visit-scotland-image.jpgThe reopening of a historic railway line in Scotland, a boon to locals and tourism officials, also snagged a global audience today when Queen Elizabeth II boarded a train at Edinburgh’s Waverley Station. The occasion marked her fulfillment as Britain’s longest-reigning monarch (23,226 days and counting).

To celebrate the milestone, Elizabeth II and her husband, Prince Philip, rode the £294-million Scottish Borders Railway, which opened to the public on Sunday. The new scenic railway takes visitors on a 30-mile, 55-minute journey from Edinburgh through Midlothian to Tweedbank in the Scottish Borders.  

Many of those visitors, it is hoped, will be literary pilgrims. According to Borders Railway, “Worldwide interest in Sir Walter Scott will be a huge draw, as visitors can follow in the footsteps of the renowned writer, starting in Edinburgh with The Scott Monument and The Writers’ Museum, before taking the Borders Railway through the landscapes that inspired his writing.” Abbotsford, Sir Walter Scott’s home, is a short walk from Tweedbank.

Image via Borders Railway.

heritage nobel.jpgFrom time to time, Nobel Prizes appear on the market. While exciting for collectors, there is a peculiar vibe to such sales, considering that someone can buy--for a hefty six-figure sum--a sacred object meant for none other than the person who earned it. This is particularly the case when the recipient is still alive. Still, these objects, like books, have lives of their own.

The trade in Nobels is strong this season. In July, the 1953 award earned by the German-born British biochemist Hans Krebs sold at Sotheby’s London for £275,000 ($425,500). Krebs secured his medal for the discovery of the citric acid cycle. Later this month, Bonhams will auction the 1934 Nobel Prize presented to American physician George Minot for his pioneering work on pernicious anemia. The estimate is $200,000-300,000. (You can read more about it in our free autumn auction guide.) Then, in November, Heritage Auctions will offer the gold medal merited by Francis Peyton Rous for an estimated $300,000-500,000. Rous, an American virologist who studied the relationship between viruses and cancer, won his award in 1966.

All three winners have long since passed, and in the case of Krebs at least, the auction winnings will continue the work of the prize winner by funding biomedical research through the Sir Hans Krebs Trust.

Image: Courtesy of Heritage Auctions.

Andy Warhol’s “America”

Andy Warhol (1928-1987) is synonymous with postwar American art, and despite being most recognized for his images of soup cans and Marilyn Monroe, the artist was also a passionate cameraman, famously bringing his Minox 35L with him wherever he went, capturing on film the contradictions and joys of modern life. Many of these images were published in America, Warhol’s 1985 work, part photo-diary and part written observations of celebrity and mediocrity. The book was just reissued by Grove Press, and while it’s tempting to just flip through and gaze at all the famous people, there’s plenty of poor, huddled, unrecognizable masses yearning for a taste of the American dream.  After 30 years, Warhol’s writing is surprisingly insightful and even applicable to the 2015 political and social landscape. Take his musings on immigrants, for example: “When I was in California I found out that people were learning Spanish so they could talk to their maids, and that all the people doing the really boring jobs in the electronics industry were immigrants.... We all came here from somewhere else, and everybody who wants to live in America and obey the law should be able to come too, and there’s no such thing as being more or less American, just American.” (Donald Trump, take note.)

America’s reissue was timed perfectly to coincide with the Museum of Modern Art’s exhibition entitled “Andy Warhol: ‘Campbell’s Soup Cans’ and Other Works, 1953-1967”, running through October 18. In addition to showing the 32 paintings in a linear format as they were first hung in 1962, the show includes the artist’s preparatory sketches and art books from the same period, revealing the man on the cusp of placing his indelible mark on America’s cultural and artistic landscape.

Campbell’s Soup Cans. 1962. ©2015 Andy Warhol Foundation / ARS, NY / TM Licensed by Campbell’s Soup Co. All rights reserved.

America, by Andy Warhol; Grove Press, $20.00, 244 pages.
“Andy Warhol: ‘Campbell’s Soup Cans’ and Other Works, 1953-1967” can be viewed at the Museum of Modern Art in New York City, now through October 18.

