(CHICAGO, IL -- July 22, 2014) Technology industry veteran, business leader and philanthropist Jerre L. Stead is the new chairman of the American Writers Museum (AWM) Foundation. 

The AWM board of directors approved Stead by unanimous and enthusiastic vote, according to Werner J. Hein, board vice chair.

Stead, executive chairman of the board of directors of the Colorado-based IHS Inc., is well-known in the business world for his vision and leadership. The Denver Post named him 2013 Business Person of the Year for his success as Colorado's chief recovery officer, where he oversaw efforts to rebuild after the state's devastating floods in September 2013.

During his career, Stead served as chairman and CEO of Ingram Micro Inc., as the chairman, CEO and president of Legent Corporation, chairman and CEO of AT&T Global Information Solutions, and as president of AT&T Global Business Communications Systems. He also held numerous positions during a 21-year career at Honeywell.

Stead has close ties to Chicago, which is to be the physical home of the American Writers Museum. He served as CEO of Chicago-based Square D and also as a director of Ameritech and the R. R. Donnelley & Sons Company.

The Museum is a project close to Stead's heart. An avid reader, he is a graduate of the University of Iowa, home of the renowned Iowa Writers' Workshop.

Stead has supported his alma mater with multimillion dollar donations. His philanthropic generosity also includes major donations for Alzheimer's research.

Stead takes the helm from AWM Founding Chairman Malcolm O'Hagan, who will continue as president of the AWM Foundation. Stead called O'Hagan's vision, dedication and steadfast commitment to the American Writers Museum an inspiration.

According to Hein, the AWM Foundation board decided to split the president and board chairman positions because the scope of work continues to increase as the museum project grows and nears its projected opening date for a physical location in downtown Chicago in 2016.

The Museum is already up and running virtually and with a traveling exhibit, From Our Neighborhoods: Four Chicago Writers Who Changed America, which is currently touring Chicago-area libraries and cultural centers. It is available online at americanwritersmuseum.org/from-our-neighborhoods.

The mission of the American Writers Museum Foundation is to establish the first national museum in the United States dedicated to engaging the public in celebrating American writers and exploring their influence on our history, our identity, our culture and our daily lives. For more information, visit www.americanwritersmuseum.org.  

Kansas City, MO. July 22, 2014-Two series of extremely rare photographs documenting a last look at a rapidly disappearing frontier are on view at The Nelson-Atkins Museum of Art in Kansas City beginning July 25. Across the Indian Country: Photographs by Alexander Gardner, 1867-68 opens July 25 and was curated by Jane L. Aspinwall, Associate Curator of Photography at the Nelson-Atkins. The exhibition includes photographs from two extraordinary bodies of work created by Gardner, Across the Continent on the Kansas Pacific Railroad, 1867-68 and Scenes in the Indian County, 1868 which depict the transformation of the American West by the railroad and the subsequent effect it had on the American Indians in the region. The exhibition is accompanied by a catalogue written by Aspinwall, Alexander Gardner: The Western Photographs 1867-1868, available at the museum store.

“These photographs are groundbreaking,” said Julián Zugazagoitia, Menefee D. and Mary Louise Blackwell CEO & Director of the Nelson-Atkins. “Gardner captured images of Indian life that had rarely, if ever, been photographed. Wrapped in blankets, carrying peace pipes, many of the Indian chiefs were truly interested in peace only to be met with empty promises. These images are poignant and wistful—documenting the rich culture of a rapidly marginalized Indian population.”

Nine of the photographs are from the Nelson-Atkins collection; the rest are on loan from various institutions. Many come from state historical societies that rarely have exhibition space, so most have never been seen by the public before.

“Gardner’s photographs emphasize his personal vision that all people, native and non-native, could live together harmoniously,” said Aspinwall. “The survey photographs of the Western landscape are extraordinary and provide a rare glimpse into the transformation of the American frontier, including some of the earliest images taken of the state of Kansas.”

Alexander Gardner emigrated from Scotland to the United States in 1860 and worked at the New York City studio of Mathew Brady, coming into contact with numerous politicians and military figures. After the outbreak of the Civil War, Brady sent his team of photographers, including Gardner, into the field to photograph the conflict. Gardner left Brady’s studio in 1862 to open his own in Washington, D.C.; he was also employed by General McClellan as official photographer of the Army of the Potomac.  

