In the News

Special Exhibitions at AIPAD, April 5-8

New York - Three special exhibitions will be on view at The Photography Show,... read more

James D. Julia's February Fine Art, Asian & Antiques Auction Produces Over $3.3 Million

Fairfield, ME — James D. Julia’s mid-winter auction launched the 2018 auction season in... read more

Leslie Hindman Auctioneers Announces Newest Atlanta Location to Open

Leslie Hindman Auctioneers, one of the nation's leading auction houses, will open its newest... read more

Opening March 4: First Major International Exhibition of Sally Mann's Work of the South

Washington, DC—For more than 40 years, Sally Mann (b. 1951) has made experimental, elegiac,... read more

The Eric Carle Museum Presents "Paddington Comes to America"

Amherst, MA—Sixty years ago, the story of a bear from Darkest Peru found a... read more

New, Expanded Paperback Edition of "Rare Books Uncovered" to be Published

Few collectors are as passionate or as dogged in the pursuit of their quarry... read more

Exhibit Exploring Franciscan Imagery Opens at the National Gallery of Art on Feb. 25

Washington, DC—One of the most innovative Italian books of the early baroque period, the... read more

Quinn's Honors Black History Month with Feb. 22 Auction of African American Art and Memorabilia

Falls Church, VA - On Thursday, Feb. 22, Quinn’s Auction Galleries will pay tribute... read more

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2015 Bookseller Resource Guide

Baum’s Magic Words

Baum’s letter to a young fan, on his beautifully illustrated notepaper. Courtesy of Bonhams.

Letter from L. Frank Baum to a young fan, $14,640 at Bonhams of Los Angeles/New York on April 20.

Sent from Hollywood in November 1916 and written on notepaper that reproduces the covers of many of his books, this letter from the Wizard of Oz creator to a young fan reads: “I’ve looked in my magic box and find I’ve used up all my magic words and things just now and will have to wait till the Fairies put more in it. All the same, I wish you good luck with your Witches Den.”

Witnessed But Not Seen

Mortgage document bearing the signature of John Milton, $45,600 at Swann Galleries of New York on April 21.

A land deed with John Milton’s autograph. Courtesy of Swann Galleries.

A number of witness signatures appear on the endorsement to verso of a 1657 vellum document relating to lands at Reigate in the English county of Surrey, but right at the top is that of the author of Paradise Lost, the poet John Milton. It was his hand that pushed the price so far past the estimated $7,000-10,000, but given that twenty-three years ago, this same document had sold for $8,500 at Sotheby’s New York, one might have expected a more bullish valuation.

By the time he added this signature, Milton was in fact blind—one of his better known sonnets, On His Blindness, had been written only a couple of years earlier—but lotted with this document was a manuscript titled “Authorities ag[ains]t Swearing” and listing quotations from various sources on the subject of oaths. Though unsigned, this was in the hand of Thomas Ellwood, a pupil and young friend who would read to Milton and help him deal with the difficulties imposed by his blindness.

Alps Up, Estimates Down

Lithographed and Photographic Panoramas of the Swiss Alps, £25,000 ($40,875) & £30,000 ($49,050) at Christie’s South Kensington of London on April 6.

A folding lithographic panorama of the Alps, published by Johann Rudolf Dill. Courtesy of Christie’s.

Another case of a saleroom being caught with its estimates down. This Travel, Science & Natural History sale, a mix of pictures, prints, maps, books, scientific instruments and natural history specimens, was almost over when these panoramic views registered two of the day’s top bids.

First up was Panorama des Alpes, pris sur le Gornergrat près Zermatt au Canton du Valois, a folding tinted lithographic panorama measuring roughly nine inches by seven feet when fully extended. Undated but printed by J. C. Ochsner for the Bern publisher, Johann Rudolf Dill (1808-75), this had been valued at just £1000-1500, but considering that Christie’s had sold a rather duller looking and browned, ex-Alpine Club example for £2,000 in 2007, one might have expected sights to have been set a little higher.

An albumen photograph of the Alps by Adolphe Braun. Courtesy of Christie’s.

Individual examples of the Alpine photographs of Adolphe Braun (1812-77) had sold for as much as £1800 in that same 2007 sale, so once again an estimate of £1000-1800 on a lot offering a dozen mounted panoramic albumen prints, each measuring thirteen by twenty-eight inches, seems ultra-conservative.

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