In the News

First Edition of the Federalist Papers to be Offered at PBA Galleries on May 31

PBA Galleries is pleased to offer an exceptional, complete copy of the 1788 first... read more

"James Cook: The Voyages" Opens at the British Library

Marking 250 years since James Cook’s ship Endeavour set sail from Plymouth, James Cook:... read more

The 2018 Morgan Book Project Awards: Illustrated Books by Exceptional Young People

New York, NY — Known for exhibiting book designs by artists ranging from the... read more

"A Marriage of Artistry: Leo And Diane Dillon" Opens at the Eric Carle Museum on May 26

Amherst, MA — Together, Leo and Diane Dillon created illustrations of extraordinary beauty and... read more

The Duke of Portland Set of Audubon's "Birds of America" to be Auctioned at Christie's on June 14

New York - On June 14, 2018, collectors will have a rare chance to... read more

LOC Appoints Inaugural Jay I. Kislak Chair for the Study of the History and Cultures of the Early Americas

The John W. Kluge Center at the Library of Congress today announced the appointment... read more

Heritage Auctions to Offer 10 Works By Norman Rockwell

Dallas, TX - A painting by one of the most popular American artists of... read more

Rare Stephen Hawking Signature to be Auctioned

Los Angeles - A book signed by Stephen Hawking in 1973 will be auctioned... read more

Follow us on TwitterLike us on Facebook
Auction Guide
Advertise with Us
2015 Bookseller Resource Guide
Digest Art

An Artist Inspired by Books of Hours

An installation at the Morgan Library By Liz Logan Liz Logan is a freelance writer based in Brooklyn. Her writing has appeared in ARTnews, The Christian Science Monitor, and O, The Oprah Magazine, among other publications.

Spencer Finch’s A Certain Slant of Light, an installation inspired by medieval books of hours, is on view at the Morgan Library & Museum in New York City through August 23, 2015. © The Morgan Library & Museum. Photography by Graham S. Haber, 2014. Artwork © Spencer Finch, 2014.

Walk into the airy, Renzo Piano-designed Gilbert Court at the Morgan Library & Museum in New York City and you’ll find an ever-changing festival of color that was created using light, glass, and 365 transparent squares in various hues. A Certain Slant of Light is an installation by the artist Spencer Finch, who drew inspiration from the Morgan’s illuminated manuscripts.

“Medieval people had a different connection to the world and nature. I wanted to bring that idea of nature into New York, and link the piece to the Morgan’s collection,” Finch said.

The installation, on view through August 23, 2015, is a contemporary, visual interpretation of a book of hours, a medieval Christian prayer book and calendar often found in a format so small it could fit in the palm of a hand, with illustrations so meticulous that it helps to have a magnifying glass. The vivid squares create a calendar based on the movement of the sun around the atrium. Finch, whose commission for the National September 11 Memorial & Museum, Trying To Remember the Color of the Sky on That September Morning, made headlines earlier this year, often deals with light, color, time, and memory.

For the gel squares applied to the windows of the Morgan’s atrium, the Brooklyn-based artist attempted to match the colors found in the institution’s collection of medieval manuscripts, including gray, brown, chartreuse, royal blue, and lilac—each one corresponding to a different season. Red-letter days are marked with bold red squares, but instead of Christian holidays, Finch’s red-letter days are secular holidays related to his scientific and artistic interests, such as Sir Isaac Newton’s birthday on January 4. The red squares align with the sun’s arc at noon on those days. Several panes of reflective glass hang in the middle of the atrium, in an ellipse, creating reflections as well as evoking the earth’s orbit around the sun.

“It’s a meditation on time,” Finch said. “A book of hours changes by month, the way the light changes by the hour. I was trying to think about how people who used books of hours understood time differently.”

Finch studied comparative literature at Hamilton College and worked in publishing at McGraw-Hill, so it’s no surprise that many of his ideas stem from books. Years ago, he went to the site of ancient Troy—in present-day Turkey—to record the light of the “rosy-fingered dawn” that Homer described in The Iliad, and he recreated that light with fluorescent tubes in an installation called Eos (Dawn, Troy, 10/27/02). In other pieces, he pays homage to W.H. Auden and Henry David Thoreau.

Emily Dickinson is one of Finch’s favorite writers, and his 2009 installation, 366 (Emily Dickinson’s Miraculous Year), is based on the year 1862 when Dickinson wrote 366 poems in 365 days. It is comprised of 366 candles, each of which burns for 24 hours. He chose each candle’s color to match a color mentioned in the corresponding poem, or natural paraffin if no color was referenced. ©Spencer Finch, 2014. Courtesy of the artist.

A self-professed “Emily Dickinson groupie,” Finch has made several pieces inspired by the poet. One is 366 (Emily Dickinson’s Miraculous Year), a reference to the year that the poet wrote 366 poems in 365 days. The piece consists of 366 candles of different colors that burn in succession, each for 24 hours. “It’s a weird memorial I wanted to do, to this amazing year of hers. To write that many poems in a year is superhuman,” Finch said.

Even the title of the Morgan installation, A Certain Slant of Light, comes from a Dickinson poem. “I keep coming back to her and finding new things,” he said. “That’s a sign of genius.”

Liz Logan is a freelance writer based in Brooklyn. Her writing has appeared in ARTnews, The Christian Science Monitor, and O, The Oprah Magazine, among other publications.