coming eventsComing Events

September 6


September 13


September 18-19


September 20

Swann Galleries 

September 21


September 25


September 27


Find More Events in the FB&C Calendar

In the News

Hunter S. Thompson Archive Consisting of 182 Letters to be Auctioned

Los Angeles - An extraordinary collection of 182 letters by Gonzo journalist Hunter S.Thompson... read more

Boston's Panopticon Gallery Opens "Bibliophile" Exhibition

To coincide with start of a new school year, Panopticon Gallery presents Bibliophile, a... read more

Howard Greenberg Gallery Presents "Vivian Maier: The Color Work"

New York - The color work of street photographer Vivian Maier will be the... read more

Bonhams Introduces the Griffith J. Davis Photography and Archives

New York − On October 2, Bonhams sale of Photographs will offer over 130... read more

Modern African-American Art Shines in Oct 4 Sale at Swann

New York—African-American Fine Art sales at Swann Galleries offer the opportunity to see marketplace... read more

The First Book Published and Printed in Antarctica at Bonhams NY

New York− On September 25, Bonhams sale of Exploration and Travel, Featuring Americana will... read more

The First Western Book on Cosmetics & Scents will be Sold in Paris

Published for the first time in Venice in 1555, it was a precious asset... read more

Printed Matter Presents the NY Art Book Fair Sept. 21-23

Printed Matter, Inc. presents THE NY ART BOOK FAIR, September 21-23, 2018 Preview:... read more

Follow us on TwitterLike us on Facebook
Auction Guide
Advertise with Us
2015 Bookseller Resource Guide
Digest Art

An Artist Inspired by Books of Hours

An installation at the Morgan Library By Liz Logan Liz Logan is a freelance writer based in Brooklyn. Her writing has appeared in ARTnews, The Christian Science Monitor, and O, The Oprah Magazine, among other publications.

Spencer Finch’s A Certain Slant of Light, an installation inspired by medieval books of hours, is on view at the Morgan Library & Museum in New York City through August 23, 2015. © The Morgan Library & Museum. Photography by Graham S. Haber, 2014. Artwork © Spencer Finch, 2014.

Walk into the airy, Renzo Piano-designed Gilbert Court at the Morgan Library & Museum in New York City and you’ll find an ever-changing festival of color that was created using light, glass, and 365 transparent squares in various hues. A Certain Slant of Light is an installation by the artist Spencer Finch, who drew inspiration from the Morgan’s illuminated manuscripts.

“Medieval people had a different connection to the world and nature. I wanted to bring that idea of nature into New York, and link the piece to the Morgan’s collection,” Finch said.

The installation, on view through August 23, 2015, is a contemporary, visual interpretation of a book of hours, a medieval Christian prayer book and calendar often found in a format so small it could fit in the palm of a hand, with illustrations so meticulous that it helps to have a magnifying glass. The vivid squares create a calendar based on the movement of the sun around the atrium. Finch, whose commission for the National September 11 Memorial & Museum, Trying To Remember the Color of the Sky on That September Morning, made headlines earlier this year, often deals with light, color, time, and memory.

For the gel squares applied to the windows of the Morgan’s atrium, the Brooklyn-based artist attempted to match the colors found in the institution’s collection of medieval manuscripts, including gray, brown, chartreuse, royal blue, and lilac—each one corresponding to a different season. Red-letter days are marked with bold red squares, but instead of Christian holidays, Finch’s red-letter days are secular holidays related to his scientific and artistic interests, such as Sir Isaac Newton’s birthday on January 4. The red squares align with the sun’s arc at noon on those days. Several panes of reflective glass hang in the middle of the atrium, in an ellipse, creating reflections as well as evoking the earth’s orbit around the sun.

“It’s a meditation on time,” Finch said. “A book of hours changes by month, the way the light changes by the hour. I was trying to think about how people who used books of hours understood time differently.”

Finch studied comparative literature at Hamilton College and worked in publishing at McGraw-Hill, so it’s no surprise that many of his ideas stem from books. Years ago, he went to the site of ancient Troy—in present-day Turkey—to record the light of the “rosy-fingered dawn” that Homer described in The Iliad, and he recreated that light with fluorescent tubes in an installation called Eos (Dawn, Troy, 10/27/02). In other pieces, he pays homage to W.H. Auden and Henry David Thoreau.

Emily Dickinson is one of Finch’s favorite writers, and his 2009 installation, 366 (Emily Dickinson’s Miraculous Year), is based on the year 1862 when Dickinson wrote 366 poems in 365 days. It is comprised of 366 candles, each of which burns for 24 hours. He chose each candle’s color to match a color mentioned in the corresponding poem, or natural paraffin if no color was referenced. ©Spencer Finch, 2014. Courtesy of the artist.

A self-professed “Emily Dickinson groupie,” Finch has made several pieces inspired by the poet. One is 366 (Emily Dickinson’s Miraculous Year), a reference to the year that the poet wrote 366 poems in 365 days. The piece consists of 366 candles of different colors that burn in succession, each for 24 hours. “It’s a weird memorial I wanted to do, to this amazing year of hers. To write that many poems in a year is superhuman,” Finch said.

Even the title of the Morgan installation, A Certain Slant of Light, comes from a Dickinson poem. “I keep coming back to her and finding new things,” he said. “That’s a sign of genius.”

Liz Logan is a freelance writer based in Brooklyn. Her writing has appeared in ARTnews, The Christian Science Monitor, and O, The Oprah Magazine, among other publications.