January 2018 Archives

Our Bright Young Booksellers series continues today with Aaron Beckwith of Capitol Hill Books in Washington, DC:

IMG_3189.jpgHow did you get started in rare books?

I started working at Capitol Hill Books in 2004.  Once I proved to Jim, the owner, that I knew the alphabet (one of the few interview questions) and was fairly competent, he was generous enough to start explaining what a first edition was and how to identify one. Soon after, my friend Matt Wixon took over the online rare book operation at the store. Through our occasional trips to book sales, I started learning about this weird world of foxing, slightly chipped dust jackets, and ornery customers (and booksellers). Who can resist that?

Soon after I was making a number of dubious purchases on E-Bay. Eventually, I went to Catholic University for Library Science, and took a really great History of the Book course. I’ve been hooked ever since.

I understand you are in the process of buying Capitol Hill Books.  How is that going?

Things are good! As Jim always says of me to our customers, “this is the guy trying to buy me out!” Several of us who have worked at the store have a great relationship with Jim and have been discussing it with him for awhile. We have a deep love for the place and are ready to keep the store humming when Jim wants to retire.

Matt Wixon, the friend I mentioned above, actually started a moving company, Bookstore Movers, to raise the funds to buy the store, and the two companies support each other in a number of ways. A few employees, such as myself, have worked for both businesses and fill in at whichever place needs help that day.  We are allies and we’ll be around to support each other for many years to come.  

We’ve got enough to keep us busy in the meantime.  Last fall the bookstore partnered with the Poet Laureate office at the Library Congress to host a Day of the Dead Dance Party. We built an altar to Sam Shepard, Derek Walcott, and Carrie Fisher, all authors that had passed in the last year. We drank mezcal rickys and danced as only librarians and booksellers can--with nerdy exuberance and capes.

On a recent trip to Mexico, we signed a Memorandum of Understanding with a fellow used bookstore, A Través del Espejo. In the memorandum, the two stores agreed to become “sister stores” and engage in activities that “promote friendship between Mexican and American readers, and foment increased understanding of the literary cultures that exist in each country.” We plan to return at least once a year to take them some books, explore the taco scene, and do some book scouting ourselves.

What do you love about the book trade?

I’ve been lucky enough to have a number of mentors who have shown me the ropes, and making those unexpected relationships has been particularly special. Jim is certainly number one. Erik Delfino was my professor at Catholic University and taught the History of the Book class. This was at the height of e-readers and “The Book Is Dead!” hysteria. Erik was able to contextualize all of this from the oral tradition, to sumerian tablets, to the codex, moveable type, and on up to audiobooks and e-readers. He calmed us all down and taught a great course in the process.

Another whole world opened up when I met Brian Cassidy, who introduced me to CABS (Colorado Antiquarian Book Seminars), or Rare Book Camp, as I think of it.  There, I saw how varied the booksellers’ and librarians’ interests were.  Everyone got excited when talking about their collecting or research specialties (whether death, carnivals, or some esoteric binding technique), and there was this great “Oh you like weird stuff, too!” series of epiphanies.  

The trade runs the gamut with old salts, new salts, and wide-eyed naifs like me. Just about everyone has been eager to share advice, though, including “I hope you don’t want to make money.”  I don’t, so we’re good there!

Describe a typical day for you:

Every Thursday, I borrow Jim’s car for what we call “the circuit.”  I drive all over the DMV looking for books, both general store stock or more rare stuff. I’ll fill up a couple carts, focusing on $7 paperbacks. The first question upon my return is whether I found any Vonnegut or Murakami, but I sometimes find some rare gems along the way.

I drive the loaded car back to the shop, and usually enter to find Jim in great mental distress due to a customer using one of the words that is banned in our store (sweet, like, perfect, Amazon, OMG, etc) “Gahhhhhh!  You’re giving me braaaaaaain damage!”

After the proper excoriation, we have our weekly informal happy hour with the “Destickering Crew”.  These are a rotating cast of friends and roustabouts who come to the store after we close to take the stickers off the books, drink, make book puns and, ideally, not talk too much about politics. The night generally ends with margaritas, chili con queso and, of course, more book talk.

Favorite rare book (or ephemera) that you’ve handled?

That’s tough, because in Library Science school at CUA we were able to tour the rare book collections of all the major institutions in DC, and at the Library of Congress, for instance, they played all the hits. So getting to see some early Galileo, or all of Charles Dickens’s first editions at one time was pretty dang cool.  

My favorite, though, was a self-made Dungeons and Dragons Monster Manual. It came from Israel and whoever had owned it had created their own monsters and included extensive descriptions (in Hebrew) and drawings. It was fascinating to look at, and the time period worked out that this author was in Israel playing D&D at the same time I was a husky lad doing the same up in Michigan. He or she created two of their own monsters, and I was drawn to the care and creativity that went into it.  The manual ended up being my first ever book fair sale, so I have fond memories.

What do you personally collect?

It’s become increasingly hard to distinguish what I’m collecting for myself, and what I’m just holding on to for a couple years before selling. But looking at my shelves now, there’s a lot of books from the WW1 and the Lost Generation, the remnants of a hypermodern fetish, Wodehouse Penguins, Virginia Woolf, and a lot about food, cooking, and cocktails.

I also just started a collection of casual dining menus from places like T.G.I. Friday’s, Applebee’s, IHOP, etc. I recently read that Applebee’s used to have quail on the menu, so really hoping to track that one down at some point.    

What do you like to do outside of work?

Mainly I like to travel, cook, and read. Though I rarely get to play these days, 4-Square, the old playground game, is probably my favorite past-time. I’ll bring some chalk and a ball to the next book fair.

I’ve been swimming more and more too. Mostly I do a lazy, frolickey backstroke while staring at the ceiling of the pool trying to think of anagrams for “incunabula.”

Thoughts on the present state and/or future of the rare book trade?

I’m pretty new to the trade, so it’s a little tough for to say anything with any authority. I’ve been thinking more about nostalgia cycles though, and I’d guess there’s some previously unconsidered 80s or 90s items that we’ll start seeing soon on the margins of the book trade, something like early Trapper Keepers.

One idea we want to follow through on at Capitol Hill Books is to host some booksellers at the shop every now and then. We’d have them set up a small display and give a talk about their experiences in the book trade, or their specialty, or wherever they wanted to take it. The trade has so many interesting, vibrant personalities, and having a space to share that and bring together the disparate parts of the DC book community would work well.

Any upcoming fairs or catalogues?

