On 28 January 2009, Dr. James Hutson, Chief of the Manuscripts Division at the Library of Congress, sent a letter to manuscript and special collections librarians concerning certain Walt Whitman notebooks which went missing from the Library in 1942. Enclosed with the letter was a 1954 brochure, "Ten Notebooks and a Cardboard Butterfly Missing from the Walt Whitman Papers," which describes the missing items.
February 2009 Archives
On 28 January 2009, Dr. James Hutson, Chief of the Manuscripts Division at the Library of Congress, sent a letter to manuscript and special collections librarians concerning certain Walt Whitman notebooks which went missing from the Library in 1942. Enclosed with the letter was a 1954 brochure, "Ten Notebooks and a Cardboard Butterfly Missing from the Walt Whitman Papers," which describes the missing items.
This
is the scene inside a warehouse in Bristol, UK. The warehouse used to
be the home of Bookbarn, Amazon.UK's largest supplier of secondhand
books. Now it's a biblio-wasteland.After their lease was up Bookbarn moved out leaving millions of books behind. The landlord then decided to invite the public in to take whatever they wanted. Ashley Nicholson, the director of the property, said 'We thought it was a sensible idea to give people the opportunity to come along and choose themselves a book or two and help us clear the warehouse." The thought of free books had people coming from far and wide. Nicholson added 'The response has been unbelievable since we opened it to the public. It's like a swarm of locusts."
Is
such a tragic scene a direct result of the race to the bottom pricing
mentality of the penny sellers that infect many of the online
marketplaces? Where value is sucked out of many perfectly good books
until they are rendered 'worthless'. What a shame.Do you think they'll get their security deposit back?
More at the Daily Mail online
Note the Bookbarn is not to be confused with Bookbarn International
No, the optimal way to use the Rolling Reader is to drape one's length along the cushioned inside rim in lazy, languorous, louche, decadent bum mode (I may be projecting personal behavior here, but you get the idea). While all the big, heavy books are shelved at the bottom for low center of gravity and ballast, a little body English will be all that is necessary to get you moving.
How many times has this happened to you: You're reading on the couch and so comfortable that you dare not move a muscle lest the spell be broken but if you don't have a handful of popcorn Right Now! you may spontaneously combust? Yes, it's only twenty steps to the kitchen but for the seriously sedentary ambulation is overrated.
Problem now solved: Just roll yourself from the living room to the kitchen and back again (don't forget to bring the bag of popcorn back with you).
A few basic necessities are conspicuously absent: Brakes, and for those who wish to read al fresco on city streets, seat belts. It'd probably be a good idea to stuff the bookshelf tight with tomes before putting the rolling reader into gear; flying first editions are not a pretty sight. Use the bike/reading lane. Don't forget to use hand signals when turning, a quick thrust of the glutes to one side or another all that's necessary for left-right maneuvers.
And while it should go without saying, please have reader's insurance should you be involved in an accident.
Can I trust you? I've pulled a fast one on the folks at Fine Books & Collections. I am not a mysterious special collections librarian. I'm a mysterious museum curator (huge difference) who has his fingers in a lot of pies. I like a lot of pie. I am also involved in several bibliophilic ventures, projects and yes, even revolutions that I talk about on my blog, The Exile Bibliophile, because it's basically my imaginary friend.
I'll outline some of these ideas and projects in the weeks to come and thought I'd introduce myself. I'm so excited about this new project for Fine Books & Collections, all my dust jackets are getting fresh Brodarts in case anyone drops by. Seriously, drop by. After all, I'm that other guy. I don't reek of globe-trotting ozone, I don't have multiple book fairs within spittin' distance or coffee dates with Pulitzer Prize winners. I'm like you. A bibliophile quietly collecting, praying my wife doesn't use her superpowers to destroy me. See, just like you.
I knew I could trust you.
The new Crawley library opened in West Sussex relatively recently. It contains some striking architectural/artistic elements...notably remarkable textual trees. 'The striking, cracked trees, 14 in all, are situated throughout the library building and are installed vertically, flush to the floor and ceiling to resemble supporting, structural pillars. Each tree is, in fact, a real oak trunk and displays carved passages of text from literature within the library, the typeface of each passage chosen carefully to suit the nature of the text - which is where Why Not Associates comes in.
"We worked with the selected passages of text, choosing typefaces and designing the layout," says Why Not's Andy Altmann of the studio's role in the making of the Crawley Trees. "Because there were 14 trees to do, all of us in the studio got to do one."
...