After the war, Gardner photographed many notables including President Lincoln, the Lincoln conspirators, and Indian delegations visiting Washington. In 1867, Gardner joined the survey team for what became the Kansas Pacific Railroad. The railroad was promoting plans for an extension of its route from Kansas to the Pacific Ocean. Gardner’s photographs of the existing line through Kansas and then of the proposed route, through the mountains of Colorado and deserts of New Mexico, Arizona, and California, emphasize the ease of future railroad construction and the potential for economic development, while including studies of the Indians and settlements along the way. Gardner’s prints represent the earliest systematic series of photographs of the Great Plains.

The survey photographs make up about half of the exhibition; the other half includes images taken during treaty negotiations between the Plains Indians and the Indian Peace Commission at Fort Laramie, Wyoming in 1868. Gardner photographed many of the chiefs from the Northern Plains tribes including Crow, Arapaho, Oglala, Minneconjous, Brule and Cheyenne. The images are remarkable both for the variety of tribes represented and for the candid documentation of everyday Indian life, including Indian encampments, burial trees and peace proceedings. Gardner’s photographs marked the rapid and disastrous changes in the lives of the Plains Indians as they were happening, signaling the end of the “wild frontier”.

Across the Indian Country: Photographs by Alexander Gardner, 1867-68 runs through Jan. 11, 2015, and complements a larger exhibition of Plains Indian masterworks from pre-contact to contemporary, titled The Plains Indians: Artists of Earth and Sky, which opens at the Nelson-Atkins Sept. 19. That exhibition opened in April at museé du quai Branly in Paris and will travel to The Metropolitan Museum of Art in New York after it closes at the Nelson-Atkins Jan. 11, 2015. It is curated by Gaylord Torrence, one of the nation’s leading scholars of Plains Indian art and the Fred and Virginia Merrill Senior Curator of American Indian Art at the Nelson-Atkins.

The Nelson-Atkins Museum of Art

The Nelson-Atkins in Kansas City is recognized nationally and internationally as one of America’s finest art museums. The Nelson-Atkins serves the community by providing access and insight into its renowned collection of more than 33,500 art objects and is best known for its Asian art, European and American paintings, photography, modern sculpture, and new American Indian and Egyptian galleries. Housing a major art research library and the Ford Learning Center, the Museum is a key educational resource for the region. The institution-wide transformation of the Nelson-Atkins has included the 165,000-square-foot Bloch Building expansion and renovation of the original 1933 Nelson-Atkins Building.

The Nelson-Atkins is located at 45th and Oak Streets, Kansas City, MO. Hours are Wednesday, 10 a.m.-5 p.m.; Thursday/Friday, 10 a.m.-9 p.m.; Saturday, 10 a.m.-5 p.m.; Sunday, 10 a.m.-5 p.m. Admission to the museum is free to everyone. For museum information, phone 816.751.1ART (1278) or visit nelson-atkins.org.

New York, NY, July 21, 2014— According to a June 2014 review in The New York Times, “Nearly every Morgan exhibition, whether of prints, drawings, rare books or musical scores, enlarges the understanding of paper as a means of expression, both personal and cultural.” The variety and depth of the Fall and Winter 2014-15 exhibition season underscores this statement.

Cy Twombly: Treatise on the Veil

September 26, 2014 through January 25, 2015

 This exhibition showcases Cy Twombly's monumental painting Treatise on the Veil (Second Version), executed in Rome in 1970, and twelve related drawings, all from the Menil Collection in Houston. Not shown in New York City for nearly thirty years, and rarely on display at the Menil due to its size (nearly 33 feet in length), the painting marks a pivotal moment in the career of one of the most important artists to emerge in the wake of Abstract Expressionism. Inspired by a musical piece by Pierre Henry, a composition known as The Veil of Orpheus, Twombly’s Treatise on the Veil is a meditation on time and space. The drawings, which combine pencil, crayon, collage, tape, measurements, and other inscriptions offer a fascinating window into the artist's creative process. 

Twombly (1928--2011) was born in Lexington, Virginia. He studied at the Boston Museum School of Fine Arts, New York's Art Students League, and at Black Mountain College, North Carolina, under Abstract Expressionists Robert Motherwell and Franz Kline. Early travels to Europe and North Africa nourished his interest in ancient art and mythology. In 1957, Twombly moved to Rome, where he lived most of his life. References to antiquity and the Renaissance abound in his art, which is characterized by a rich repertoire of marks, scrawls, scribbles, doodles, and scratches— at once expressive of a gestural approach and of cultural symbols. The two paintings entitled Treatise on the Veil (the first version, of 1968, is in the Ludwig Museum in Cologne) are highlights of Twombly's "grey-ground" period which spanned from 1966 to the early 1970s, in which thin white lines running across a grey background convey an increasingly lyrical feel.

