading Citizen” starred Bob Burns, Susan Hayward and Joseph Allen, and was released in August 1939.

The substantial differences between this work and the final movie mean that, in effect, this constitutes an original unpublished work by one of America’s great 20th-century humorists.

“Irvin Shrewsbury Cobb (June 23, 1876 - March 11, 1944) was an American author, humorist, and columnist who lived in New York and authored more than 60 books and 300 short stories. Cobb was the second of four children born to Kentucky natives in Paducah, Kentucky. ... Cobb was raised in Paducah, where the events and people of his childhood became the basis for much of his later works. Later in life, he would acquire the nickname of "Duke of Paducah."

Lot 12

[Ramsey (William)] The Gentlemans Companion: or, a character of true nobility, and gentility: in the way of essay. By a Person of Quality. The health benefits of golf, and a warning about marriage: "'tis a Disease not to be Cured, but by Death".

Published: Thomas Sawbridge, London, 1676

Estimate: $2,000/3,000

A fine copy of the rare second edition of a fascinating and entertaining work, here in a high status binding: includes what is probably the first time in print that a Doctor recommends the health benefits of golf, or 'gauff' as it is spelt here. Slightly earlier, the general idea of golf as healthful recreation appears in the Marquis of Argyle's Instructions to a Son (1661, quoted in The Chronicles of Golf, p. 108 ff.).

This second and final edition of Ramesay's work appears to be scarcer than the first and is properly rare. In a section on outdoor exercise, the author writes that "Exercises and Recreations which are used.. [in the outdoors], that may benefit a Gentleman, and most healthy, are Pilmall, [and] Gauff, these by striking the Ball exercise the whole Man, together with the walk, and may be used moderately without any excess or violence" (p.136). On the other hand, Ramesay did not approve of soccer ('foot-ball'), lumping it with 'hurling' and 'wrastling': all of which he describes as 'rude pastimes better becoming the Vulgar, and Labouring Man'. He relents slightly and allows that watching rather than taking part is acceptable.

The work, first published in 1672, is remarkably wide-ranging and includes an apparently heart-felt section on the importance of thinking long and hard before marrying (" 'tis a Disease not to be Cured, but by Death"): Ramesay, who was married to a 'termagent' according to the Rev. James Grainger, apparently expanded on this theme in his Conjugam Conjurgium or, some serious considerations on marriage (published in 1673, Macclesfield copy sold for 2400 GBP).

Lot 231

Morris (William) Kelmscott Press, A Note By William Morris on His Aims in Founding the Kelmscott Press, Together With A Short Description Of The Press By S.C. Cockerell, & An Annotated List Of The Books Printed Thereat

Published: The Kelmscott Press, London, 1898

Estimate: $1,200/1,300

This is the last book printed at the Kelmscott Press. One of 525 copies. 8vo. Original linen-backed boards, lettered in black on the upper cover. pp. [iv] + 70 + [1] Frontispiece designed by Sir Edward Burne-Jones and engraved on wood by William Morris, woodcut borders to frontispiece and first page of text, 4 large woodcut initials (designed for the Froissart, but never used), text printed in black and red in the Golden type, with 5 pages in the Troy and Chaucer Type.

A very good copy. The linen spine has a couple of small
areas of early mild fraying. There is slight bumping of
two corners with minimal wear at the corners. There is a small leather ex-libris (of a prominent South African) at the top inner side of the front pastedown with some offsetting from this to a few adjacent blank pages. Otherwise the book is internally clean and unmarked and without foxing.

Lot 311

Beckett (Samuel) Waiting for Godot

Published: Faber & Faber, London, 1956

Estimate: $650/850

The first UK Edition of the Nobel prize winner's highspot and arguably the definitive play of the Twentieth Century. In the original yellow cloth with red lettering on the spine. The boards are fine and unmarked. There is a neat ownership name at the top of the front free endpaper and very light offsetting to both free endpapers, otherwise this is a fine crisp unmarked and unfoxed copy in a very good plus price-clipped dustwrapper which has some light rubbing and edge wear with a 1-2mm. sliver of loss at the top of the spine. Publisher's note tipped in as required.

AntiquarianAuctions.com is an online auction site dedicated to the sale of rare and out-of print books, maps & prints, documents, letters, ephemera and vintage photography.

