I love a well-illustrated book.

Judging from the prices that well-illustrated books often fetch at auction, I am not alone.

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Is it not curious, then, that there are so few museums devoted to the art of illustration? Sure, lots of museums mount the occasional exhibition, but you can count on one hand the museums that are devoted specifically and exclusively to the art of illustration. There's the National Museum of American Illustration (Newport, RI). There's the Museum of American Illustration affiliated with the Society of Illustrators (New York City). There's the Norman Rockwell Museum (Stockbridge, MA). There's The Eric Carle Museum of Picture Book Art (Amherst, MA). And coming in 2012 ... finally! ... the House of Illustration in London.

Did I overlook any...?

The second round of Arcana sales was held yesterday at Christie's London. The sale realized £2,281,225, with 54 of 65 lots selling. The first edition of Mark Catesby's Natural History of the Carolinas &c. was the top seller, making £241,250; Theodor de Bry's Florilegium renovatum et auctum (1641) with contemporary hand coloring sold for £181,250. Seven other lots made more than £100,000, including the very lovely uncut, unrestored copy of Johnson's Dictionary (1755), which made £157,250 (well over estimates). The copy of Brant's edition of Aesop (1501) with a great provenance also did better than expected, making £139,250.

Today Sotheby's London hosted the The Library of an English Bibliophile, in 149 lots. Full results are here; the sale realized £3,160,275, with 120 of the lots selling. The presentation copy of Dickens' A Christmas Carol to his close friend W.C. Macready was, as expected, the top seller, at £181,250. A first edition of Wuthering Heights surpassed estimates, selling for £163,250. The Hogan-Doheny copy of Austen's Pride and Prejudice fetched £139,250 (better than expected), and the first edition of Shakespeare's collected poems (1640) made £133,250.

An inscribed copy in original wraps of Joyce's Ulysses made £121,1250, while a first edition of Darwin's Origin sold for £127,250, a first edition Frankenstein made £115,250, and a Kelmscott Chaucer made £97,250. Galileo's Dialogo (1632) better than doubled its estimate at £91,250.

The set of all five editions of The Compleat Angler published during Walton's lifetime did not find a buyer.

Earlier this month, Ammon Shea published a new book in the books about books genre, The Phone Book: The Curious History of the Book That Everyone Uses But No One Reads (Perigee paperback, $14.95). Shea is also the author of 2008's Reading the OED, and he was recently featured in FB&C's "How I Got Started" column. Shea is an avid collector of lexicons.
 
In this new book, Shea relates the history of the phone and the phone directory with wit and enthusiasm. Particularly interesting (and disheartening) is this data he offers: In the 1979 NYC yellow pages, booksellers took up 7 1/2 pages. Today booksellers fill about 2 pages. What other trends can examination of old phone books reveal? Well, that's part of the point. These books are full of cultural information; discarded and discontinued, we lose something important. 

Shea features collectors of phone books (some months back, we interviewed one of them on this blog), as well as artists (also see here) and politicians who have utilized phone books for their own odd purposes. Not to mention all those two year olds at the dinner table...

Unlike its subject, this Phone Book is slim and sometimes stretched, but full of interesting trivia and quite enjoyable to read. 

Once upon a midnight dreary, while I pondered, weak and weary....

Is there anyone left who still ponders over many a quaint and curious volume of forgotten lore?

A few of us, perhaps ... though nowadays our numbers seem to be greatly diminished.

Of course, you could do something to rectify this sad state of affairs if you really wanted to. Wouldn't take much effort, really. A little judicious gift-giving....

You know all those Halloween parties coming up next weekend? Well, being the cultivated person that you are, you are going to bring a small gift for the host or hostess, are you not?

So why not forego your usual gift of blood-red wine, or that bouquet of black roses, in favor of something likely to last just a little bit longer ... a book!

As promised, though a bit late, a brief overview of my day in Syracuse. First stop: Bird Library (seen here at left; the exterior is unaltered since my undergrad days there). I met some very lovely people, including the dean of the SU Libraries Suzanne Thorin, director of library communications Pamela McLaughlin, Sean Quimby, director of the special collections research center, and Peter Verheyen, head of preservation. As I had hoped, I had the chance to talk with Peter (who is, by the way, featured in our autumn issue) about what's going on in the book conservation lab these days. One thing that surprised me is the use of Shrink-wrap as a preservation 'enclosure' for older books in the circulating collection. Neat!

In the FB&C autumn issue, Richard Minsky interviewed bookbinder and conservator Peter Verheyen on the current state of book arts. I thought it might be useful to provide links to some of the resources they discussed (since it's both difficult and aesthetically unpleasant to insert long web addresses in the copy). The Guild of Book Workers 100th Anniversary Exhibition was one Minsky called "perhaps the most important" exhibitions since the 1990s. They also discussed a "legendary" thread of discussion on the Book Arts Web listserv called "What is a Book?" And, here's a link to Verheyen's bookbinding e-journal, The Bonefolder.

p.s. "Part 2" of this post may appear late on Friday. I'm headed up to the old alma matter, Syracuse University, where Verheyen happens to be head of preservation and conservation at the SU Library.

The Little Rock Public Library—known since 1975 as the Central Library of Arkansas System, or CALS—is observing it's hundredth birthday this year, an ongoing celebration that I was pleased to participate in last week with a talk at the main library, a bustling operation that last year accommodated close to 2 million customers, some 37,400 visitors a week, and on track now to exceed that number for 2010. The figures for book circulation, 2.3 million volumes, 44,300 a week, are also up 11 percent from 2008, yet another indicator of just how essential the public library remains as a cultural institution in our daily lives. 