Our Bright Young Collectors series continues today with Rose Berman, who recently won third prize at the National Collegiate Book Collecting Contest. Rose collects Antoine de Saint Exupéry. 

rose berman.jpg
Where are you from / where do you live? 

I’m from Gaithersburg, Maryland, a suburb of Washington, D.C. I’m currently gearing up to move to France to teach English for a year.
What did you study at University? What do you do now for an occupation?
I studied history at the University of Chicago and wrote my bachelor’s thesis on the French memory of World War I during World War II. Though I will be teaching English to elementary-schoolers in Avignon this coming year, I am in the midst of switching paths to attend medical school.
Please introduce us to your book collection.  What areas do you collect in?

I collect books by and about the French author Antoine de Saint Exupéry (you may have read his most famous book, The Little Prince!). I also collect books about the airline he flew for, Aéropostale, and his fellow pilots. Most of my collection is in French, but I have a few of the English translations of his works. I especially value books with photographs and anecdotes I haven’t seen before.
rose berman collection.jpg
How many books are in your collection?

About 50 so far.

What was the first book you bought for your collection?

My first book was actually a present from my dad on my eleventh birthday--a copy of The Little Prince. From then on, I was hooked on Saint Exupéry; I think my first purchase was the English translation of Terre des hommes, which I got at Borders (may it rest in peace...).

How about the most recent book?

Saint Exupéry in America, 1942-1943 by Adele Breaux. It’s a memoir by a young teacher who tried to teach Saint Exupéry English during his brief stint in New York. I first read the book in the Library of Congress and have wanted it ever since for its amusing anecdotes...this summer I finally sprung for it.

And your favorite book in your collection?

I love my first edition of Pilote de guerre for its special story. The Nazis did not allow the book to be published in France during the war, so it was instead published in New York out of a respected French bookstore. When I learned this story from a biography, I tracked down the book on AbeBooks. It includes a carefully preserved erratum note in the front.

Best bargain you’ve found?

A lot of my books seem like they should be worth a lot more than I paid; the first edition Pilote de guerre was about $35. I was pleasantly surprised!

How about The One that Got Away?

It’s not a book, but a whole bookstore...during an exchange visit to France when I was 16, my host father took me to an aviation-themed used bookstore somewhere in Paris. I cleared out a whole shelf and found many of my most prized books. I want to go there again, but the Internet hasn’t helped and even my host father doesn’t remember the name of the place!

What would be the Holy Grail for your collection?

I would love to have a letter written by Saint-Ex or one of his friends (his manuscripts are mostly in libraries now). I’d also like to track down a copy of an extremely rare book, Chez les fils du désert, written by two Aéropostale pilots who were held prisoner in the Sahara.

Who is your favorite bookseller / bookstore?
I love the unique books and academic focus of the Seminary Co-op Bookstore in Hyde Park, Chicago. But I find most of the books for my collection online or in France.

What would you collect if you didn’t collect books?

In a fantasy world, antique airplanes! More realistically, fountain pens or tiny clocks.

(Nominations for Bright Young Collectors (including self-nominations) are welcome at

9780062409850.jpgWell, the verdict is in. According to a report by rare book dealer James S. Jaffe, there are no more mystery manuscripts in Harper Lee’s safe-deposit box.

Lee’s long-awaited second novel, Go Set a Watchman, was “found” in 2011 and published this past July. At the time, her lawyer, Tonja B. Carter, intimated that a third novel might also be hidden among her papers. She called in Jaffe to inspect the typescripts (and Lee’s vintage Quiet DeLuxe Royal portable typewriter). What he found was an early draft of part 1 of To Kill a Mockingbird, an original typescript of Go Set a Watchman, and the author’s original copy-edited typescript of To Kill a Mockingbird with revisions and corrections by Lee and her Lippincott editor. 