Dealers and collectors worldwide have been selling and bidding on the site since 2010. Only established booksellers who are members of major national trade associations such as ABA, ABAA, PBFA or SABDA or are of good standing in the trade are permitted to sell on the site.

Auctions are held every five weeks and run on the model of a timed auction for one week.

All pricing is done in US$. No buyer’s premium is charged.

Next auction: Auction #57: 2 - 9 March 2017

Contact: Antiquarian Auctions: Paul Mills P.O. Box 186 7848 Constantia, Cape Town South Africa E-mail: support@antiquarianauctions.com Tel: +27 21 794 0600

detail.jpgBOSTON, MA - January 16, 2016 - Skinner, Inc. presents an outstanding two-session auction on Friday, January 27 in its Boston gallery. Fine Prints & Photographs starts at 12PM, followed by  Fine Paintings & Sculpture at 4PM. Previews will be on Wednesday, January 25, 12 to 5PM; Thursday, January 26, 12 to 8PM; and Friday, January 27, 9 to 10AM.

Robin S. R. Starr, Vice President and Director of American & European Works of Art, notes that in addition to a broad selection of pre-20th-century material, the auction offers an especially robust quantity of modern and contemporary work in all categories. A considerable number of items are from private collections and fresh to market, including notable examples that have descended in the families of the artists or original owners. 

Fine Prints & Photographs

The selection of prints is both broad and deep. There are works by traditional masters Rembrandt, Dürer, and Piranesi as well as strong offerings by more modern artists such as Josef Albers, Philip Guston and Alex Katz.

Among the highlights:

  •  David Hockney, Lightning (Lot 78, $7,000-9,000) One of several Hockney prints referencing the phenomenon of lightning, it is strikingly different from the colorful images more commonly associated with this multi-faceted artist.
  • Roy Lichtenstein, The Art Critic (Lot 88, $25,000-35,000) is a late work, at a point when the artist was playing off his own previous works and also looking back at the art of the earlier 20th century. This intentionally Picasso-esque version of an iconic Lichtenstein girl is retrospective in more than one sense.
  • Pablo Picasso himself is richly represented. Lot 100, Femme au char triumphal ($40,000-60,000) and Lot 101, Le joueur de diole ( $35,000-55,000) are unique hand-painted terra cotta tiles. The sale boasts a strong group of his turned ceramics as well.

Additionally there are works by Paul Klee, Helen Frankenthaler, Frank Stella, Robert Rauschenberg and—literally—too many other important artists to list.

In the photographs portion, Skinner is pleased to present work by sought-after masters such as Manuel Álvarez Bravo, Ernst Haas, Edward Weston, Ray K. Metzker, Ilse Bing, and Nan Goldin, and also fine examples by less widely-known but very accomplished photographers. 

73 diverse lots are being offered. Michelle Lamunière, Fine Photographs Specialist, points out that besides 20th-century work, there is a broad selection of 19th-century material, including images of the Middle East by Francis Frith and Auguste Salzmann. 

A major grouping of photographs are from the collection of Harvey Shipley Miller, a leading collector in the 1970s and 80s, at a time when there were few serious collectors of photographs as fine art. Proceeds from the sale of these items will benefit the Philadelphia Museum of Art. 

Of special note are:

  • Alfred Stieglitz, The Two Poplars, Lake George (with The Dying Chestnut Tree) (Lot 162, $8,000-12,000) reflects the photographer’s shift from a Pictorialist to a modernist "straight" aesthetic, while also revealing the subject of trees and nature as sources of personal meditation.
  • Andre Kertesz, Distortion 166 (Lot 161, $5,00-7,000) is one of a series of nudes photographed with mirrors and special lenses to create surreal distorted images.
  • Irving Penn, Marcel Duchamp, New York (Lot 181, $15,000-25,000) This platinum print (made in 1979 from a 1948 negative) is one of Penn’s famous studio wall “corner” series of portraits, important for its size and subject as well as its intrinsic artistic appeal and innovative use of a starkly simplified background.
  • Sally Mann, Untitled (Lot 196, $8,000-12,000) Mann is best known for her photographs of her young children and husband on their family farm in Virginia. This work represents another of Mann’s abiding interests: the Southern landscape haunted by the presence of history.

Fine Paintings & Sculpture

With over 275 lots, the second session of the auction promises a great start to the New Year. Robin Starr notes that Russians and other artists from the former Soviet Republic make an especially strong showing.

