In the News

Getty Foundation Announces New Initiative Focused on Prints and Drawings Curatorship

Los Angeles - The Getty Foundation announced today the launch of The Paper Project:... read more

Sci-Fi from the Stanley Simon Estate Breaks Records in Swann Literature Auction

New York—Science fiction ruled on May 15 at Swann Galleries’ auction of 19th &... read more

MoMA Announces Major Acquisitions from the Merrill C. Berman Collection

New York—The Museum of Modern Art has acquired more than 300 masterworks of The... read more

Sunday Comics & "New Yorker" Covers Lead Swann's Sale of Illustration Art

New York — Swann Galleries will offer an auction of Illustration Art on Tuesday,... read more

Original Tintin Art by Herg├ę May Bring $720,000 in Heritage's First European Comic Art Auction

Dallas, TX - An extraordinary, 12-panel page of Original Tintin Art by Belgian cartoonist... read more

Highlights of Christie's Spring Sales of Books & Manuscripts to be Held on June 14

New York—Christie’s announces the spring various owner sale of Fine Printed Books & Manuscripts... read more

"Medieval/Modern": Dr. J├Ârn G├╝nther Rare Books Will Open Exhibition to Complement Art Basel

Complementing Art Basel 2018, Dr. J├Ârn G├╝nther Rare Books will open its doors for... read more

New England Society Book Awards Winners Announced

New York—The NES Book Awards are made in four categories: Art & Photography, Fiction,... read more

Follow us on TwitterLike us on Facebook
Auction Guide
Advertise with Us
2015 Bookseller Resource Guide

From Incunabula to Modern Firsts—What’s Cooking at Auction

The Garden of Health

Hand-colored illustration from Gart der Gesundheit, printed in Mainz in 1485 by Peter Schöffer. Courtesy of Christie’s.

Gart der Gesundheit, £169,250 ($255,737) at Christie’s London on July 7.

A landmark in botanical studies and natural history illustration, Gart der Gesundheit marked a complete break with medieval traditions of crude, generic representation and offered instead accurate depictions of the plants being discussed, although the spread reproduced here does continue the myth of the Mandragore or Mandrake (white bryony), which is supposed to scream when pulled out of the ground.

The work was planned by Bernard Breydenbach before he set off on a pilgrimage to the Holy Land that resulted in another bibliographical first—the first illustrated travel book, Peregrinatio in terram sanctam, of 1486. He commissioned Johann Wonnecke von Cube to describe the plants and their medicinal uses and Erhard Reuwich, the artist who accompanied Breydenbach to the Holy Land, was instructed to sketch plants as they traveled though the Mediterranean.

Of the 379 mostly botanical woodcuts, around 90 can be attributed to Reuwich, but others derive from the Codex Berleberg, a manuscript owned by Breydenbach. Printed in Mainz in 1485 by Gutenberg’s successor, Peter Schöffer, this first edition copy from the Arcana Collection is colored throughout in a contemporary hand and is in a sixteenth-century German binding by Georg Freyberger.

In 1980 it sold for $79,200 in a Sotheby’s New York sale of books from the library of the Massachusetts Horticultural Society. It was acquired at the time by Robert de Belder, but it was not part of the 1987 Sotheby’s London sale of his great library, having previously been sold on to London dealers, Quaritch.

Perhaps inspired by the £276,150 (then $428,030) paid for another fully colored copy at Sotheby’s London in 2002, Christie’s had hoped that it might make $300,000 or more, but this market is not as strong as it once was.

Fairy Tale Beginnings

Puss in Boots, from the unauthorized 1697 edition of Charles Perrault’s Histoire ou Contes du Temps Passé. Courtesy of Bloosmbury Auctions.

Charles Perrault, Histoire ou Contes du Temps Passé, £61,000 ($88,375) at Bloomsbury Auctions in London on May 27.

This was the work that introduced the now familiar versions of such popular fairy tales as Little Red Riding Hood, Cinderella, and Puss in Boots, who is seen in the page reproduced here. This is not however, the true first edition of 1697, printed by Claude Barbin of Paris, but an unauthorised printing bearing the Amsterdam imprint of Jacques Desbordes that appeared in the same year, its pictorial title and headpieces copied from the original engravings by Antoine Clouzier and printed in reverse.

Both the Barbin and Desbordes editions are now very rare and only seven copies in all appear in auction records of recent decades, but leading all of them in price terms, however, is the Barbin edition in a nineteenth-century morocco extra-gilt binding by Trautz-Bauzonnet that made 2.16 million francs ($283,835) at Sotheby’s Paris in 2001.

How Toys Become Real

The “Christmas Morning” illustration by William Nicholson for the first edition of Margery Williams Bianco’s The Velveteen Rabbit. Courtesy of Bloomsbury.

Arthur Rackham, “Jensina and the Rubbish Heap,” $37,500 at Christie’s New York on June 22, and Margery Williams Bianco, The Velveteen Rabbit, £8,540 ($12,375) at Bloomsbury Auctions of London on May 27.

Rackham’s inscribed watercolor drawing “ Jensina and the Rubbish Heap” from Poor Cecco. Courtesy of Christie’s.

From Pinocchio to Woody and Buzz Lightyear, the notion of toys coming to life has been a popular narrative with children’s authors and filmmakers, and Margery Williams Bianco was fortunate in the illustrators that some of her books attracted. “Jensina and the Rubbish Heap” is one of illustrations that Rackham made for Poor Cecco, which relates the adventures of a wooden dog with humans, animals, and other toys such as Jensina, an independent minded and spirited wooden doll. Signed and dated 1925, this ink and watercolor drawing is also inscribed on the back to indicate its use in the third installment of the original serial publication in the magazine Good Housekeeping.

An earlier Bianco story, The Velveteen Rabbit, or How Toys Become Real, was famously illustrated by the artist William Nicholson, and the 1922 first sold in London was an excellent copy bearing, among others, the bookplate of the leading British typographer Ruari McLean, that Bloomsbury had hoped might sell for as much as $15,000.

Page 1 | 2 | 3 | 4 | 5 | Next