You can download and read the entire report here. The Wall Street Journal broke the story yesterday afternoon.
Doctrina Breve page copy .jpgTypically when we talk about the oldest “American” book, we are referring to the Bay Psalm Book, printed in Cambridge, Massachusetts, in 1640 (and it is, incidentally, the current record-holder for most expensive printed book sold at auction). To some, that statement is Anglocentric; if we instead take a Pan-Americanist view and eye the entire continent, we find in Mexico City a book printed nearly a century before the Bay Psalm Book. Perhaps it is safest to grant that this volume, Doctrina breve, is the oldest surviving book printed in the Americas*. According to Dorothy Penn’s 1939 article, “The Oldest American Book,” Mexico had a working printing press by 1539, and “from the Mexican press came various booklets in Spanish on the Christian faith, intended for the instruction of Indian converts.” The first full-length book, Doctrina breve, written by the first bishop of Mexico, Juan de Zumárraga, appeared in 1544.  

Beginning tomorrow, September 1, Doctrina breve will be on exhibit at the Rosenbach of the Free Library of Philadelphia in an exhibit titled “Catholics in the New World: A Selection of 16th-18th Century Texts.” Featured alongside will be the oldest book published in South America, Doctrina Christiana, printed in Lima in 1584; an eighteenth-century Mexican book containing 2,624 anagrams of the angel’s greeting to Mary; and prayer books and catechisms translated into Native American languages from across the Americas, including Aymara, Zapotec, and Montagnais.  

Will Pope Francis get a glimpse of these rare tomes while in Philadelphia in late September? It’s not on the official schedule. You, however, can see them through January 30, 2016.

Image Courtesy of the Rosenbach of the Free Library of Philadelphia.

*An earlier version of this post reported that Doctrina breve was the oldest surviving book printed in the Western Hemisphere. Some friends in the UK disagreed, as the Prime Meridian separating East from West slices through England, leaving part of England and several other European countries in the Western Hemisphere--and they were printing before 1544.

Archie Andrews: Looking Good at 75

After seventy-five years, Riverdale’s perennial heartbreaker Archie Andrews got a major makeover. Archie Comics tapped Eisner Award winner Mark Waid (“Daredevil” series) and “Saga” illustrator Fiona Staples to revamp characters who have remained virtually unchanged since their appearance in 1941. The updated look debuted at ComicCon in July, and there’s no mistaking it, Archie is a hot dude. The cover shows young Mr. Andrews stepping out of his (slightly messy) car, looking happily off scene, hair perfectly coiffed, jean jacket tousled just so. Put him in a suit and swap the jalopy for a limo, and you can almost hear the squeals of delight from girls waiting behind velvet ropes for their favorite teen heartthrob to arrive at his movie premiere. Everything screams sexy all-American dreamboat. And why not? He’s been dangling poor Betty Cooper and Veronica Lodge along for almost a century, he ought to look the part of handsome stud. It’s not just Archie; everyone is really, really, ridiculously good-looking in the update. (The second issue cover shows a particularly forlorn but beautiful Betty, trying to decide which rebound outfit to wear.) This first issue is an origin tale of sorts, where Archie and Betty have been longtime sweethearts until the mysterious “lipstick event” tears them apart. While the lovebirds are separated, the billionaire Lodges move into town, and though we don’t meet Veronica in issue 1, she’s sure to turn heads shortly.
Archie Cover.JPG
Looking good, my man. (Photo credit: Barbara Richter)
Archie and cast: The Adventures of Archie Andr...

You’ve come a long way, Archie. Archie and cast: The Adventures of Archie Andrews, 1947. (Photo credit: Wikipedia)

As with most makeovers of major brands, there are significant financial reasons behind Archie’s stronger chin and dreamy eyes. In a Publisher’s Weekly  interview last year, Archie Comics CEO Jon Goldwater said that the new look keeps the characters relevant and also feeds Archie book sales, which account for a major portion of the company’s revenue. Goldwater noted in the article that bookstore sales of Archie titles have increased 736% since 2008, reflecting the publisher’s introduction of over fifty new titles from 2010-2014.  The company has big plans for 2016, with a TV special, a musical, and more book events to celebrate 75 years and over 2 billion issues sold. Not bad for a freckle-faced teenaged Casanova.