  • Ivan Aivazovsky, Along the Coast, Capri (Lot 265, $130,000-190,000). This leading Russian romanticist, influenced by Turner, was especially well known for seascapes and was hugely successful in his own lifetime.
  • Philippe Maliavine, Russian Peasants Singing (Lot 404, $150,000-250,000). Born into a poor peasant family, Maliavine (Malyavin) became a noted portraitist and international success. He combined Russian Impressionism and traditional folk themes in his paintings of colorful large-scale peasant figures.
  • François Angiboult, Cubist Still Life (Lot 442, $10,000-15,000) Behind the French masculine name was Hélène, La Baronne d’Œttingen, a Polish aristocrat married to a Russian officer. Hélène was an important member of Parisian avant-garde culture in the early 20th century.

The offerings are so rich that there will be a special lecture in conjunction with the auction, Across the Chasm of Foreignness: Art from the Russian and Soviet Empires in the West, by Anna Winestein, Executive Director of the Ballets Russes Arts Initiative, on Wednesday, January 25 at 6PM 

Artists from Cuba, Hungary, Belgium and Scotland, as well as many other countries, are represented among the more familiar American and European painters. Diversity of period, style, medium, and subject matter continue as a hallmark of this multi-part auction.

Robin Starr points to a group of French Post-Impressionist works of particular interest. These include Lot 363, Les fumées ($60,000-80,000) and Lot 364, La tour de Collioure ($250,000-350,000) both by Henri Martin. The artist experimented with the pointillist technique most associated with Georges Seurat, used to great effect in the misty atmosphere of Les fumées (meaning “the smoke”) and on a sunlit beach scene in the south of France.

Another significant Post-Impressionist work is by Louis Valtat, Boules de neige et pavot (Lot  396, $15,000-25,000). Valtat was associated with the Fauves and was an important figure in the stylistic transition from Monet to Matisse.

Alexander Calder is exceptionally well represented in this auction by five works in different media.  Three unique pieces are offered in the second session of the auction:

  • Aula Magna (Lot 438, $25,000-30,000), a gouache, pencil, and ink drawing for an installation in the auditorium of the Universidad Central de Venezuela. Working with the architects and sound engineers, Calder designed a system of suspended and fixed large panels that were successful both acoustically and aesthetically.
  • Profils (Lot 439, $70,000-90,000), gouache and ink, is a lively portrayal of a circus act. It re-caps the themes of balance and movement central to all Calder’s work, especially his sculptures and mobiles.
  • Untitled, Standing Mobile (Lot 440, $150,00-250,000) is a moving sculpture that, while less than six inches high, displays the engineering skill, artistic genius and wit for which Calder is renowned.

Image: Ray K. Metzker (American, 1931-2014). Berghoff Annex, Chicago, c. 1958

Old Master Drawings & Prints at Christie's

NEW YORK—Christie’s is pleased to announce the sale of Old Master & British Drawings on January 24 followed by the return of a various owner sale of Old Master Prints on January 25, to take place in New York for the first time in over 15 years. Old Master Paintings will be offered in April 2017, during Classic Week at Christie’s New York.

Christie’s Old Master & British Drawings sale on January 24 is comprised of 131 lots including works from distinguished private collections and institutions. Important works leading the sale are Francisco de Goya’s  Hunter with his dog in a landscape and a lavish design by Peter Paul Rubens inspired by a composition by Renaissance artist Giulio Romano.

The sale features a strong selection of Italian drawings including studies by Giacomo Cavedone, Parmigianino  and Taddeo Zuccaro, together with several works inspired by Michelangelo by Battista Franco, Giulio Clovio and Cesare da Sesto’s early study after the Sistine ceiling. Works by Piazzetta, Giovanni Battista and Giovanni Domenico Tiepolo, Piranesi and Francesco Guardi constitute the highlights of an outstanding selection of Venetian drawings.

Highlights from the British section include A male nude by Henry Fuseli, and works by Gainsborough and Burne-Jones. Charles de la Fosse’s preparatory study for the painting The Virgin’s Coronation with a selection of nineteenth-century works round out the sale.

The sale of Old Master Prints encompasses 220 prints from five centuries, offering an in-depth survey of the printed image in Europe, from Martin Schongauer’s (1450-1491) engravings created in the 1470s to a View of San Francisco by the French Charles Meryon (1821-1868), printed around 1855.