We did our first catalogue on Hemingway and the Lost Generation last winter, and it was a blast to put together. We were able to partner up with the Pen Faulkner Foundation, Shakespeare Theater Company, and Riverby Books, our fellow booksellers on Capitol Hill. We met a lot of cool book and theater people, and sold a fair bit at our rare book pop-ups.

In the next year, we’ll focus a little more on events. We’re doing three book fairs - Ann Arbor, Richmond, and Washington, DC.  In the shop, we’ll continue to host our monthly free wine and cheese parties. Book people plus free booze always equals interesting times.

A friend also brings in a couple kegs of homebrew to the shop every month or two. He’s been called the Björk of Homebrewing. We’re certainly not above bribing people to buy our books, and it works every time.

Churchill 1.pngWith two Oscar-nominated films, Dunkirk and The Darkest Hour, plus a third, Churchill, hoisting Winston Churchill into the spotlight of late, bookseller Maggs Bros. of London has taken the opportunity to share in the excitement with a little contest. Take a look at this original pen and ink cartoon of Churchill by “Pooh” illustrator E. H. Shepard, drawn for Punch magazine in 1947 and titled “Leonardo da Winny.” The former PM and amateur painter is depicted in his studio, at work on a canvas (deliberately painted upside-down) featuring his successor, Clement Attlee. But what is Attlee doing with his left hand? (See detail below.) It’s anybody’s guess, and Maggs is offering a “small reward” for the correct answer. (Contact here.) The drawing itself is for sale at £12,500.

Churchill 2.pngChurchill collectors might also be interested to know about another Maggs offering: a complete six-volume set of first editions of his book, The World Crisis, which were initially gifted to Maurice Hankey, a senior civil servant in Churchill’s war administration. Each volume except the first is personally inscribed, and one contains a handwritten letter from Churchill, noting the gift for Hankey’s library. Of Hankey, Churchill had written in The World Crisis: “He knew everything; he could put his hand on anything; he knew everybody; he said nothing; he gained the confidence of all.” The set is priced at £50,000.   

Images courtesy of Maggs Bros.

Before we look ahead to this week’s sales, a quick update on the volume from George Washington’s library that was offered on Saturday: it sold for $115,000.

                                                                                                                                                                         Three sales to watch this week, all on Wednesday, January 31.

                                                                                                                                                                                 At Dominic Winter Auctioneers, Printed Books, Maps & Documents, in 565 lots. Includes the Edward Elgar collection of Peter and Anne Duckers (lots 229-277) and the second part of David Lansley’s collection of Lewis Carroll (lots 405-434), and there are many lots of interest to the geology buff. An Elgar autograph manuscipt for an offertorium performed at the coronation of King George V and Queen Mary in 1911 is estimated at £3,000-5,000, as is a James Boswell letter to Catharine Macaulay. Sir Hugh Walpole’s copy of Dombey and Son in original parts could fetch £1,000-1,500. A 1635 London Bible in an elaborately-decorated binding (pictured) is estimated at £400-600.


binding.pngAn online sale of Books and Works on Paper in 175 lots from Forum Auctions; most of the estimates for this sale are in three figures. Among the lots that struck me are Patrick Woodroffe’s original dust-jacket artwork for a 1973 edition of Dashiell Hammett’s The Thin Man (est. £600-800), a group lot of Golden Cockerel Press books (£300-400) and a first edition in wrappers of Arthur Conan Doyle’s The Parasite (£150-200).

                                                                                                                                                                                  Chiswick Auctions hosts a Printed Books & Manuscripts sale, in 132 lots. A much-altered 15th-century Book of Hours in a contemporary binding is estimated at £1,500-2,500, while a copy of the Olympia Press first edition Lolita could sell for £1,200-1,500. A lot of 41 volumes of the Tauchnitz editions of P.G. Wodehouse could fetch £800-1,200. A manuscript introduction and various associated documents relating to William Johnstone White’s Sketches of Characters (1818) is estimated at £100-150.

                                                                                                                                                                                Image credit: Dominic Winter Auctioneers

Shakespeare copy.jpgAbove: The first recorded purchase of Shakespeare’s Venus and Adonis, less than two months after it was entered in the Stationers’ Register. Richard Stonley, a government accountant, spent 12 pence on two books, Venus and Adonis and John Eliot’s The Survey, or Topographical Description of France, in addition to 10 shillings on food and 3 shillings, 12 pence on clothes.

Since 1997, UNESCO’s Memory of the World Register has raised awareness of the state of preservation of civilization’s documentary heritage by nominating a series of books or other documents that speak to our common history. Looting, war, illegal trading, and general lack of interest stirred UNESCO members to establish an annual list of documents that have national or global social relevance. The first inductees into the program included the Archangel Gospel of 1092, a collection of Mexican Codices, and a Holy Koran, and since then the register has grown to include the Magna Carta and the Gutenberg Bible. This international initiative calls for the preservation or, in some cases, the reconstitution of a country’s documentary heritage -- creating a sense of permanence for these materials in an increasingly impermanent (read: digital) world.

This year, 90 documents relating to William Shakespeare’s life have been added to the register, mostly dealing with his baptism, burial, property records, and business transactions. Six of those documents hail from the Folger Shakespeare Library collection -- the only American institution included -- while the remaining 84 documents are in the United Kingdom’s Shakespeare Birthplace Trust, the National Archives, Worcestershire Archives and Archaeology Service, the College of Arms, the British Library, and London Metropolitan Archives.

The Shakespeare documents are accessible to anyone with internet access: they’ve all been scanned and uploaded to an online repository called “Shakespeare Documented,” launched on the 400th anniversary of the Bard’s death in 2016. With (appropriately) 400 items in its holdings, the site bills itself as “the largest and most authoritative resource for learning about primary sources that document the life and career of William Shakespeare.” This comprehensive portrait of the playwright offers hundreds of print and manuscript documents for in-depth examination, including contemporary accounts (and gossip), anthologies, literary criticism and diary entries--all providing testimony to how Shakespeare became a household name.

“The fact that these resources -- supplied by a number of institutions -- have been digitized and are widely available means that a vital part of the documentary record is able to speak to us from centuries past. If libraries are diary of humankind, this group of documents represents one of that story’s most exciting chapters,” said Folger Shakespeare Library Director Michael Witmore.

In an age where longevity of e-data is of increasing concern, to quote the Bard himself, “What’s past is prologue” (The Tempest, Act 2, Scene I). In other words, we cannot forget history’s lessons, or we are forever doomed to repeat them, and UNESCO’s initiative is a positive step in the right direction.

Credit: Richard Stonley. Diary labelled “KK.” Manuscript, May 1593 to May 1594. Folger Shakespeare Library.

