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Profiles in History

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In the News

The Rosemary Verey Collection Sells for $187,500 at Bloomsbury Auctions

London—The working library of one of the most distinguished and influential garden designers of... read more

Jerry Garcia Letter Written to Vogue Cover Model for Sale at RR Auction

BOSTON, MA—An extremely rare handwritten letter by Jerry Garcia will be offered during a... read more

Major Exhibition of Book Artist Werner Pfeiffer Planned by Toledo Museum of Art

TOLEDO, OHIO—Plain paper in the hands of an artist can become magical, and that’s... read more

The Folio Prize Announces 2015 Nominations

London, UK, December 14, 2014—THE FOLIO PRIZE, sponsored by The Folio Society, has revealed... read more

Benjamin Franklin Printing Blocks Identified

Philadelphia, Pennsylvania—December 12, 2014—Three extremely rare 18th-century type-metal blocks on deposit with the Library... read more

Gerald W. Cloud Named Curator of Early Books & Manuscripts at the Ransom Center

The Harry Ransom Center, a humanities research library and museum at The University of... read more

Highlights of 2015 Edition of Master Drawings in New York

NEW YORK—The 2015 edition of MASTER DRAWINGS IN NEW YORK (January 24 - January... read more

Newly Discovered Works by Oscar Wilde to be Displayed in Exhibition at the Rosenbach

PHILADELPHIA, PA—Dec. 3, 2014—The Rosenbach of the Free Library of Philadelphia is thrilled to... read more

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2014 Bookseller Resource Guide
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Old World Auctions

Churchill’s Dangerous Letter, Napoléon’s Stolen Novel, and a Pony Express Bible

Love at Second Bite?

Bright yellow first edition of Bram Stoker’s Dracula (1897). Courtesy of Bloomsbury Auctions.

Bram Stoker, Dracula, £53,680 ($77,770) at Bloomsbury Auctions of London on May 27.

Completely unsophisticated and in wonderful condition, this superb inscribed first of Stoker’s famous book is a first issue copy of May 1897, which has no advertisements and is printed on slightly thicker paper stock. Not only is this copy clean and bright, but it is inscribed by the author to Mrs. W. S. Gilbert—wife of the chap who wrote the librettos to the Savoy Operas of Gilbert & Sullivan.

At the time, some mild controversy attached to the nature and extent of the friendship between the Stoker and Gilbert households, or—to be more direct—a certain curiosity regarding the frequent meetings between Gilbert and Stoker’s young wife, Florence, the Dublin beauty who had once been courted by Oscar Wilde, whilst Stoker, a theatre manager, was busy at work.

This copy had previously been on offer with a UK dealer for around double what it made at auction, but Bloomsbury had taken a completely opposite approach, valuing it at just £7,500-10,000.

In the Underground Footsteps of Arne Saknussemm

Verne’s A Journey to the Centre of the Earth in its pictorial Victorian binding, published in London by Griffith and Farran in 1872. Courtesy of Toovey’s.

Jules Verne, A Journey to the Centre of the Earth, £9,065 ($13,135) at Tooveys of Washington (West Sussex) on May 18.

This was the first of Jules Verne science fantasies that I ever read, and I devoured it in one sitting on the Starlight Express. That is not as romantic as it sounds, because when I was a lad, occasional holidays to my father’s Scottish birthplace were made on an overnight London-Glasgow train that was exotically named but in reality a cheap alternative to the express services. Our train would be shunted off into assorted sidings, platforms, etc. while important passenger and mail services rushed by and journey times were what one might call open-ended. On one occasion though, following Professor Lidenbrock, his nephew Axel, and Hans the guide into the bowels of the earth, as they chased clues left by a medieval Icelandic alchemist, Arne Saknussemm, made my interminable rail journey a memorable one.

Bumped at the extremities and with some slight rubbing at the joints, the pictorial cloth covers of this first English edition are otherwise about as good as one could hope to get. Inside the text block shows some occasional spotting and light browning, but given star billing on the catalogue cover, it sold for an auction record sum.

Reviewer Finds Marx Unreadable

An 1871 letter from Karl Marx to Professor Edward Spencer Beesly and a signed carte-de-visite. Courtesy of Bloomsbury Acutions.

Karl Marx, Das Kapital, £140,300 ($203,265) at Bloomsbury Auctions of London on May 27.

Published in Hamburg in 1867, the first part of Marx’s magnum opus was the only portion published in his lifetime—the other two parts being edited for publication by Friedrich Engels. Copies of that first part are uncommon, but May saw two come to auction. On May 18, Sotheby’s Paris sold a fine copy in a period binding for Euros 21,250 ($26,445), but this Bloomsbury association copy, albeit in a later half morocco binding, was a far more exciting prospect. Copies signed or inscribed by Marx, as this one was, are incredibly scarce, with nothing comparable seen at auction in the last 25 years.

In 1868, when Marx and Engels were trying to raise international interest in the economic philosophy contained in the work, Marx (a London resident at the time) contacted Professor Edward Spencer Beesly (1831–1915), an historian and one of the founding editors of the British journal Fortnightly Review to see if that journal would be interested in publishing a critique of Das Kapital.

At the time, Marx wrote to Engels, “Prof. Beesly, who is one of the triumvirate which secretly runs this rag, has … declared, he is ‘morally certain’ (it depends on him!) a criticism would be accepted.” A review was duly passed on to the chief editor, John Morley, but he found it unreadable and would not agree to publication, even after Beesly had suggested Marx might try and make the article less dry and more popularist.

Beesly then suggested that Marx and Engels contact the Westminster Review, but nothing seems to have come of that ploy either.

Sold for £25,620 ($37,120) in the same Bloomsbury sale was an 1871 letter from Marx to Beesly. It was mostly of a social nature, but also included a quote, in French, from the writings of Voltaire and was accompanied by a signed, carte-de-visite photograph.

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