Classic prints by the most celebrated and widely collected artist-printmakers, including Albrecht Dürer (1471-1528), Rembrandt (1606-1669), and Francisco de Goya (1746-1828), stand side by side with extreme rarities, such as an anonymous, hand-coloured woodcut of the Virgin nursing the Child, printed in Northern Italy around 1530; one of a few surviving devotional prints of the period.

The estimates vary as much as the dimensions of the works: the exquisite little engravings by Hans Sebald Beham (1500-1550) are the size of a postage stamp, while the monumental woodcut The Submersion of Pharaoh’s Army (estimate: $200,000-300,000) after a design by Titian leads the sale and fills an entire wall in its scale.

DALLAS — Heritage Auctions announced sales of more than $850 million for 2016, the firm’s third-best year ever, and nearly equal to its 2015 sales of $860 million. The results are a signal of the company’s continuing dominance in the collectibles realm while other major auction houses recorded significantly lower sales volume for the same period. 

Heritage’s fine art category recorded a 28 percent leap in 2016 — in stark contrast to sales at its two largest competitors, both of which saw sales decline by approximately 30 percent.

“Through diversity, transparency and ardent attention to our clients, Heritage solidified and increased its commanding lead as the largest auction house founded in America,” said Heritage Co-Chairman James Halperin. “And we’re anticipating an even better 2017.”

U.S. Coins remains Heritage's largest category, with 2016 auction totals exceeding $192 million, outselling all other numismatic auction houses combined by a wide margin according to the Professional Numismatists Guild annual survey, which shows Heritage maintaining its 56 percent market share.

World & Ancient Coins at Heritage realized about $47 million, while Currency posted over $29 million auction sales. Both categories also showed early signs of increased market strength at major Heritage auctions in Florida and New York which realized almost $70 million during the first 10 days of January 2017.

“Based on late 2016 and early 2017 auction results, the U.S. Coin Market remains upbeat, with prices now already 10 to 12 percent above the previous years’ prices, on average,” Halperin said. “We are already seeing extremely positive results from the first coin auctions of the year. Meanwhile, our plans to expand into other markets and geographic regions are on track.”

Several of Heritage’s other categories set records: 

·         Heritage’s Sports auctions grew from $42 million in 2015 - already more than double any other auction firm’s Sports Collectibles sales - to an incredible $57.4 million in 2016. 

·         Heritage’s already-dominant Comics and Comic & Animation Art Auction category was another juggernaut, with total realized auction prices realized jumping from $34 million to a record $43 million, again outselling all other auction competitors combined. 

·         Fine Jewelry, Timepieces and Luxury Accessories at Heritage combined for a solid year as well, with more than $41.7 million in auction totals (more than $30 million in Jewelry and Watches and more than $10.7 million in Luxury Accessories), versus more than $26 million ($15 million in Jewelry and Watches & $11 million in Luxury Accessories) in 2015.

·         Movie Posters posted sales of $7.95+ million vs. $7.4+ million in 2015.

·         Luxury Real Estate saw sales increase to $19 million vs. $11.2 million for 2014 and 2015 combined. 

·         Wine recorded auction totals of $10.8 million in 2016 vs. $7.55 million in 2015.

Strategic growth continued as:

·         The company expanded its national footprint, opening an office in Palm Beach, Florida, and a full-service showroom in Chicago, Illinois. 

·         For the first time, Heritage's clientele now includes more than 1 million online registered bidder-members, with nearly 90,000 new members added in 2016. 

·         The firm also maintained its online lead, with the total number of unique visitors to HA.com holding steady at nearly twice the combined total number of unique visits the websites of Heritage Auctions’ five closest competing web sites.

·         Online sales (reported in early 2016 for 2015) were $344 million - surpassing all other auction houses; 2016 online sales figures are now being compiled and will be released soon.

Heritage Auctions is the largest auction house founded in the United States and the world’s third largest, with annual sales of more than $850 million, and over one million online bidder members. For more information about Heritage Auctions, and to join and receive access to a complete record of prices realized, with full-color, enlargeable photos of each lot, please visit HA.com.

Want to get the up-to-the-minute updates and breaking news stories about Heritage Auctions? Follow us on HA.com/Facebook and HA.com/Twitter. To view an archive of Heritage press releases go to: HA.com/PR. To link to this release on your blog or Website: HA.com/PR-3096.