Should your travels bring you to Cambridge, Massachusetts, this spring, chart a path toward Harvard’s Houghton Library, where Landmarks: Maps as Literary Illustration opened last week. Curated by Peter X. Accardo, the exhibition showcases sixty literary maps that bring to life such imagined places as More’s Utopia and Pooh’s Hundred Acre Wood. Here are a few highlights:   

Baum Tik Tok of Oz copy.jpgProfessor Wogglebug’s Map of the Marvelous Land of Oz, attributed to L. Frank Baum. From: L. Frank Baum, Tik-Tok of Oz (Chicago, 1914). “This first printed map of the Marvelous Land of Oz presents its four counties in their official colors, but reverses the position of Munchkin and Winkie Counties. The inconsistency is also reflected by the map’s compass points, where East unusually is to the West, and West is to the East.” Credit: Houghton Library, Typ 970.14.1955 - Presented in honor of Dennis C. Marnon, 2018.

Cervantes Quixote copy.jpgA double-page copperplate map of a Portion of the Kingdom of Spain by Tomas Lopez. From: Miguel de Cervantes Saavedra, El Ingenioso Hildalgo Don Quixote de la Mancha (Madrid, 1780). “Their route is delineated in red; the numbers added along the way are keyed to thirty-five episodes listed in an elegant cartouche surmounted by loyal Panza and Quixote’s empty suit of armor.” Credit: Houghton Library, *SC6.C3375.B617d 1780 (B) - Gift of William Carmichael, 1782.

Scudery Clelie copy.jpgFold-out, hand-colored “Carte de Tendre,” attributed to François Chauveau. From: Madeleine de Scudéry, Clélie, histoire romaine (Paris, 1654). “Multiple suitors cause the novel’s heroine Clélie to create a Map of Love, originally conceived by de Scudéry as a society salon game. Three paths to spiritual love emanate from the city of New Friendship, leading in the west to Recognition, in the north to Esteem, and in the east to Inclination.” Credit: Houghton Library, *75-193 - Amy Lowell fund, 1975.

The exhibition remains up through April 14.

Images courtesy of Houghton Library

AWizardOfEarthsea(1stEd).jpgUrsula K. Le Guin, one of the great writers of the 20th century, passed away Tuesday at her home in Portland, Oregon. She was 88 years old. Although commonly considered a science fiction author, Le Guin was also widely recognized as a literary voice of significant depth and insight. Le Guin’s sophisticated inquiries into gender, environmentalism, anarchism, taoism, anthropology, sociology, and psychology often played out against fantastical or futuristic backdrops in her fiction. Among her many books, which achieved both literary respect and commercial success, were The Left Hand of Darkness, The Dispossessed, The Lathe of Heaven, and The Wizard of Earthsea

Le Guin was born in Berkeley, California, in 1929, the daughter of prominent American anthropologists Alfred and Theodora Kroeber. She graduated from Radcliffe University in 1951, continuing on to earn a Master’s degree from Columbia in 1952. While on a Fulbright fellowship to Paris she met and married Charles Le Guin. The two settled in Portland, Oregon, where they raised three children together. She published her first novel Rocannon’s World, in 1966. Two years later she published The Wizard of Earthsea, the first in the popular and acclaimed Earthsea series, which launched her career and became a classic of the fantasy genre. Within the next few years, she would publish several books that would also become undisputed classics in the science fiction canon: The Left Hand of Darkness (1969), The Lathe of Heaven (1971), and The Dispossessed (1974).

220px-TheLeftHandOfDarkness1stEd.jpgFor collectors of science fiction and fantasy in the 20th century, Le Guin was already a must-have, but as her reputation has continued to grow beyond genre fiction (see, for example, the recent Library of America editions of her work), Le Guin’s works properly belong on the shelf of any collector of 20th century literary fiction as well. 

Images via Wikipedia

Almost a year ago today, book artist Richard Minsky announced his purchase of a 1935 first edition It Can’t Happen Here, a dystopian political novel by Sinclair Lewis that experienced a surge in popularity after the 2016 presidential election. At the time, Minsky wrote, “I’m thinking about materials to use for a book shrine, like Pop Delusions, or whether it should be a reading chair, like Freedom of Choice.” The product of that creative spark is a stunning binding that combines leather, gold, paint -- and the artist’s blood.    

ichh2a-500-12.jpgAs a longtime contributor to FB&C, Minsky hardly needs an introduction here, but I would like to note that he recently received the 2017 Guild of Book Workers Lifetime Achievement Award for service to the profession of the book arts. Now that his latest “book shrine” has been completed, I wanted to hear more about this compelling project.

RRB: Tell me about the impetus for this undertaking. Had you read It Can’t Happen Here before?

RM: I read it for the first time after the 2016 election, when it garnered a lot of attention and again became a bestseller. My original intention wasn’t to do a binding. In the novel the protagonist is a newspaper editor in Vermont. A populist buffoon is elected president of the USA and becomes a demagogue. All laws were made to benefit corporations. The editor and other members of the New Underground Resistance steal “an old hand printing-press” from the basement of the newspaper office, and take 8-point type, a pocketful at a time. They publish a four-page pamphlet titled Vermont Vigilance. One way of distributing the pamphlets was to surreptitiously insert them into other publications.
     Last April I was Artist-in-Residence at the Cary Graphic Arts Collection, Rochester Institute of Technology, where I reified the fictional pamphlet, printing Vermont Vigilance on the Kelmscott/Goudy Albion handpress that William Morris acquired to print The Works of Geoffrey Chaucer. Frederic Goudy brought the press to America in 1924. I designed the pamphlet using typefaces that existed at the time of the story, and planned to insert them into copies of the first edition of the book.

box2opena700.jpgRRB: You made two bindings, right? One white goatskin, the other calf? Will there be more?

RM: The first binding was alum-tawed goatskin with an inlaid panel made to look like pied 8-point type in a pool of black ink, covered in blood. The type is Garamont, a face Goudy designed in 1921. The original drawings for Garamont are in the Cary Collection. Some of the red on the cover is my blood, but most of it is acrylic paint, which looks more like fresh blood than blood does after a short time. The front endpaper is the first leaf of Vermont Vigilance, and the back endpaper is the folded pamphlet.
     I just finished a second copy, in black calf, with Vermont Vigilance as the basis of the panel. For this one I inserted the pamphlet rather than glued it in. Both versions use the same copper die for stamping the gold spine, and I’ve stamped three additional alum-tawed skins with the spine design, in case I locate additional copies of the first edition suitable for binding.