What really knocked me off my feet on this trip, though, was the fantastic second-hand bookstore owned by CALS in downtown Little Rock, the first such public library initiative of its kind to my experience, and operated since 2001 in support of the library. Called River Market Books & Gifts, the store occupies three floors in the Cox Building, a beautifully restored machinery warehouse that dates to 1906, and includes a chic cafe, art gallery and creative center for various library programs. The variety of used books is spectacular, I must say, and because all are donated, they are offered for sale at exceedingly fair prices (and in remarkably decent condition as well.)

Some highlights from the first two weeks' worth of October auctions:

The 7 October Christie's New York sale: A Historic Photographic Grand Tour: Important Daguerreotypes by Joseph-Philibert Girault de Prangey (74 lots) resulted in 58 lots sold, for a total of $2,873,875. The top lot was a signed 1841 daguerrotype of plants, which made $242,500.
 
Bloomsbury London's 7 October Maps, Atlases, Travel and Topographical Books, Prints & Photographs (610 lots) resulted in 435 lots sold. The top lot was Peter Simon Pallas'Sammlungen Historischer Nachrichten uber die Mongolischen Volkerschaften (1776-1801), which sold for £14,000 (over estimates of just £750-1,000).
 
At Sotheby's Paris' Bibliothèque d'un érudit bibliophile: Rome et l'Italie sale on 12-13 October the total take was 3,587,994 EUR. The unexpected top seller was a 1546 edition of Rabelais, which made 348,750 EUR over estimates of just 18,000-23,000 EUR. Another surprise was Hancarville's Antiquities Etrusques, Grecques et Romaines (1766-1776), which made 204,750 EUR. A first edition of the Hypernotomachia poliphili fetched 132,750 EUR.

Bloomsbury New York's sale of the first part of the Richard Harris Collection of Natural History and Colourplate Books on 13 October in New York resulted in 155 of 172 lots sold. Six lots did better than $100,000, with the first edition of Audubon's Quadrupeds coming out on top, at $420,000 (but several other top-estimated lots failing to sell).
 
The "second selection" from the James S. Copley library sold at Sotheby's New York yesterday. The Henry Strachey archive made $602,500 (well below estimates), and the rest of the lots sold for $2,714,507. The manuscript list of California missions written by Junipero Serra did not sell; the top seller was Jefferson's Notes on the State of Virginia, which made $254,500. Washington's copy of The Beauties of Swift(1782), which was estimated at $30,000-50,000, made $104,500, as did a copy of Washington's 1754 Journal covering the period at the start of the French & Indian War. The Tobias Lear letter on the death of Washington made $50,000.

Nate Pedersen

Nate Pedersen is a writer in Mankato, Minnesota. His most recent book is Pseudoscience: An Amusing History of Crackpot Ideas and Why We Love Them. His website is natepedersen.com.

Early writing developed independently at four spots around the ancient world: Mesopotamia, China, Egypt, and Mesoamerica.  For the first time in 25 years, examples of writing from all four civilizations are on display together at the Oriental Institute's new exhibition Visible Language, viewable now through March, 2011 at the University of Chicago.  

The highlights of the exhibition are the earliest known cuneiform tablets from Mesopotamia, dated to 3200 B.C., which have never before been shown in America.  The Oriental Institute has the tablets on loan from the Vorderasiatisches Museum in Berlin.  Other items on display include ancient labels from the tombs of the first Egyptian kings, inscribed oracle bones from China, and a miniature altar with Mayan hieroglyphics.  
 
Christopher Woods, the exhibit curator and Associate Professor at the Oriental Institute, said, "It appears likely that all other writing systems evolved from the four systems we have in our exhibition."  As such, the exhibition provides a fascinating, and humbling, opportunity for comparative analysis.

For those of you who read and enjoyed Anne Trubek's essay on Paul Laurence Dunbar from our summer quarterly, I'm happy to report that Anne's book, A Skeptic's Guide to Writers' Houses (University of Pennsylvania Press), is being published this month and is available to order from the bookseller of your choice. She'll also be doing readings/signings in Oberlin, Cleveland, Philadelphia, Lenox, NYC, and Washington DC, so check out her website if you might be able to attend one. 

I was lucky enough to receive a galley of the book, and I so thoroughly enjoyed reading it. Anne takes us to Whitman's house in dilapidated Camden, NJ; to the slick shrine to Hemingway in Key West, FL; to the 'boyhood home' of Mark Twain in Hannibal, MO. At each stop, she takes a good look around and tries to separate fact from fiction, writer from building. It's a travelogue combined with literary history, written with humor and humanity. 

If you've been reading along with me for the past year, you may remember that I'm a big fan of Thoreau. I've made the "literary pilgrimage" to Walden Pond maybe eight or ten times, even brought my then one year old on a tour of the Emerson House on one of the trips. Bad idea. In one of the chapters in A Skeptic's Guide, Anne goes to Concord--former home to so many literary luminaries--and finds herself "preternaturally anti-Concordian." I laughed at this, as I can completely understand how odd our strange devotions to these writers' haunts can be, and yet I can't help but associate that feeling with the desire to buy first editions. I suppose I'm hoping to see or experience something the way that author saw it, something very personal, like the view from her library window, his hat hanging on the hook by the door, or the first edition of his first book, if only for a moment.