PJS6647_large.jpgAUSTIN, Texas—The archive for the acclaimed drama "Mad Men," one of television's most honored series in history, has been donated to the Harry Ransom Center, a humanities research library and museum at The University of Texas at Austin.

The donation was made by Matthew Weiner, the series creator, executive producer, writer and director; and Lionsgate, which produced the critically acclaimed series. The donated materials include script drafts and notes, props, costumes, digital records and video relating to the creation, production and marketing of the series.

"Mad Men," which followed the professional and personal lives of Madison Avenue advertising men and women during the 1960s, has been praised worldwide as much for its brilliantly drawn characters and artistic originality as for its historical authenticity. "Mad Men" premiered in 2007, going on to join an elite group in 2011 when it became only the fourth drama to be awarded four consecutive Emmy® Awards for Outstanding Drama Series. Additional honors for the series include: three Golden Globe® Awards for Best Television Drama Series; a Peabody Award; three Producers Guild Awards; six Writers Guild Awards; two BAFTA Awards; five Television Critics Association Awards, including Program of the Year; and being named on AFI's Top 10 Outstanding Television Programs for seven consecutive years in addition to receiving a special award at last year's luncheon for the show's final season.

"'Mad Men' is a groundbreaking program, noteworthy for the high quality of its writing, acting and design, as well as for the insightful depiction of American culture through the lens of the past," says Steve Wilson, the Ransom Center's curator of film. "Through the 'Mad Men' holdings, students and scholars will gain new insights into the creative decisions that shaped the series and a greater understanding of the evolution of motion pictures."

The series archive is rich in information about the work of actors, designers, writers, producers and creative direction, which aligns with the strengths of the Ransom Center's film holdings. The archive complements the film collection at the Ransom Center, including its collections of David O. Selznick, Gloria Swanson and Robert De Niro.

"It's our hope that the 'Mad Men' archive can satisfy academic curiosity and also provide creative inspiration," says Weiner. "Both artists and scholars can retrace our steps and see how we became interested in the parts of the story we were interested in, and how the creation of the physical world as well as the characters and storylines in the show were the work of many talented people." Read more from Weiner about the donation (PDF).

Materials from the series' 92 hour-long episodes include inspiration boards and lookbooks of period fashion and home and office design, set and costume drawings, scripts, shooting schedules and call sheets. Production footage includes dailies, screen tests, gag and demo reels, trailers and publicity material.

The donation includes a selection of costumes and small props, including materials for several of the show's fictional ad campaigns and characters' personal effects such as Joan's pen necklace, Betty's medical file and Don's terms of re-employment letter.

"'Mad Men' is more than a great show—it is part of American and television history, a ground-breaking classic worthy of the scholarly research the Ransom Center supports," says Lionsgate Television Group Chairman Kevin Beggs. "From its dramatization of gender roles in the workplace to its attention to historical detail in costume, set design and music, 'Mad Men' set standards that will be emulated for decades to come. We're proud to join with the show's brilliant creator, Matthew Weiner, in making this archive available to students who want to explore a cultural touchstone."

Scholarly and popular interest in "Mad Men" is already strong, and the Ransom Center is confident that there will be enduring research interest in this landmark series. The depth and breadth of the archive allows researchers to see the full scope of the "Mad Men" team's work.

"With this acquisition, the Ransom Center becomes a must for researching television," says Alisa Perren, associate chair and associate professor in UT Austin's Department of Radio-Television-Film. "The Center's acquisition of the 'Mad Men' materials represents an exciting moment for television and media industry scholars. This collection will be vital for those wishing to learn about modern television development, research, writing and production processes, 1960s-era advertising practices and shifting gender roles in American society."

The Ransom Center will conserve and catalog the materials, which will then be made available for exhibition, teaching and research. The Ransom Center also awards fellowships to scholars to conduct on-site research in its collections.

A selection of materials from the archive will be on view in the Ransom Center's lobby through Feb. 1.

Script from "Mad Men." Photo by Pete Smith.

GERMAN SCHOOL_Adoration of the Magi_Germany, Swabia or Franconia, c. 1465-70.jpgSince 1991 Les Enluminures has sold important examples of early drawings both to major public institutions and to private collectors. Today, opportunities to purchase drawings before 1500 are extremely limited, and even drawings before 1600 have become scarce on the art market. Les Enluminures is pleased to present a selling exhibition of 13 exceptional drawings. The drawings presented here include a wide variety of media, and they show notable shifts in technique over two centuries. They fit into three basic categories: copy drawings, sketches for eventual compositions, and fully worked out compositions.