RRB: Why was it important to you to use blood? Have you ever done that before--or heard of another binder doing it?

                                                                                                                                                                    RM: I used my blood because it evokes a metaphor of the book--that people are willing to give their blood to resist fascism. Many of the characters are bloodied. Some survive, some die. The images on the covers represent what happens when the Corpos discover where the resistance is printing the pamphlets. The headline in Vermont Vigilance is “How Many People Have the Corpos Murdered?”
     I haven’t used my blood before as a metaphoric material, though I occasionally have put a drop on a work to provide DNA authentication. I haven’t seen any other bookbindings that use the binder’s blood, but I’m certainly not the first artist to use their blood as a significant material in their work. Barton Lidicé Beneš immediately comes to mind. Lethal Weapons was a series of works created in the 1990s with his own HIV-infected blood.

Images courtesy of Richard Minsky

Forum Auctions in London holds a sale of Fine Books and Works on Paper on Thursday, January 25, in 385 lots. A John Wesley autograph letter rates the joint top estimate, at £8,000-12,000. Sharing the honors is a complete set of the French art magazine Verve: Revue Artistique et Littéraire (1937-1960). A group of seventeen ink and watercolor drawings by Charles Edward Brock for a 1908 edition of Sense and Sensibility is estimated at £6,000-8,000, and the Laurence Hodson copy of the Doves Press Bible could fetch £5,000-7,000.


Austen Inscription

                                                                                                                                                There are a couple interesting association copies at this sale: a first edition of Jane Austen’s collected works (1833) presented by Austen’s favorite niece, Fanny Catherine Knight Knatchbull, to her daughter Louisa in 1856 (£2,000-3,000 - pictured), and the Doves Press edition of Milton’s Aereopagitica (1907) presented by Thomas Cobden-Sanderson to his son Richard (£800-1,200).

                                                                                                                                                               A much-annotated Latin Bible (Louvain, 1569) is estimated at just £500-700.

                                                                                                                                             Also on Thursday, Americana - Travel & Exploration - Cartography at PBA Galleries, in 500 lots. 

                                                                                                                                            See Rebecca’s post from last week for the big highlight of the January 27 Winter Fine Art and Antiques sale at Case Antiques, Inc., the volume from George Washington’s library which later belonged to John Marshall (est. $28,000-32,000). This sale also contains a few other books from Marshall’s library.

                                                                                                                                             Potter & Potter hosts a Fine Books & Manuscripts sale on Saturday, in 563 lots. These include a notable variety of material related to Harry Truman from the collection of his Appointment Secretary, Matthew J. Connelly, and to Connelly’s trial for conspiracy to defraud the United States, which ultimately led to a pardon by President Kennedy in 1962. The pardon certificate is among the lots for sale, estimated at $7,000-9,000. A suit once owned by Lee Harvey Oswald is estimated at $15,000-20,000.

                                                                                                                                                          A rare J.D. Salinger letter to a fan could fetch $7,000-9,000, and a Walt Whitman postcard to the poet Gabriel Sarrazin is estimated at $4,000-6,000.

                                                                                                                                                            Image credit: Forum Auctions

The Beatrix Potter Society has been keeping tabs on all sorts of various Potter-related events as well as preparing for a springtime gathering in California. Here’s some of the highlights from its winter newsletter:                                                                                                                                                                               

squirrel nutkin.JPGThe Bookseller reported in December that a first-edition of Potter’s long-forgotten and recently published The Tale of Kitty in Boots, with illustrations by Quentin Blake, was auctioned at the “First Editions Re-covered” sale, fetching nearly $14,000. The event raised funds for Blake’s House of Illustration, a public art gallery in London. The two-hour event raised approximately $180,000. 

In 2016, the Royal Mint struck a series of coins commemorating the 150th anniversary of Beatrix Potter’s birth, and plans to add new coins to the series in 2018. This year Mrs. Tittlemouse, the Tailor of Gloucester, Flopsy Bunny, and a new version of Peter Rabbit will appear on the 50-pence coins. The proclamation announcing the series appeared in the December 15 edition of the Edinburgh Gazette.

The United Kingdom’s National Trust celebrated 50 years of its Working Holiday program--an initiative aimed at encouraging participants to help care for and restore Britain’s beautiful coastlines, homes, and gardens--by planting 4,000 saplings near Moss Eccles Tarn in Cumbria’s Lake District. Stocked with water lilies and various fish, Potter once owned this charming fishing spot and donated it to the National Trust upon her death. Volunteers helped clear non-native plants to make room for the new trees--native oak, birch, and hazel.

Finally, the next meeting of the Potter Society will take place March 23-25 in San Diego, California. Among other activities--British afternoon tea on Saturday, for example--author Marta McDowell and librarian Connie Rye Neumann will share new research on the surprisingly parallel lives of Laura Ingalls Wilder and Potter.  

                                                                                                                                                                       Spring can’t get here soon enough. 

                                                                                                                                                                  Image via Wikimedia Commons

Paging the Mount Vernon Ladies’ Association of the Union ... Coming up for auction on January 27 at Case Antiques in Knoxville, Tennessee, is George Washington’s signed copy (and bearing his armorial bookplate) of The Massachusetts Magazine: or Monthly Museum of Knowledge and Rational Entertainment, volume 1, published by Isaiah Thomas and Ebenezer T. Andrews of Boston in 1789.

GW SB #1.jpgWhy page the Ladies? Well, they did pay nearly $10 million for Washington’s annotated copy of the Constitution and Bill of Rights in 2012. Washington-owned and signed books are coveted items. Also in 2012, Heritage Auctions sold his signed (and bookplated) copy of A View of the History of Great-Britain (1782) for just over $100,000. In 2013, seven books from the first president’s library sold at Sotheby’s for a total of $1.2 million, some signed, some only with bookplate.

Aside from the autograph and bookplate, what makes the volume now headed to auction so special is trifold, said John Case, president of Case Antiques. First, this copy has associative value, as it was later owned by Chief Justice John Marshall. “Marshall and Washington were close friends,” Case said, citing another lot in the auction, a letter from Washington to Marshall that demonstrates this relationship. Second, Marshall’s descendant, Lewis Minor Coleman, Jr., noted the book’s provenance on the front endpaper (pictured below)--and this too is a selling point because it records the fact that the book resided in both Washington’s and Marshall’s library. And third, according to Case: “A remaining desirable factor is the subject matter of the book, as it is contemporary to the time of Washington by a well known publisher and patriot, Isaiah Thomas, on subjects including the 1789 inauguration of President Washington.”