Related articles
Our Bright Young Collectors series continues today with Anne Steptoe, who recently won the Essay Prize at the National Collegiate Book Collecting Contest. Anne collects 20th century Southern literature:

fuqua scrubs pic.jpg
Where are you from and where do you live?

I grew up in the small town of Charles Town, WV. After a decade in the Northeast, I  returned to the South last year and now live in Durham, NC.
What do you study at University?

I was a Classics and English major as an undergraduate at Harvard, focusing on late Republican Latin literature’s influence on twentieth-century Southern literature. After graduation, I made the hard decision to veer away from academia to a career that would allow me to help shape the landscape of the modern South more actively. So, I went on to medical school at Brown University and am now enrolled in business school at Duke University.
Please introduce us to your book collection.  What areas do you collect in?

I started collecting twentieth-century Southern literature in college, as an extension of my academic research. I wrote my senior thesis on the Fugitive poets, and their work remains the cornerstone of my collection. I’ve always been inspired by the notion that a small, ragtag band of Vanderbilt scholars and were among the first to insist that Southern literature should not be a sentimental, apologist look at Southern history. This “small” effort would catalyze an entire generation and revitalize the literature of the South. I’ve expanded my collection over the years to reflect the catalyst moment the Fugitives represent. So I also collect many of the Fugitives’ contemporaries and successors, including William Faulkner, Eudora Welty, Katherine Anne Porter, William Styron and their peers.
How many books are in your collection?

Approximately 110 first and early editions, with roughly a third dedicated from Southern literature and the remainder from other modern (mainly 20th century) American and British literature and poetry. I cannot pass up a classic book by an author I love when I come across it, and my collection is a reflection of that.

DukeLibrary_Display.jpgWhat was the first book you bought for your collection?

My first real find was a first edition of Robert Penn Warren’s All the King’s Men - though it’s probably more accurate to say that the book found me. I was living in Boston at the time and got caught without an umbrella in a rainstorm. I happened to walk by a thrift store, and stepped inside for shelter. I was browsing the book section to pass the time when the book caught my attention. It stood out at first because it was older than everything else around it, and very quickly because it was a small piece of home transplanted far from the South. I knew I had to have it, even before I fully understood what I’d found. From there, I was hooking on the collecting experience.
How about the most recent book?

I recently purchased a signed first edition of Katherine Anne Porter’s translation of a French song-book. It’s something I might have passed up in my early years of collecting because, although it’s a rare edition, it’s not traditional literature. However, the longer I collect and grow to know these authors’ bodies of work, I learn details that endear me to these unusual finds. It turns out, for example, that Porter used the songbook project as a way to bridge a period of writers’ block, with some of her most successful work immediately following it. I’ll refrain from the cliché about books and their covers, but I think it applies.
And your favorite book in your collection?

One of my favorites has to be my copy of Allen Tate’s biography-novel of the Confederate general Stonewall Jackson. The novel itself struggles immaturely at achieving the Fugitive’s new complex, non-apologetic telling of Southern history and wasn’t a particularly successful effort. However, my copy belonged to the Southern publisher and thought leader, Louis Rubin.  Rubin served as a kind of adviser and compass to many of the authors in my collection, and having his copy of one of the earlier efforts at modern Southern literature is particularly special to me. But I’d be remiss not to mention my first edition of To Kill a Mockingbird - to every girl who grew up in the South and loved to read and write, that piece of history is like having a talisman on your bookshelf.
Best bargain you’ve found?

By monetary value, probably my copy of All the King’s Men. However, because I collect twentieth-century Southern literature, I’ve been fortunate to find many of my valuable pieces at thrift stores at bargain prices.
How about The One that Got Away?

