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In the News

Exhibition Charts the Rise and Relevance of the Arts and Crafts Design Movement

Austin, TX — A detailed look at the history of the Arts and Crafts... read more

The Morgan Appoints Maria L. Fredericks as Head of the Thaw Conservation Center

New York —The Morgan Library & Museum announced today the appointment of Maria L.... read more

LOC Puts Papers of President Theodore Roosevelt Online

The largest collection of the papers of President Theodore Roosevelt, documenting his extraordinary career... read more

The 42nd Boston International Antiquarian Book Fair, Nov. 16-18

Boston - The annual fall gathering for booklovers, the Boston International Antiquarian Book Fair... read more

1785 Engraving of Washington & Bob Dylan's Handwritten Lyrics at University Archives Auction

Westport, CT - A rare, 1785 hand-colored portrait engraving of George Washington, printed for... read more

HistoryMiami Museum Features Former National Geographic Photographer Nathan Benn

Miami - HistoryMiami Museum, a Smithsonian Affiliate and a premier Miami cultural institution, presents... read more

Library of Congress Appoints New Chief of the Hispanic Division

The Library of Congress appointed Suzanne Schadl, academic expert in Latin American studies, as... read more

"Masters of Photography: 19th Century and Now" at Paris Photo in November

Paris - Iconic images by the earliest masters of photography—as well as contemporary artists... read more

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2015 Bookseller Resource Guide

Poe poems, a Mississippi map, and A Christmas Carol haul in six figures at last month’s auctions

Fish and Chaps to Go

Colorful dust jacket from the hardcover edition of Creature From the Black Lagoon

Creature from the Black Lagoon by ‘Vargo Statten,’ Bonhams Oxford on December 1, £960 ($1,594)

Published in 1954, this novelization of a Universal movie in which members of an Amazon expedition encounter a creature that is half-man, half-fish was the work of one Vargo Statten, or in real life, John Russell Fearn, a prolific British writer who began working in American pulps but then “almost single-handedly drove the post-WWII boom in British publishing with a flood of science fiction, detective stories, westerns, and adventure fiction, writing under various pseudonyms.”

The quote above was taken from the catalogue entry for a copy of this book that sold for $6,600 as part of the Donald G. Drapkin library at Christie’s New York in 2005. The book was apparently issued simultaneously in blue cloth with dust jacket and in paper covers, and both are now very scarce. The Drapkin copy, another sold by Dominic Winter for £611 (then $1,215) in 2008, and this one from last month’s Oxford sale were all examples of the hardback edition.

Like so many of the books in that collection, the much more expensive Drapkin copy was preserved in a specially commissioned folding case from the Dragonfly Bindery—in this instance one of quarter-blue morocco, decorated to the front board with an image of the creature’s head in green and red leather and cloth inlays.

“Have you a Tamerlane in Your Attic?”

One of only seven copies of Tamerlane to retain its tan wrappers

Tamerlane and other Poems by Edgar Allan Poe, Christie’s New York on December 4, $662,500.

The ultimate prize for collectors of American literature, one of only two copies still in private hands, this slim collection of poems was printed in Boston in 1827, when Poe was just seventeen or eighteen years old. Printed at his expense and issued anonymously, it was widely ignored at the time—so much so that when it was reprinted two years later, his claims concerning an earlier edition were considered false. No copy at all was recorded until 1876, over a quarter of a century after his death, when an example turned up unexpectedly in the British Museum, and no copy surfaced in the U.S. until 1890.

This copy from the William E. Self collection is one of a handful brought to light as a result of an article by Vincent Starrett, “Have you a Tamerlane in Your Attic?” published in the Saturday Evening Post in 1925, and one of only seven to retain the printed tan wrappers.

In 1927, the legendary American bookdealer, Dr. Rosenbach, bought it for $15,000 from the sculptor and bookman Sigurd Neandross. The shrewd doctor paid in four installments, but later that same year sold it on for $27,500 to Mrs. George Blumenthal. Four years later, the Blumenthals returned it to Rosenbach for re-sale, but no buyer could be found, and it went instead to Gabriel Wells, the dealer who in 1920-21 had infamously broken up a Gutenberg Bible to sell the leaves separately.* No vandalism was involved in this instance, for in 1933 Wells had bought the Blumenthals’ entire Poe collection for $50,000.

A few years later that collection was sold by Wells to H. Bradley Martin, and it was in 1990, at one of the Sotheby’s New York sales of that great library, that this stained and entirely unsophisticated copy of Tamerlane was bought by Self for $165,000. It is still in private hands with an anonymous American collector.

*Those leaves, which were sold with an essay called A Noble Fragment turn up at auction from time to time, and on December 9—again at Christie’s New York, but this time as part of the Wolfgang Herz library—an example made $52,500.

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