GW 2.jpgThe auction estimate for this volume is a conservative--or should we say federalist?--$28,000-32,000. Several other lots related to John Marshall will also be offered at the sale.

Images courtesy of Case Antiques

200px-Eyesofthedragon.jpgGerald Winters, a rare book dealer and major collector of Stephen King material, recently opened a rare book shop specializing in Stephen King in downtown Bangor, Maine. Every book dealer’s nightmare came true for Winters early Tuesday morning when a water main broke, flooding the basement of his shop with chest-high water. Winters had recently moved much of his stock into the basement while he re-organized his shop. Among the numerous losses were the original typed manuscripts for seven of King’s works, including Dolan’s Cadillac, Maximum Overdrive, and The Eyes of the Dragon.

In total, Winters estimates he lost about 2,000 items, including first and limited editions of King’s books, galleys, signed copies, and various ephemera. Only about 10% of his stock remained unaffected. Winters had been using his store as showcase as well for his extensive personal collection of King material and numerous items on display were from his own library. As a result, the flood also had a devastating impact on a collection that had taken him two decades to build.

In the year that Winters had been in business in Bangor as a recent transplant from Thailand, Winters had come to public attention for the creativity of the window display in his shop Gerald Winters & Son. Winters installed an interpretation of a scene from It where Pennywise the clown can be seen in a storm drain. Winters had purchased an actual storm drain from Bangor Public Works that was the exact make and model of the storm drain on Jackson Street, Bangor, which had inspired King when he was writing It.  Winters combined the storm drain in his window display with an abandoned bike, a bloody boot, and scary arms protruding from the drain.

More about the flood, including images, can be found in an article from the Bangor Daily News.

Image of the cover of The Eyes of the Dragon from Wikipedia

When Caleb Carr’s historical thriller, The Alienist, was published in 1994, it quickly became one of my favorite contemporary novels. Set on the dark, gritty streets of fin-de-siècle New York, the novel follows a group of amateur detectives, led by forensic psychiatrist (or, “alienist”) Dr. Laszlo Kreizler, as they search for a serial killer. It has, inevitably, been compared to the Sherlock Holmes books.

It seemed certain that The Alienist would be adapted to the big screen. According to the New York Times, “movie rights were sold for half a million dollars before the book was even published.” But it’s a dense book with many characters, and no producer could get it right. “It’s been 25 years of battling against really bad interpretations of this book,” Carr told the New York Times.

Alienist.jpgUntil now. On January 22, when the TNT network debuts a ten-episode series that takes the book from beginning to end, starring Daniel Brühl as Kreizler; Luke Evans as newspaper reporter John Moore; and Dakota Fanning as NYPD secretary Sara Howard (pictured above). The Times reported that it is the “most expensive series in TNT’s history,” which appears to have paid off. The Hollywood Reporter reviewed the first episodes, calling them “full of solid performances and gorgeous, creepy visuals.” Watch the official trailer here.

The good news continues. While Carr followed up with a sequel, The Angel of Darkness, in 1997, and has written several other books since, he hasn’t returned to the world of Dr. Kreizler and his crime-fighting cohorts. That changes this fall, when a new novel, The Alienist at Armageddon, is scheduled to arrive.

If you’re just getting caught up on Carr, a TNT tie-in paperback was just published by Random House that has a pretty cool cover (pictured below).

9780525510277 copy.jpgImages via IMDB and Penguin Random House

Freeman’s auction house in Philadelphia hosts a sale of Books, Maps & Manuscripts on Wednesday, January 17, in 345 lots. An ex-library copy of an 1856 elephant folio publication containing chromolithographs of Tsar Alexander II’s coronation, Description du Sacre et du couronnement de leurs majestes imperiales Alexandre II et l’Imperatrice Marie Alexandrovna, rates the joint highest estimate, at $25,000-40,000 (a copy in better condition sold at Christie’s in 2009 for £58,850).

                                                                                                                                                                  Also estimated at $25,000-40,000 is an engraved map of the Chesapeake, the second state of this chart from John and William Norman’s American Pilot. A 1789 George Washington letter to Edward Rutledge about Washington’s appointment of Edward’s brother John as a Supreme Court justice, is estimated at $20,000-30,000.

Cutbush book

An important piece of American publishing history (pictured) will be on the block at Freeman’s: a manuscript subscription book for James Cutbush’s The American Artist’s Manual (Philadelphia, 1814). The volume records some 796 names, including Thomas Jefferson, Rembrandt Peale, and Alexander Wilson. It is estimated at $3,000-5,000.

                                                                                                                                                                  Sotheby’s London hosts an auction titled Of Royal and Noble Descent on Wednesday (January 17) in 254 lots, featuring “fascinating heirlooms from aristocratic international families as well as objects related to noble and historical figures.”

                                                                                                                                                                      At Sotheby’s New York it is Americana Week, including a sale devoted to Fine Printed and Manuscripts Americana, Including Cartography on Wednesday, in 175 lots. A very nice copy of Ezekiel Russell’s Salem broadside of the Declaration of Independence, printed by order of the Council of the Commonwealth, is estimated at $1,000,000-1,500,000. Just twenty copies of this printing are known.

                                                                                                                                                                  A very rare copy (in fact, the only known ever to appear at auction) of a 1784 congressional committee report proposing a plan (by Thomas Jefferson) for the government of American territories could fetch $250,000-350,000. The sheet contains marginal notations probably by Jefferson’s fellow committee member David Howell, a delegate from Rhode Island. In the report, Jefferson proposes the abolition of slavery in the new territories as of the year 1800, a provision removed at the insistence of the South Carolina and Georgia delegations. Most of Jefferson’s names for the states-to-be (Sylvania, Michigania, Cherronesus, Assenisipia, Metropotamia, Illinoia, Saratoga, Washington, Polypotamia, and Pelisipia) included in this report also went unrealized.

                                                                                                                                                                The sale is strong in views of the American West, including a copy of Ferdinand Hayden and Thomas Moran’s The Yellowstone National Park (Boston: L. Prang and Company, 1876), a marvelous chromolithographic publication. This copy once belonged to collected Peter D. Peterson (1859-1933), and is estimated at $250,000-350,000.

                                                                                                                                                                         Among the many maps is a manuscript “Plan of the Road from Boston to Penobscott Bay” on vellum, created in 1765 by surveyor Francis Miller for Sir Francis Bernard, governor of Massachusetts and passed by descent through the Bernard family. The catalog copy describes this as one of “the earliest American road maps,” and it is estimated at $120,000-150,000.