January 20th to 28th, 2017 at Les Enluminures

23 East 73rd Street • 7th Floor

Penthouse • New York, NY 10021

Tel +1 212 717 7273

newyork@lesenluminures.com

www.lesenluminures.com

Click here for PDF version of the catalogue

“There remains much to be learned from early drawings, and because of their increasing rarity, as well as intrinsic artistic interest, every example merits close attention and further study. Here is an uncommon opportunity for private collectors and institutions alike to acquire an Old Master drawing that documents an early moment in the history of drawing.” -----Dr. Sandra Hindman

“My fascination with the history of collecting illuminated manuscript leaves and cuttings in part fueled my interest in early drawings. I noted that many collectors of Old Master drawings often included fragments of illuminated manuscripts - both leaves and cuttings - in their collections. It is worth noting that many museums worldwide house miniatures with drawings in their departments of prints and drawings (this is the practice at the Art Institute of the Chicago and the Musée du Louvre, among many others).” -----Dr. Sandra Hindman

Image: GERMAN SCHOOL. Adoration of the Magi, Germany, Swabia or Franconia, c. 1465-70. 

OAKLAND, CA - The 50th California International Antiquarian Book Fair recognized as one of the world's largest and most prestigious exhibitions of antiquarian books, returns to Northern California to celebrate its 50th Anniversary, Friday, February 10 through Sunday, February 12, 2017 at the Oakland Marriott City Center. 

Sponsored by the Antiquarian Booksellers’ Association of America (ABAA) and the International League of Antiquarian Booksellers (ILAB) and featuring the collections and rare treasures of nearly 200 booksellers from over 20 countries around the world, the three-day Fair gives visitors the opportunity to see, learn about and purchase the finest in rare and valuable books, manuscripts, maps, autographs, graphics, photographs, fine bindings; children's and illustrated books, and ephemera from many centuries and countries.

This year’s Book Fair will include a special exhibit from The Bancroft Library at the University of California, Berkeley, which has a long history of collecting the literary fiction of California. In more recent years, that scope has expanded to include mystery and detective fiction, fantasy and science fiction, and western fiction. This special exhibit will highlight California authors’ notable contributions in genre fiction and will emphasize recent donations to the library by featuring materials from the extensive collection of influential author, critic, and literary mentor Anthony Boucher, first editions by early members of the Northern California Chapter of Mystery Writers of America, selections by popular western and adventure writer Kenneth Perkins and MWA Grand Master Ross Macdonald, and more. 

The Book Fair will work with local “book art” artists and organizations to create an interactive, informative, and entertaining area at the Fair. Local libraries and universities will be exhibiting one-of-a-kind works from their collections. Calligraphers, bookbinders and a small press operator will once again be creating unique souvenirs for attendees to take home. Fun for all ages!

The Book Fair’s schedule will also include the following events and special exhibits, free with Fair admission:

Saturday, February 11

9:00 am - 10:30 am: California Rare Book School presents: “The Other Book: The Ames Almanack Opens a Window on Colonial America.” Two books were commonly found in eighteenth century households in North America: the Bible and the Other Book, or the Almanach.  Susan M. Allen, who teaches "History of the Book, 200-1820,” at California Rare Book School, will share an illustrated lecture from her course demonstrating how to “read” almanachs, both bibliographically and culturally, and how to decipher their puzzling tables.

11:00 am - 12:30 pm: California Rare Book School presents: Bound for El Dorado: Collecting California and the Far West. Presented by Gary F. Kurutz, Director of the Special Collections Branch, California State Library.

1:00 pm - 2:00 pm: Meet Mr. Blake, An illustrated lecture on the life, work, and influence of William Blake, given by John Windle, ABAA specialist in the literary and artistic output of this English genius. Jointly presented by the ABAA and the Bibliographical Society of America.

3:00 pm - 4:30 pm: California Rare Book School presents: Printers, Collectors, Bibliographers, and the Inquisition: A Brief Introduction to the History of the Book in Hispanic America. Presented by Daniel J. Slive, Head of Special Collections at the Bridwell Library, Perkins School of Theology, Southern Methodist University and David Szewczyk, proprietor, Philadelphia Rare Books & Manuscripts Co. 

