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Skinner

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In the News

Maxfield Parrish’s The Little Peach Brings $515,000 at Heritage Auctions

NEW YORK—The Little Peach, 1902, Maxfield Parrish’s touching oil painted to accompany a children’s... read more

Exhibit of Artists’ Books Opens at Seager/Gray Gallery in February

Four Proposals for Reading: An Exhibition at the Seager/Gray Gallery opens Saturday, February 7,... read more

The CA International Antiquarian Book Fair, New Venue in Oakland

OAKLAND, CA—The world’s preeminent celebration of the written and printed word returns to Northern... read more

Highlights of Russian Books and Photographs for Sale at Bonhams

New York—Bonhams is pleased to offer a variety of exceptional Russian books, manuscripts, art... read more

Waverly’s Dec. 4 Auction Packed with Ephemera From Colonial America, 1776 Map of Hudson River

FALLS CHURCH, Va.—More than 100 issues of the colonial magazine Gazette of the United... read more

AntiquarianAuctions.com Will Host Auction #39, November 20-27

In addition to important Africana, the auction will feature a wide range of items... read more

Only Known U.S. Poster for London After Midnight May Bring $50,000+ at Heritage Auctions

DALLAS—The only known copy of the U.S. release one sheet from the 1927 lost... read more

The British Library Explores the Northwest Passage

Just weeks after the long-anticipated discovery of one of Sir John Franklin’s lost ships... read more

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Old World Auctions

Churchill’s Dangerous Letter, Napoléon’s Stolen Novel, and a Pony Express Bible

Love at Second Bite?

Bright yellow first edition of Bram Stoker’s Dracula (1897). Courtesy of Bloomsbury Auctions.

Bram Stoker, Dracula, £53,680 ($77,770) at Bloomsbury Auctions of London on May 27.

Completely unsophisticated and in wonderful condition, this superb inscribed first of Stoker’s famous book is a first issue copy of May 1897, which has no advertisements and is printed on slightly thicker paper stock. Not only is this copy clean and bright, but it is inscribed by the author to Mrs. W. S. Gilbert—wife of the chap who wrote the librettos to the Savoy Operas of Gilbert & Sullivan.

At the time, some mild controversy attached to the nature and extent of the friendship between the Stoker and Gilbert households, or—to be more direct—a certain curiosity regarding the frequent meetings between Gilbert and Stoker’s young wife, Florence, the Dublin beauty who had once been courted by Oscar Wilde, whilst Stoker, a theatre manager, was busy at work.

This copy had previously been on offer with a UK dealer for around double what it made at auction, but Bloomsbury had taken a completely opposite approach, valuing it at just £7,500-10,000.

In the Underground Footsteps of Arne Saknussemm

Verne’s A Journey to the Centre of the Earth in its pictorial Victorian binding, published in London by Griffith and Farran in 1872. Courtesy of Toovey’s.

Jules Verne, A Journey to the Centre of the Earth, £9,065 ($13,135) at Tooveys of Washington (West Sussex) on May 18.

This was the first of Jules Verne science fantasies that I ever read, and I devoured it in one sitting on the Starlight Express. That is not as romantic as it sounds, because when I was a lad, occasional holidays to my father’s Scottish birthplace were made on an overnight London-Glasgow train that was exotically named but in reality a cheap alternative to the express services. Our train would be shunted off into assorted sidings, platforms, etc. while important passenger and mail services rushed by and journey times were what one might call open-ended. On one occasion though, following Professor Lidenbrock, his nephew Axel, and Hans the guide into the bowels of the earth, as they chased clues left by a medieval Icelandic alchemist, Arne Saknussemm, made my interminable rail journey a memorable one.

Bumped at the extremities and with some slight rubbing at the joints, the pictorial cloth covers of this first English edition are otherwise about as good as one could hope to get. Inside the text block shows some occasional spotting and light browning, but given star billing on the catalogue cover, it sold for an auction record sum.

Reviewer Finds Marx Unreadable

An 1871 letter from Karl Marx to Professor Edward Spencer Beesly and a signed carte-de-visite. Courtesy of Bloomsbury Acutions.

Karl Marx, Das Kapital, £140,300 ($203,265) at Bloomsbury Auctions of London on May 27.

Published in Hamburg in 1867, the first part of Marx’s magnum opus was the only portion published in his lifetime—the other two parts being edited for publication by Friedrich Engels. Copies of that first part are uncommon, but May saw two come to auction. On May 18, Sotheby’s Paris sold a fine copy in a period binding for Euros 21,250 ($26,445), but this Bloomsbury association copy, albeit in a later half morocco binding, was a far more exciting prospect. Copies signed or inscribed by Marx, as this one was, are incredibly scarce, with nothing comparable seen at auction in the last 25 years.

In 1868, when Marx and Engels were trying to raise international interest in the economic philosophy contained in the work, Marx (a London resident at the time) contacted Professor Edward Spencer Beesly (1831–1915), an historian and one of the founding editors of the British journal Fortnightly Review to see if that journal would be interested in publishing a critique of Das Kapital.

At the time, Marx wrote to Engels, “Prof. Beesly, who is one of the triumvirate which secretly runs this rag, has … declared, he is ‘morally certain’ (it depends on him!) a criticism would be accepted.” A review was duly passed on to the chief editor, John Morley, but he found it unreadable and would not agree to publication, even after Beesly had suggested Marx might try and make the article less dry and more popularist.

Beesly then suggested that Marx and Engels contact the Westminster Review, but nothing seems to have come of that ploy either.

Sold for £25,620 ($37,120) in the same Bloomsbury sale was an 1871 letter from Marx to Beesly. It was mostly of a social nature, but also included a quote, in French, from the writings of Voltaire and was accompanied by a signed, carte-de-visite photograph.

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