                                                                                                                                                                            The Sotheby’s sale also includes an octavo edition of Aududon’s Birds of America ($35,000-45,000) and a 1584 New Testament interleaved and annotated by early Cambridge, MA minister Peter Bulkeley ($30,000-40,000).

                                                                                                                                                                      The rest of Sotheby’s Americana Week sales include about a dozen plates from Audubon’s Birds of America, including the Meadow Lark ($18,000-24,000) and the Purple Heron ($12,000-18,000).

                                                                                                                                                                        Rounding out the week--and perhaps your best chance for a bargain--is the Books and Ephemera sale at National Book Auctions on January 20 (298 lots). An interesting mixed bag of things to be had in this one.

                                                                                                                                                                        Image credit: Freeman’s

Change is in the air in California.

Readers of this blog may recall California’s passage of AB-1570 Collectibles: Sale of Autographed Memorabilia, which went into effect in January 2017. That law required all dealers of any autographed material worth more than five dollars to fill out a certificate of authenticity (COA) specifying date of sale, the dealer’s name and street address, and the name and address of the person from whom the autographed item was acquired if the item was not signed in the presence of a dealer. AB-1570’s goals were to prevent the distribution of forged autographs, but many booksellers felt they were swept up by a vague law with onerous requirements. Still others felt that portions of the law constituted an invasion of privacy, citing possible violations of California’s Reader Privacy Act of 2011.

Co-sponsored by the Antiquarian Booksellers’ Association of America (ABAA) and signed into law by Governor Jerry Brown on October 13, 2017, AB 228 amends the previous legislation to better address the needs of booksellers in California.

The new law excludes all books, manuscripts, correspondence, and any ephemera unrelated to sports or entertainment media from the “autographed collectibles” regulation set forth in AB-1570. Rather than provide a Certificate of Authenticity--a lengthy document requiring sellers to disclose where autographed items were purchased that many booksellers found onerous--dealers of autographed collectibles may provide an “Express Warranty” incorporated in an invoice instead. Additionally, civil penalties for failing to comply with the law have been lowered as well.

“We are thrilled,” said Susan Benne, ABAA’s executive director. “The amended law removes the unintended consequences of the previous law, while providing the protections to the consumers it was intended to. We thank the lawmakers, booksellers, organizations, and professionals who supported the effort and made this happen.” Joining the ABAA lobbying group were many ABAA members liks Brad and Jen Johnson and Laurelle Swann, as well as organizations like the Grolier Club, the Manuscript Society, and the Professional Autograph Dealers Association.

The 200 dealers descending on Pasadena for the California International Antiquarian Book Fair next month will no doubt be pleased with the changes. 

This may be the year of Emily Brontë--her bicentenary, that is, with a major exhibition opening at the Brontë Parsonage Museum on February 1--but Forum Auctions has me dreaming about her brother Branwell. At its forthcoming January 25 sale, Forum is offering Branwell’s own copy of The Odyssey (Pope’s translation, c. 1840). The title page bears an ink inscription: “To P.B.B. from his dear friend J.B.L.” P.B.B. being Patrick Branwell Brontë and J.B.L. thought to be his friend, Joseph Bentley Leyland.

Branwell.jpgBranwell has long been considered “the failure of the family,” although last year (his bicentenary) there was a push to “tone down the Branwell bashing.” He had his flaws and addictions, but, like his sisters, he also had a brilliant mind and a particular talent for art. He is responsible for the only surviving group portrait of his three more famous sisters.       

Branwell 2.jpgIn addition to the inscription noted above, the association copy on offer at Forum also contains an original pen and black ink portrait study on the front pastedown, and a further small portrait sketch on the rear pastedown that bears some similarity to Branwell’s portrait of his friend James Fletcher.

The auction estimate of £600-800 ($792-1,056) seems quite affordable for the legion of Brontë buffs out there.

Images courtesy of Forum Auctions

For the past two years, we have checked in with consumate reader Linda Aragoni of the Great Penformances blog for her appraisal of the bestseller list from a century ago. (See 2015 and 2016 respectively). This year we continue the tradition, finding out about the books that topped the list in 1917.  Here are the 1917 bestsellers according to Publishers Weekly:

  1. Mr. Britling Sees It Through by H. G. Wells
  2. The Light in the Clearing by Irving Bacheller
  3. The Red Planet by William J. Locke
  4. The Road to Understanding by Eleanor H. Porter
  5. Wildfire by Zane Grey
  6. Christine by Alice Cholmondeley
  7. In the Wilderness by Robert S. Hichens
  8. His Family by Ernest Poole
  9. The Definite Object by Jeffrey Farnol
  10. The Hundredth Chance by Ethel M. Dell

What was your favorite book of 1917?

I don’t think I have a favorite, but I do have one that I stretched my understanding of people more than the others: In the Wilderness by Robert Hichens. It’s what I’d call a spiritual autobiography although it’s not about “church religion.”

The main character, Dion Leith, was passionately in love with a woman who, though trained as a singer, believed her vocation lay in a religious order. She accepts Dion under the influence of a powerful sermon on the virtues of marriage. Both Dion and Rosamund think their spouse’s role is to make them happy, which is not a recipe for a happy marriage. When their son is accidentally shot while hunting with Dion -- an outing Rosamund herself had engineered -- Rosamund literally locks Dion out. He goes as far from Rosamund’s Gothic cathedral religion as he can get.

Hichens doesn’t try to force a happy ending, as a lesser writer might. He settles for a hopeful ending, which is all that’s reasonable given the personalities of the marital partners. 

Do you think modern audience would enjoy in particular any of the 1917 bestsellers?
The Red Planet by William J. Locke is probably the most accessible of my picks of the 1917 bestsellers. Although presented as a memoir, it’s really a cozy British mystery. 

The sleuth is a paraplegic who lost his legs in a shell blast in the Boer War, which makes him seem like an old duffer to the local young people, who call him “Uncle.” 

Like Miss Marple, Duncan Meredyth listens to village gossip, observes who is with whom, and puts two and two together.  But unlike Miss Marple, Duncan can be morose and dogmatic depending on how much his injuries are bothering him that day. 

HisFamily.JPGWould you add any of the 1917 bestsellers to your permanent library?

I think I might add Ernest Poole’s novel, His Family, which won the Pulitzer Prize for the Novel in 1918.  It’s not as weighty as In the Wilderness nor as light as The Red Planet

Even though it’s set in New York City, His Family reminds me of Trollope’s Barsetshire novels in the way the events of the novel are isolated from world-changing events outside a very small subset of society. His Family’s characters are so ordinary, readers can’t help feeling they are real people.

What was your least favorite novel from 1917?