The Crusader Bible: A Gothic Masterpiece

October 17, 2014 through January 5, 2015

The spectacular Crusader Bible is one of the greatest illuminated manuscripts in the world, renowned as much for its unrivalled and boldly colored illustrations as it is for its fascinating history. The work brings Old Testament stories alive in bright images replete with medieval castles, towns, and battling knights in armor, all set in thirteenth-century France. The work is currently disbound and visitors will have the opportunity to view over forty of its miniatures, the creative output of six anonymous artists who were some of the great talents of their day. Visitors will also learn about the manuscript's incredible journey from France to Italy, Poland, Persia, Egypt, England, and finally, New York.

The picture book was likely made in Paris about 1250, and has long been associated with the court of Louis IX, the pious crusader king of France and builder of the Sainte-Chapelle. It originally had no text, but along the way inscriptions were added in Latin, Persian, and Judeo-Persian, indicative of changing owners. The illuminations represent one of the greatest visualizations of Old Testament events ever made. Some of the stories are familiar, but others, more rarely depicted, are surprising.

This exhibition is made possible by the Janine Luke and Melvin R. Seiden Fund for Exhibitions and Publications; the Sherman Fairchild Fund for Exhibitions; James H. Marrow and Emily Rose; and the H. P. Kraus Fund.

The Untamed Landscape: Théodore Rousseau and the Path to Barbizon

September 26, 2014 through January 18, 2015

With Camille Corot and Jean-François Millet, Théodore Rousseau (1812-67) ranks as one of the preeminent masters of the Barbizon School, a group of nineteenth-century French artists whose preferred subject was the primeval wooded landscape of the Forest of Fontainebleau. The Barbizon School painters were greatly influenced by the Romantic movement, producing works inspired by the powerful forces of nature. Surprisingly, despite his pivotal role in French art and his profound impact on the development of landscape painting, Rousseau has never before been the subject of a monographic exhibition.

Comprising seventy works from private and public collections, including those of the Morgan Library & Museum, this exhibition will consider the artist’s wide-ranging achievements as a draftsman and his particular approach to the open-air oil sketch. It will trace Rousseau’s path to Barbizon—from his early oil sketches in the Ile-de-France to his mature works in the Auvergne, Normandy, and Fontainebleau forest—assessing the impact of the Dutch masters on the artist’s landscape imagery. Rousseau’s works—some bucolic and evocative of a simpler, pre-industrial age, others brooding, moody, and redolent with lingering vestiges of Romanticism or testaments to the haunting majesty of the natural world—are both appealing and instructive. Collectively, this selection chronicles Rousseau’s artistic practice and highlights his contribution to the shifting conception of landscape in the wake of the Industrial Revolution. The show will explore the range of techniques and handling of media, and the sense of poetic melancholy that permeates Rousseau’s art. A fully illustrated, scholarly catalogue accompanies the exhibition.

This exhibition is made possible through the generosity of Karen B. Cohen, with additional support from the Estate of Alex Gordon and Mr. and Mrs. Clement C. Moore II. The catalogue is underwritten by the Franklin Jasper Walls Lecture Fund.

From Here to Here: Richard McGuire Makes a Book

September 25 through November 9, 2014

In 1989 a black-and-white comic by Richard McGuire, modestly titled “Here,” appeared in Raw magazine. It was quickly recognized as a game-changing achievement in graphic narrative. To mark the Fall 2014 publication of Here as an all-new, full-color graphic novel and e-book, this exhibition explores the (re)invention of a contemporary classic.

Though the viewpoint in Here remains fixed on one corner of a living room, time in the story is boundless and elastic. Populating the space with multiple frames of action, dating from the ancient past to the distant future, McGuire conjures narratives, dialogues, and streams of association that unite moments divided by years and centuries. The exhibition combines original drawings for the strip and the novel with source photographs, books that influenced the form and content of McGuire’s invention, and collages and sketchbooks that afford glimpses into his creative process.

Richard McGuire (b. 1957) is a creator of children’s books, music (as a founding member of the band Liquid Liquid), toys, and animated films. He is a contributor to The New Yorker, McSweeney’s, and The New York Times, among other publications.

This exhibition is a collaboration between the Morgan Library & Museum and the Dorothy and Lewis B. Cullman Center for Scholars and Writers at The New York Public Library. It is made possible through the support of the J. W. Kieckhefer Foundation.