Sunday, February 12

12:30 - 1:15 pm: Book Collecting 101, Learn from ABAA member Vic Zoschak, Jr., Tavistock Bookshop to create a strategy for collecting books, as well as how to spot a “first edition,” judge a book’s condition, and learn bookish terms and jargon.  

1:15 - 2:00 pm: What’s This Book Worth? - Vic Zoschak, Jr., Tavistock Books will discuss the primary factors that give books commercial and monetary value, as well as strategies for appraising and selling books.

2:00 - 3:30 pm: Discovery Day is the public’s chance to discover if those old books gathering dust are worth something.  The public will receive free, expert oral appraisals on up to three books. Appraisals are limited to a first come, first served basis - within the scheduled times. 

The Book Fair’s venue in downtown Oakland is an added convenience for bibliophiles. The Oakland Marriott City Center is just steps away from the 12th Street BART Station, making it easily accessible to attendees from San Francisco and all over the East Bay.  Out-of-town visitors will appreciate staying onsite at the Marriott, plus fair visitors arriving at both Oakland and San Francisco airports can take BART directly to the new venue. 

Moreover, downtown Oakland is within easy walking distance to diverse and eclectic cuisine, hip nightspots, historic Old Oakland, museums, Lake Merritt and the waterfront at Jack London Square.  

Sponsors for the Book Fair include: Michals Insurance Agency, Inc. Media sponsors for the book fair include: ABC7, BART, Interiors California, SF Gate and The San Francisco Chronicle. 

Tickets and Information

The 50th California International Antiquarian Book Fair will be held at the Oakland Marriott City Center at 1001 Broadway in downtown Oakland from 3 p.m. - 8 p.m. on Friday, February 10; 11 a.m. - 7 p.m. on Saturday, February 11; and 11 a.m. - 5 p.m. on Sunday, February 12.

Tickets are available online or at the door. Friday admission tickets are $25; Saturday and Sunday tickets are $15 and all tickets allow return admission for the remainder of the fair. For more information about tickets or exhibiting, visit www.cabookfair.com. Pre-sale ($13-$23) and student passes ($10-$20) are available online now.

For more information about the 50th California International Antiquarian Book Fair, please visit the website at www.cabookfair.com or the ABAA website at www.abaa.org; or contact Fair Managers, White Rain Productions at, cafair@whiterainproductions.com, (800) 454-6401. 

micro.jpegDALLAS - The unprecedented sale of 32 antique microscopes is set to star in Heritage Auctions’ Jan. 19 Gentleman Collector Auction. The instruments come from a prominent West Coast collection and are offered at no reserve. The consignor has assembled a collection over the years that rivals those in many museums. All are offered with period cases and have been meticulously maintained.  

A rare cased 1858 Smith and Beck Binocular Microscope is one of the collection’s finest pieces. Over three dozen pristine accessories accompany the instrument. The microscope was the personal instrument of Thomas Glazebrook Rylands, widely regarded as one of 19th-century Britain’s brightest minds. A collection of his hand-drawn charts, calibrations and botanical specimens are included in the lot.

Microscopes have long been a fascination with gentleman collectors. Microsopists generally attribute the modern microscope to the invention of the compound microscope in the Low Countries in the early 17th century. Since then, the instrument has been a staple of scientists’ desks and laboratories across the globe. The most notable collector was King George III, whose collection filled the halls of Kew Palace.

Of the 32 instruments on offer, five date before the 20th century, including a cased J. Swift & Son Folding Traveling Monocular Microscope. The microscopes display no more than light wear from use. Some maintain full optics - a testament to the collection’s quality.

Additional auction items relating to early microscopy and 20th century science include several rare slides, such as a microscopic picture slide of a basket of flowers, and autographs of Jonas Salk, Linus Pauling, and Albert Sabin.

Heritage Auctions is the largest auction house founded in the United States and the world’s third largest, with annual sales of more than $800 million, and over one million online bidder members. For more information about Heritage Auctions, and to join and receive access to a complete record of prices realized, with full-color, enlargeable photos of each lot, please visit HA.com.

Want to get the up-to-the-minute updates and breaking news stories about Heritage Auctions? Follow us on HA.com/Facebook and HA.com/Twitter. To view an archive of Heritage press releases go to: HA.com/PR. To link to this release on your blog or Website: HA.com/PR-3092.