I regret not purchasing more or the rest of Louis Rubin’s Fugitive collection when I ran into it at a used bookstore in New Orleans. I was a recent college graduate and reluctant to invest significant money in my new collecting hobby. But the decision haunted me so much that I went back to the bookstore on my next trip to New Orleans, only to find them vanished. Most recently, I was on vacation in Ireland and drove to a small town chasing down a relatively inexpensive copy of Faulkner’s The Sound and the Fury I’d seen online. I got there about five minutes after their closing time on the last day of my vacation - I guess I’ll just have to go back to Ireland now.
What would be the Holy Grail for your collection?

I’m still a little bitter about my missed copy of The Sound and the Fury, as it’s my favorite Faulkner novel and, in my mind, the pinnacle of the Southern writing style for which the Fugitives advocated. I’ve also shamelessly neglected Carson McCullers in my collecting, though she’s one of my favorite Southern writers. But the real Holy Grail, from a personal collecting perspective, would have to be the first edition of the Fugitive magazine - the beginning of it all.
Who is your favorite bookseller / bookstore?

A few favorite bookstores, for different reasons. For rare books and its sheer magnitude, I’ve always loved the Strand in New York. For keeping me in used paperbacks and continually reading, I’m grateful to the Harvard Book Store and the Brookline Booksmith in Boston, and Books for America in Washington DC. And I’d be a broke collector if it weren’t for the many small thrift stores and library sales I’ve visited over the years. There’s an extra thrill of finding and rescuing a first edition book among shelves of dingy mass market paperbacks that is hard to replicate even in the best used bookstore.
What would you collect if you didn’t collect books?

Art, especially late 19th century and early 20th century painting (I have a soft spot for the Pre-Ralphelite art since reading associated writers’ work). Or perhaps Roman and Greek artifacts, if I had an unlimited budget and there weren’t complicated ethics around collecting those items.
Coming up for auction next week is, according to the auctioneer, an “apparently unpublished” letter and poem from the hand of American expatriate poet Ezra Pound. Offered by Lyon & Turnbull in Edinburgh, Scotland, the autograph letter (with envelope dated April 21, 1909) was sent to Mrs. Isabel Konody, later known as Isabel Codrington, a painter whose circle of friends in London included many poets and artists. Pound was new to the scene, having moved to London only the year before and still finding his way among the city’s cultural elite. On page two of the letter, Pound pens a 14-line sonnet which begins, “If poets whom you know are not all fools, Methinks my songs but march amid the rout.”

The auction estimate is £7,000-9,000 ($11,000-$14,140).

Image via Lyon & Turnbull. 
One of the top auction lots of the past two weeks was a pair of handwritten letters (ALSs) from James Joyce in which he discusses the notoriously troublesome publication of his masterpiece, Ulysses. In the first letter, dated November 1, 1918, Joyce writes, “As I have been so long absent from Ireland you must forgive me if I say that I am afraid I have forgotten you. Allow me however to thank you for your very friendly letter and for your kind words about my book Ulysses. Eight installments have now appeared in the Little Review of New York but unfortunately the Egoist (London) cannot find any printer to set up these chapters.”

The Boston-based RR Auction offered the lot with a minimum bid of $2,500, but the final sale price was an astonishing $24,650.68.

Little Review.jpgThis extraordinary sale called to mind the fact that Yale University Press just released The Little Review “Ulysses” which, for the first time, brings together the serial installments of Joyce’s novel the way it was first seen by readers of The Little Review between 1919-1920. Edited by Mark Gaipa, Sean Latham, and Robert Scholes, this new edition allows twenty-first-century readers to enjoy the evolution of Joyce’s prose before the censors stepped in. With a beautiful color insert of the magazine’s covers and essays that contextualize Ulysses, this new edition is a must for Joyce or Little Review fans or collectors.    

Recent Comments

  • A. Tucholke: Ebooks make me sad. read more
  • Nate Pedersen: Thanks for the reminder, Elizabeth. Here is the trailer: read more
  • Rebecca Rego Barry: Hello Harold, Looks like the URL has changed. They are read more
  • Harold: If one goes to the link provided we are shown read more
  • Elizabeth Foxwell: Don't forget the fine 1992 film of _Enchanted April_ with read more
Enter your email address:
Delivered by FeedBurner
Auction Guide