Handmade: Artists' Holiday Cards from the Archives of American Art

November 21, 2014 through January 5, 2015

This holiday season the Morgan presents an exhibition of highly original, graphically intriguing, and rarely seen handmade holiday cards created by major modern and contemporary artists for friends and family. Drawn from the Smithsonian’s Archives of American Art, the world’s pre-eminent repository dedicated to collecting and preserving the papers and primary records of the visual arts in America, the lively array of works on view will include nearly sixty seasonal cards created for friends and family made by such important American artists as Helen Frankenthaler, Milton Avery, Alexander Calder, Ad Reinhardt, and Saul Steinberg. 

This exhibition is made possible by a gift in honor of Kook Dong Pae and Chan Eai Pae.

Lincoln Speaks: Words that Transformed a Nation

January 23 through June 7, 2015

This exhibition focuses on Abraham Lincoln's mastery of language and how his words changed the course of history. Today, nearly 150 years after the end of the Civil War, he remains an exemplar of exalted leadership in a time of great crisis and people the world over continue to look to him as a standard-bearer for principled governance. Lincoln Speaks explores Lincoln as a writer and public speaker whose eloquence shaped the nation and the world, in his time and in ours.

Drawing upon the Gilder Lehrman Institute's renowned collection of American historical documents, as well as the Shapell Foundation, Harvard College Library, the Library of Congress, and the Morgan's collection of Lincoln manuscripts and letters, the exhibition is organized thematically and chronologically. It includes photographic portraits and books owned and used by Lincoln, and highlights the range of Lincoln's rhetorical powers, from the elevated language of his proclamations and great speeches to his forceful, incisive military memos and the intimate prose of personal letters to family and friends. Lincoln drew upon his powers as a writer and orator to sustain the country during its greatest crisis and to inspire Americans to embrace the ultimate purpose of the Civil War: the end of slavery. The show coincides with the 150th anniversary of the end of the Civil War and Lincoln's assassination, and assesses the scale of Lincoln's achievement, and his national and global legacy, through the power of his words. 

Hebrew Illumination in Our Time: The Art of Barbara Wolff

February 6 through June 7, 2015

Hebrew Illumination in Our Time: The Art of Barbara Wolff offers startling illuminations—recent gifts to the Morgan—created by this contemporary artist.  The ten folios of “You Renew the Face of the Earth” illustrate passages from Hebrew Psalm 104, a celebration of all creation, with images illuminated in silver, gold, and platinum foils.  In the seventeen bifolios comprising the Rose Haggadah, Wolff, while rooted in the tradition of illustrated Haggadot, presents a modern interpretation of the texts used at the Passover Seder.

 The Morgan Library & Museum

The Morgan Library & Museum began as the private library of financier Pierpont Morgan, one of the preeminent collectors and cultural benefactors in the United States. Today, more than a century after its founding in 1906, the Morgan serves as a museum, independent research library, musical venue, architectural landmark, and historic site. In October 2010, the Morgan completed the first-ever restoration of its original McKim building, Pierpont Morgan’s private library, and the core of the institution. In tandem with the 2006 expansion project by architect Renzo Piano, the Morgan now provides visitors unprecedented access to its world-renowned collections of drawings, literary and historical manuscripts, musical scores, medieval and Renaissance manuscripts, printed books, and ancient Near Eastern seals and tablets.

General Information

The Morgan Library & Museum

225 Madison Avenue, at 36th Street, New York, NY 10016-3405



Just a short walk from Grand Central and Penn Station


Tuesday-Thursday, 10:30 a.m. to 5 p.m.; extended Friday hours, 10:30 a.m. to 9 p.m.; Saturday, 10 a.m. to 6 p.m.; Sunday, 11 a.m. to 6 p.m.; closed Mondays, Thanksgiving Day, Christmas Day, and New Year’s Day. The Morgan closes at 4 p.m. on Christmas Eve and New Year’s Eve. 


$18 for adults; $12 for students, seniors (65 and over), and children (under 16); free to Members and children 12 and under accompanied by an adult. Admission is free on Fridays from 7 to 9 p.m. Admission is not required to visit the Morgan Shop, Café, or Dining Room.

The programs of the Morgan Library & Museum are made possible with public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.

Omaha, Neb.—July 21, 2014—Proxibid (www.proxibid.com), the most trusted online Marketplace for buying and selling highly valued items, will provide online bidding for Philip Weiss Auctions’ Books, Military, Ocean Liner, Historical & More auction on Wed., July 23 at 1 p.m Eastern. This live auction boasts more than 700 lots including a chessboard made from wreck wood from the Titanic and a pen drawing by Andy Warhol. Bidders will have the opportunity to bid onsite at the auction in Lynbrook, N.Y., or online via Proxibid. Online bidding in this auction is already available by visiting www.proxibid.com/weissauctions.  

