coming eventsComing Events

September 5

LOC Book Festival

September 10

Christies

September 10

Bloomsbury

September 11

Skinner

September 17

Swann

September 22

Bonhams

September 30

Sothebys

Find More Events in the FB&C Calendar

In the News

Rare Cartography and Exploration Coming up at PBA Galleries

On October 29th, 2015, PBA Galleries in San Francisco will hold the first of... read more

Lion Heart Autographs Announces Auction of Rare Titanic Artifacts and Documents

New York, New York—(August 31, 2015)—Lion Heart Autographs, for nearly forty years, an internationally... read more

Curious Adventures & Rare Discoveries at Freeman’s Books, Maps & Manuscripts Auction

Philadelphia, PA—Freeman's October 22 Books, Maps & Manuscripts auction is an invitation to a... read more

Pioneer Valley Book & Ephemera Fair

NORTHAMPTON, MA—OCTOBER 18, 2015—Flamingo Eventz and the Southern New England Antiquarian Booksellers (an expanded... read more

Mormon Materials, Civil War & Revolutionary War Items Headline at Swann Galleries

New York—On September 17, Swann Galleries’ book department will offer Printed & Manuscript Americana,... read more

Draft Lyrics of Bob Dylan Song Estimated at $235,000-$314,000

In 1962, in a small room above the legendary Gaslight Folk Club in Greenwich... read more

Lewis & Clark Expedition Is Subject of New Library Publication

Commissioned by President Thomas Jefferson, the 1804-1806 expedition of Meriwether Lewis and William Clark... read more

AntiquarianAuctions.com #45 Highlights, Running Aug. 27-Sept. 3

AntiquarianAuctions.com is an online auction site dedicated to the sale of rare and out-of... read more

Follow us on TwitterLike us on Facebook
Auction Guide
Advertise with Us
2015 Bookseller Resource Guide
Fine Books Review

Beauty and the Book

Whether you curl up and read it, shelve it for reference, or place on the coffee table, this is one book you don’t want to miss By Rebecca Rego Barry

Cover image of The Art of American Book Covers by Richard Minsky.

The Art of American Book Covers, 1875-1930

Richard Minsky; George Braziller Publishers; 136 pages; 100+ full color illustrations; cloth-bound hardcover; $34.95 Buy it Now

Feel free to judge this book by its cover—a sumptuous red cloth with a dazzling gold-stamped design; or by its illustrations—more than 100 full color plates exquisitely reproduced; or by its text—an introductory essay and meticulous captions written by the much-admired book artist Richard Minsky. The Art of American Book Covers (AABC) is a prize every collector deserves, particularly those whose interests include book design, decorative bookbindings, women book artists, American Gilded Age literature, or the Arts and Crafts movement.

Minsky writes about a Golden Age of book cover art that lasted from the 1870s until the Great Depression, during which publishers commissioned artists and designers to create exciting, eye-catching covers. The art was neither Victorian nor modern, and it had many influences, including Arts and Crafts, Orientalism, and Art Nouveau. Die work, gold stamping, patterns, and artists’ monograms or devices on the cover are some of the key elements of this Golden Age that Minsky deftly describes in his introduction. He also provides some background information on the major artists.

Sarah Wyman Whitman, for example, was likely the first professional female book designer. She created hundreds of covers for Houghton Mifflin and had her own stained glass studio (all while playing Boston hostess for her wealthy husband). Her work is closely associated with novelist Sarah Orne Jewett, whose The Country of the Pointed Firs is considered a minor American classic. Minsky offers a color illustration of that gold-stamped green cloth cover, as well as two of Whitman’s other commercial bindings.

Interior image from AABC, showing Henry Hunt Clark’s elaborate design for Mary Austin’s California (1914).
Interior image from AABC, showing Alice C. Morse’s cover design for Washington Irving’s Chronicle of the Conquest of Granada (1893).
Interior image from AABC, showing an unknown designer’s colorful cover for The Shadowless Man (1910).

Alice Cordelia Morse, who, like Whitman, studied stained glass with John La Farge, also figures prominently in AABC. She likened the two arts: “I think book covers resemble glass more than, say, wall-paper or silk in that you have a complete design in a given space whereas wall-paper and silks repeat indefinitely.” Some of her book cover art was recently exhibited at the Grolier Club. Several fine examples can be found in Minsky’s book.

Only someone with the eye and the experience of Minsky could write engaging captions that capture both bibliographical detail and artistic analysis. For Margaret Armstrong’s cover of Robert Browning’s Pippa Passes, he writes, “Pink, brown, bright and matte gold stamping on olive green cloth with white cloth onlay. White stamping flaked notoriously before 1901. A cloth onlay enabled bright white to be used in the composition.” For Edwin A. Abbey’s cover of Sketching Rambles in Holland, he notes, “Gold, black, silver, and gray on a light hay-colored cloth, with blind stamping on the back cover. The gold covers so much of the cloth that it creates the illusion of gold cloth with an inlaid panel. Abbey’s development of Art Nouveau is in full flower here, with organic lettering taking a dominant place…”

The Decorative Designers, Marion L. Peabody, Dante Gabriel Rossetti, Rockwell Kent, and Maxfield Parrish all find a place on the pages of AABC. There’s also an illustrated list of artists’ monograms and a bibliography.

No stranger to Fine Books & Collections readers, Minsky is the founder of the Center for Book Arts in New York City. His book art has been exhibited and collected all over the world. In the past, Minsky published two limited edition catalogues of his American Decorated Publishers’ Bindings, 1872-1929 (which are still available on his website). The Art of American Book Covers is the first trade edition of his work, and it’s an opportunity not to be missed.

comments powered by Disqus

Rebecca Rego Barry is the editor of this magazine.