Lot-211 copy 2.jpgNew York— On Thursday, January 26, Swann Galleries will open their 2017 auction season with Alphonse Mucha & Masters of Art Nouveau: The Harry C. Meyerhoff Collection, the largest such collection of works by the master and his circle ever to come to auction.

More than half of the over 200 lots in the sale are works by Mucha, tracing the artist’s career from his time in Prague, to Paris and New York. The selection offers rare views into Mucha’s process and personal life with previously unrecorded preparatory sketches for the famous Documents Décoratifs and Figures Décoratifs, as well as an etching of his young son.

One highlight of the sale is the complete set of Les Maîtres de l’Affiche, 1896-1900, a selection of the era’s posters from Europe and the U.S., compiled by Roger Marx. Each of the five volumes features posters by leading artists, including Mucha and others in the sale, in a special green and gold binding designed by Paul Berthon. In all, the set features 240 superlative posters reproduced as full color lithographs, and is expected to sell between $35,000 and $50,000.

Several works by Mucha make their auction debut, including a rare circular advertisement for the hair gel Krinogen, 1928, and a counter-top display screen for Savon Mucha, 1907 ($2,000 to $3,000 and $3,000 to $4,000, respectively). The scarce, smaller format of Nestlé’s Food for Infants, 1898, makes a rare auction appearance with an estimate of $4,000 to $6,000, while Bleuze - Hadancourt Parfumeur, circa 1899, which has been seen at auction only a handful of times in the last 25 years ($15,000 to $20,000).

In addition to posters, promotional ephemera designed by and after Mucha will also be in the sale, including chocolate tins, menus, programs and magazine covers, all of which speak to the artist’s popularity and ubiquity. Also present are several sets of decorative panels, for use as wall coverings in a fashionable fin de siècle home, including Têtes Byzantines (Byzantine Heads), circa 1897 ($15,000 to $20,000); Aurore et Crépuscule (Dawn and Dusk), 1899 ($10,000 to $15,000); and several versions of Les Fleurs (The Flowers), circa 1900.

Classical favorites for which Alphonse Mucha is known include the iconic Zodiac / La Plume, 1896, and Job, 1896 (each $15,000 to $20,000); La Trappistine, 1897, valued at $7,000 to $10,000; and Bières de la Meuse, in the exceedingly rare smaller format, 1897, expected to sell between $6,000 and $9,000. Further seminal works, such as the foreboding Medee / Sarah Bernhardt, 1898 ($12,000 to $18,000), and Monaco - Monte Carlo, 1897 ($12,000 to $18,000), will also be crossing the block.

The sale is filled out with works by artists in Mucha’s circle, most notably Henri de Toulouse-Lautrec’s Confetti, 1894, and Babylone d’Allemange, 1894 ($40,000 to $60,000 and $30,000 to $40,000, respectively). Also available is the iconic Ambassadeurs / Yvette Guilbert, 1894, by Théophile-Alexandre Steinlen ($4,000 to $6,000) and several other works by the artist. Travel posters by Adolfo Hohenstein, including Monaco / Exposition et Councours de Canots Automobiles, 1900, estimated at $10,000 to $15,000, and works by Pierre Bonnard, Eugène Grasset and Privat-Livemont, among others, will also be in the sale.

Harry C. Meyerhoff was a Baltimore entrepreneur in construction with a passion for horse racing, evidenced by a run of equestrian posters that start the sale, topped by Ludwig Hohwein’s Das Goldene Buch / Des Sports, 1910, estimated at $2,000 to $3,000. Meyerhoff assembled the Art Nouveau collection with his wife in the 1970s and ‘80s.

The auction will be held Thursday, January 26, beginning at 1:30 p.m. The auction preview will be open to the public Saturday, January 21 from noon to 5 p.m.; Monday, January 23 through Wednesday, January 25 from 10 a.m. to 6 p.m.; and Thursday, January 26 from 10 a.m. to noon.

An illustrated auction catalogue is available for $35 from Swann Galleries, Inc., 104 East 25th Street, New York, NY 10010, or online at www.swanngalleries.com.

For further information or to make advance arrangements to bid by telephone during the auction, please contact Swann President and Director of Vintage Posters, Nicholas D. Lowry at 212-254-4710, extension 57 or posters@swanngalleries.com.

Image: Lot 211 Mucha, Princezna Hyacinta, 1911. Estimate $15,000 to $20,000.

Auction Guide