This historical sale features a diverse assortment of art, memorabilia, books and more.

New York, NY, July 2014—The Morgan Library & Museum announced today that it has received a major gift from the Estate of Roy Lichtenstein (1923-1997), including twenty-one sketchbooks by the renowned artist, two of his early drawings, and several original drawings by artists who were part of his circle. The works were given to the Morgan by Lichtenstein’s wife, Dorothy, in memory of her husband.

The Morgan held a critically acclaimed exhibition of Lichtenstein’s drawings in 2010, and this gift positions the institution to become a significant center for the study of the artist’s work. The sketchbooks include numerous studies and are important source material on Lichtenstein’s working method and the subject matter that attracted him during the various phases of his career. The drawings, which include sheets by Andy Warhol, Cy Twombly, Brice Marden, and Robert Rauschenberg, add significantly to the Morgan’s growing collection of modern works on paper, while highlighting Lichtenstein’s close involvement with some of the great practitioners of his day. In addition to the gift of the twenty-one sketchbooks, the Morgan will also receive on long-term loan eleven of the artist’s remaining sketchbooks, which are now held by the Roy Lichtenstein Foundation.

Today Governor Terry McAuliffe announced that the Virginia Museum of Fine Arts (VMFA) is the first art museum in the United States to establish an extensive collaborative project with the Palace Museum in Beijing. The two museums are in the midst of a series of projects between 2010 and 2016 that include exhibition exchanges and staff site visits in the areas of administration, curatorial, conservation, education, and security.

Key to this historic collaboration will be the exchange of treasures exhibitions in 2014 and 2016. Exclusive to VMFA, Forbidden City: Imperial Treasures from the Palace Museum, Beijing will be on view October 18, 2014-January 11, 2015. In May 2016, VMFA will be the first museum in the United States to exhibit works from its permanent collection at the Palace Museum when its world-renowned Fabergé collection will travel to Beijing and be exhibited in the historic Meridian Gate.


BOSTON, MA. — July 16, 2014—RR Auction is proud to present the Eight Faces of Moses collection created by renowned artist Arnold Friberg for Cecil B. DeMille’s masterful 1956 remaking of The Ten Commandments in a live auction event that will take place this Saturday at RR Auction’s Boston Gallery.

“For 60 years the paintings were unrecognized as Friberg's work—in fact they were misattributed, believed to the work of the films makeup artists,” says Lawrence Jeppson, a distinguished historian and art consultant, who made the discovery earlier this year after viewing the paintings.

DAYTON, Ohio—Some of the rarest books in the world will be on display at the University of Dayton this fall, from authors like Austen, Chaucer, Copernicus, Marie Curie, Shakespeare and Mark Twain.

"Imprints and Impressions: Milestones in Human Progress" will feature first editions, manuscripts, galley proofs, papyri and illustrations spanning the scholarly spectrum from philosophy to physics. The free, public exhibit runs Sept. 29 through Nov. 9 in the Roesch Library first-floor gallery on the University of Dayton campus.

Dreweatts & Bloomsbury Auctions, together with The Auction Room, sold a selection of works from The Royal Agricultural Society of England in a ground-breaking bidding initiative that saw the auctioneering duo offer pre-auction timed bidding via www.theauctionroom.com, followed by a live auction held at Dreweatts & Bloomsbury Auctions’ busy saleroom in London’s Mayfair on Friday 11th July where there was standing room only.

Total Lots: 328

Estimate total: £153,200-218,150

Hammer total: £400,400

Total including buyer’s premium: £496,496


DALLAS—The haunting one sheet for Carl Laemmle’s 1925 epic The Phantom of The Opera, a landmark film featuring Lon Chaney’s “living skull” makeup (est. $80,000+) highlight’s Heritage Auctions’ Vintage Movie Poster Signature® Auction July 19-20 in Dallas. The rare poster, one of four known to exist, highlights the auction’s epic selection of one sheets, inserts, lobby cards and more, many of which were previously unknown to collectors and movie memorabilia experts.

“This auction holds a number of never-before-seen rarities from history’s finest films,” said Grey Smith, Director of Movie Posters at Heritage. “Numerous one sheet and large format examples haven’t seen the light of day for decades and horror collectors will be very pleased to see the discoveries.”

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