Probably my least favorite was The Hundredth Chance by Ethel M. Dell. It wasn’t awful, but it was so awfully like every other novel about a marriage of convenience.

Any other comments about the 1917 bestsellers?

Although armies were dug into trenches along miles of Western Europe, the war didn’t feature prominently in any of the 1917 bestsellers with one notable exception: the novel Christine by Alice Cholmondeley (pen name of Elizabeth von Arnim).  

Although the author’s introduction and a publisher’s note try to pass the work off as letters from Cholmondeley’s daughter, the letters are a total fabrication, anti-German propaganda. The work is a lousy novel, but a very instructive study in persuasion. 

Any book you are looking forward to reading in the 1918 list?

I’ve actually already read and reviewed all the 1918 bestsellers at GreatPenformances already (I’m now reviewing bestselling novels of 1970 through 1999). 

Instead of saying what I’m looking forward to, I’ll just say that the 1918 bestseller list houses several novels about The Great War that ended that year. Readers of the Fine Books & Collections blog may be interested in looking at novels about that world-changing conflict.

[Image of the first edition of His Family from Wikipedia]

Avast ye! The North Carolina Department of Natural and Cultural Resources (DNCR) announced a major find last week: fragments of paper from the wreckage of Queen Anne’s Revenge, the flagship of the notorious pirate Blackbeard.

5 QAR1445.019 pg186 Composite_wm.jpgDuring conservation work on the ship’s artifacts, sixteen tiny scraps of paper were discovered “in a mass of wet sludge removed from the chamber for a breech-loading cannon.” Working with specialists from the department’s Division of Archives and Records and the Winterthur/University of Delaware Program in Art Conservation, the DNCR lab conservators carefully removed the fragments and noticed that some contained still legible printed text. According to a press release, “The challenge then became not just to conserve the paper fragments, but also to identify where they were from.”

Incredibly, after several months of research, they now have an answer. The fragments derive from a 1712 first edition of Captain Edward Cooke’s A Voyage to the South Sea, and Round the World, Perform’d in the Years 1708, 1709, 1710 and 1711. Well, shiver me timbers!

6 QAR1445.021 Pg178 Composite_wm.jpg“This unique find from the wreckage of Queen Anne’s Revenge provides archaeological evidence for books carried on ships in the early 18th century, and adds to our knowledge of the history of Blackbeard’s flagship and those who sailed her. The historical record has several references to books aboard vessels in Blackbeard’s fleet, but provides no specific titles; this find is the first archaeological evidence for their presence on QAR.”

Images courtesy of the North Carolina DNCR

A fairly quiet auction week coming up, but here are some of the things I’ll be keeping an eye on:

                                                                                                                                                                                        PBA Galleries holds a sale of Fine Literature & Fine Books, Poetry from the Collection of Larry Rafferty, and Miniature Books on Thursday January 11, in a whopping 721 lots. 

                                                                                                                                                                                         Among the top-estimated lots are a first-edition set of Gibbon’s History of the Decline and Fall of the Roman Empire ($12,000-18,000); a 1687 edition of Don Quixote ($8,000-12,000), six lots (152-157) containing plays from the 1632 Second Folio edition of Shakespeare, a first edition of Thoreau’s Walden ($5,000-8,000), and the Kelmscott Press edition of William Morris’s The Wood Beyond the World ($4,000-6,000).

                                                                                                                                                                                                Larry Rafferty is the founder of Berkeley’s hit & run press, and his collection of poetry includes many signed or inscribed copies of works by important nineteenth- and twentieth-century poets, from John Ashbery to Oscar Wilde. A first edition of T.S. Eliot’s The Waste Land ($5,000-8,000) and a signed copy of Elizabeth Bishop’s North & South (also estimated at $5,000-8,000) top the presale estimates, but there is much here for the poetry collector. Lots that caught my eye included the publisher’s long galleys for Lawrence Ferlinghetti’s “Starting from San Francisco” ($400-600), and one lot containing four books, five letters, and an eighteen-page autograph manuscript by Uruguayan poet Jules Superveille (also $400-600).

                                                                                                                                                                                        A whole bunch to choose from for the miniature book collector (Lots 561-675): group lots of books from the Black Cat Press, Dawson’s Book Shop, the Hillside Press, the Kitemaug Press, the Press of Ward Schori, and from Achille St. Onge, among others, plus a lot of seven nineteenth-century American thumb Bibles* ($200-300).


                                                                                                                                                                                                     Lots 637 to 721 are being sold without reserve with bids starting at $10: these include a number of interesting miniature books and reference works relating to miniature books, group lots of Book Club of California publications, and several lots of books published by Arkham House.

                                                                                                                                                                                                 On Friday, January 12, the Lancaster Mennonite Historical Society holds its first of six auctions this year of donated rare and out-of-print books, in 433 lots. The catalogue is available as a PDF file. Much local history and genealogy on offer, as well as a hefty number of hymnals and religious texts, but also such potential items of interest as the first twenty-one volumes of the Yale University Press edition of the Papers of Benjamin Franklin (Lot 25). Anyone with an interest in Pennsylvania history, Mennonite religious texts and hymnals, &c. may want to have a look through the catalogue for this sale; judging by past prices realized, it may be possible to snag a bargain or two.

                                                                                                                                                                                                    *More on “thumb bibles.”

                                                                                                                                                                                                Image credit: PBA Galleries.

Bibliography Week 2018

Bibliography Week is coming back to New York later this month. Here are the day-to-day highlights: 


Festivities kick off on Tuesday, January 23, when the American Antiquarian Society opens a special viewing of the exhibition, Radiant with Color and Art: McLoughlin Brothers and the Business of Picture Books, 1858-1920, on Tuesday from 2:30 p.m. to 4:30 p.m. at the Grolier Club. Later, Georgia State University professor John McMillian speaks at 6 p.m. at Columbia University’s Rare Book & Manuscript Library about the underground press and the rise of alternative media in America in the 1960s.


Wednesday is another busy day, also at the Grolier Club, with a conference dedicated to the disposition of collections. Collectors, librarians, legal experts, and other members of the book trade will discuss all aspects of collections dispersal from 9 a.m. to 5:30 p.m.


Thursday’s events are led by the ABAA at the French Institute Alliance Françoise (FIAF), directly across the street from the Grolier Club. Over 30 ABAA members--including Rabelais, Bromer Booksellers, Les Enluminures, William Reese, Abby Schoolman, and others--and will be showcasing their specialties to the public from 10 a.m. to 4 p.m. Next, check out an assortment of fine press books from around the world at Brooklyn’s Fine Press Salon at 37 Greenpoint Avenue. (Contact Felice Teebe at felix@booklyn.org for further details.)


The Cosmopolitan Club hosts the annual meeting of the Bibliographical Society of America on Friday from 2 p.m. to 7 p.m., and the New York Academy of Medicine (1216 Fifth Avenue at 103rd Street) hosts its annual bibliographical lecture on Saturday, January 27 from 11 a.m. to 2 p.m. This year’s speaker is Amherst College’s head curator Michael Kelly, who will be discussing medicine and scientific racism.

                                                                                                                                                                               Finally, the week concludes at the New York Public Library (Fifth Avenue and 42nd Street, Trustees’ Room), with the annual meeting of the American Printing History Association from 2 to 5:30 p.m. 


The whole bookish enterprise will be, as in years past, a fitting warm-up (pun intended) for the California International Antiquarian Book Fair at the Pasadena Convention Center, February 9-11. 

It feels remiss not to take a moment to memorialize three longtime booksellers that have left us this week. For many, the passing of Fred Bass, 89, of New York City’s Strand Bookstore will seem like the end of an era. Fred’s father, Benjamin, founded the bookshop along New York’s fabled ‘Book Row’ (Fourth Avenue) in 1927, and Fred had been working there since the age of 13. He built it up into the book mecca that it is today. His daughter, Nancy Bass Wyden, who has been his partner for 30+ years, will now take the torch. (An extended profile of Fred appears in Nick Basbanes’ book, Patience and Fortitude.)

The Seattle Review of Books announced the death of Louis Collins, bookseller and co-founder of the Seattle Antiquarian Book Fair. Collins sold used and antiquarian books for half a century. Writes Paul Constant, “Collins cultivated a hugely impressive collection of titles that couldn’t be found anywhere else online, and he regularly shipped those books to loyal customers around the world.”  

And sad news from England, as well. Charlie Cox of Charles Cox Rare Books has died. In business since the 1970s, Cox was well-liked among his colleagues in the trade. Ed Maggs offered these further details: “There will be a gathering to celebrate the life of this most lovable of men at 48 Bedford Square, London, on May 27, the Sunday after the London book fair. His catalogue 73 was at press as he died, and his family and friends will be putting it in the mails after the dust settles.”  

IncidentsInTheLifeOfASlaveGirl.jpgIncidents in the Life of a Slave Girl, a memoir by Harriet Ann Jacobs about her early life as a slave in North Carolina and subsequent escape to freedom in the North, was first published in Boston in 1861. One hundred and fifty two years later the book was published for the first time in Japanese. It has since gone on to become a “quiet bestseller” in Japan, its success continuing to build each year to a very impressive 25,000 copies sold in its first month in paperback in summer of 2017. (The hardcover, meanwhile, has already made it to its eighth edition).

Jacob’s memoir was originally thought to be fiction, but an extensive investigation in 1981 determined it to be autobiographical. Its Japanese translator, Yuki Horikoshi, first downloaded an English version of the book on her iPhone while commuting on a train in 2011. She was quickly enthralled. She later said in an interview with Forbes, “There is definitely an imbalance in Japanese society. There are many girls who live outside of Tokyo who can only see themselves as becoming a school teacher or a nurse, at best. They face adversity. But this is the story of a woman who was born a slave, who fought against all odds, who learned to read and write and eventually won her freedom. I hope that the girls and boys who read this realize that they can do anything they want, become who they want, if they apply themselves. There are people who’ve faced worse odds. This is a story about triumphing over adversity.”

When the Japanese translation of Incidents in the Life of a Slave Girl was published, it met with critical acclaim, and popular enthusiasm for the book soon followed.

(Meanwhile, the original 1861 American edition of Incidents is quite scarce on the ground; a quick search online at the usual spots turned up no copies currently for sale).

Image from Wikipedia Commons

The new year may be all about fresh starts and future plans, but bibliophiles and history buffs might prefer a backward glance, with a particular focus on the beautiful manuscripts of the past thousand years. Several institutions are currently or will soon feature major exhibitions of illuminated manuscripts for your viewing pleasure. Here’s the scoop on where and when.  

937_medical_recipes_f1 copy.jpgIn New York, three exhibitions rise to the top. At the Morgan Library, Now and Forever: The Art of Medieval Time (January 26-April 29) puts the spotlight on manuscripts from the eleventh to the sixteenth centuries in order to explore “how people told time in the Middle Ages and what they thought about it.” Les Enluminures will host two different exhibitions in the early part of the year. The first, Manuscripts of the Middle Ages, runs January 22-27 (in case you’re in town for Bibliography Week). The second, Talking at the Court, on the Street, in the Bedroom: Vernacular Manuscripts of the Middle Ages (February 23-March 16), features thirty-six manuscripts that “provide viewers unique access to the authentic, spontaneous vision of people in medieval France, Italy, Germany, the Low Countries, and Britain.”

Speaking of Les Enluminures, founder Sandra Hindman’s private collection will go on display at the Art Institute of Chicago in an exhibition titled The Medieval World at Our Fingertips: Manuscript Illuminations from the Collection of Sandra Hindman (January 27-May 28). The exhibition covers four hundred years of manuscript illumination in thirty miniatures from choir books, books of hours, and religious texts.

outcasts5_20171218190231992_low.jpgIf on the West Coast, the Getty Museum will showcase Outcasts: Prejudice and Persecution in the Medieval World (January 30-April 8), an exhibition that aims to “provide glimpses of the marginalized and powerless” in medieval manuscripts. 

Later in the year, two more exhibitions will be unveiled. The University of Michigan Museum of Art will host In Focus: Illuminated Manuscript (April 17-August 19), while the British Library plans to roll out a star-studded exhibition on Anglo Saxon Kingdoms on October 19 that will bring together the Codex Amiatinus, the St. Cuthbert Gospel, and the Lindisfarne Gospels.   

                                                                                                                                                      Be sure to check our exhibits calendar for further updates and additions.

Images: Top: Collection of Medical Recipes and Health Regimens, including Receptes de plusieurs expers medecins consernantes diverse malladies (Recipes of Several Great Physicians Concerning Various Maladies), compiled by FRANÇOIS II DE ROHAN; et alia. In French and Latin (with additions in Italian), illuminated manuscript on parchment. France (Lyon?), c. 1515-1525. Courtesy of Les Enluminures. Bottom: “The Crucifixion,” probably 1170s, creator unknown. German. Tempera colors, gold leaf, silver leaf, and ink on parchment. The J. Paul Getty Museum, Los Angeles, Ms. 64, fol. 86.

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