The text to adorn the trees was chosen by the users of Crawley library, thanks to research done by Anna Sandberg. "She was another key collaborator and did all the workshops with the people [of Crawley] to point us in the right direction in terms of sourcing textual content," says Young. "She also put hundreds of questionnaire postcards in books all over the library and we got hundreds of replies naming favourite books and passages and thoughts about what was good literature"'
There is a fun little interview with William Smith, owner of Hang Fire Books over at BoingBoing. William specializes in "vintage paperbacks and lurid pulp fiction from the 1940s-60s" while also carrying general stock. His blog is great as he posts wonderfully lurid pulp covers with pleasing regularity. [Also, you should not miss his current post on the annotated sleaze that arrived recently. Thesis research?!?].
If you're a gamer, a regular player of video games, then you may already have heard . . .
Video game company Electronic Arts announced a couple of months ago that it plans to make a video game version of Dante's Inferno.
Those of us bibliophiles who prefer books to all other forms of entertainment may be stunned at this news. A major player in the video game industry plans to make a cutting edge game out of a 14th century epic written entirely in verse? Could there be a more ridiculous idea than re-interpreting this masterpiece as a visually-oriented game in which the player, and not the author, determines the final outcome of the story?
Philip Jose Farmer (1/26/1918-2/25/2009) passed away in his sleep this morning.
As posted on his website, [h]e will be missed greatly by his wife Bette, his children, grandchildren, great-grandchildren, friends and countless fans around the world. After graduating from St Andrews University in 1994 with an MA Honours degree in English Literature and Medieval History, I joined the leading London firm of Pickering & Chatto Ltd as an apprentice to the Head of the Science and Medicine Department. After succeeding the role in 1998 and enjoying many years of successful trading, I set up Deborah Coltham Rare Books in July 2006.
Whatever your relationship to sleep is the latest exhibit at the Folger Shakespeare Library, To Sleep, Perchance to Dream, is worth staying awake for.
The "exhibition explores the ethereal realm of sleeping and dreaming in Renaissance England, from the beliefs, rituals, and habits of sleepers to the role of dream interpreters and interpretations in public and private life."
In addition to a sampling of Shakespeare and Milton and books like Thomas Tryon's A treatise of cleanness in meats and drinks, of the preparation of food, the excellency of good airs, and the benefits of clean sweet beds the exhibit also includes other tangibles like nightclothes, gemstones, recipes and ingredients for curing nightmares and inducing sleep.
Sleep disorders are nothing new but who knew what lengths people went to keep nightmares at bay. Carole Levine, co-curator of the exhibit, shares a few strategies of the day, like "rubbing the blood of a lapwing on your temples, putting an ape's heart under your pillow, or even worse to find -- a dragon's tongue soaked in wine." Yikes.
One can only imagine what Sigmund Freud, who read some of the books displayed, would have thought of this homage to the Renaissance night.
The exhibition is both comprehensive and enlightening and has a strong online component as well which includes The Dream Machine which provides Renaissance-era dream interpretation.
There is an audio tour available online but without the corresponding visuals it seems the weakest link of the online offering.
Exhibit Details:
February 19-May 30, 2009
Monday-Saturday 10am-5pm
Co-Curated by Carole Levin of the University of Nebraska-Lincoln and Garrett Sullivan of Pennsylvania State University.
Marsha Dubrow has a good review of the exhibit at Examiner.com
The reality is that it is increasingly difficult to find affordable retail space for a book shop in a lively location where there is actual foot traffic. Finding a space that won't break your budget and that is not so far off the beaten path that you require Google Earth to locate it is a major challenge.
All of us in the trade have book interests that we specialize in but these books have traditionally been part of a more general stock that appeals to the explorer and helped with cash flow. Now, the trade has, by and large, become Balkanized. The specialist's general inventory has been shed in favor of a more niche-marketing approach: If you can't have a little something for everyone, have a lot of something for a smaller client base.

Illustrator Drawing on Paper, 3" x 5"
At times Cliff Eyland thinks of himself as a "librarian painter." A longtime bibliophile, Eyland has been painting on 3" x 5" index cards for 30 years.
In his latest exhibition Bookshelf File Cards, at the Leo Kamen Gallery in Toronto, Cliff Eyland "reengages his lifelong obsession with books and art by painting abstract images of books on shelves."
"Since his art school days Eyland has not only remained consistent in the size of his work but he has also come to believe that the library is the most important of all art institutions."
In 1981, while at a student at the Nova Scotia College of Art & Design, Eyland created N.S.C.A.D Library File Card Intervention. Eyland cut up a copy of H.H. Arneson's History of Modern Art into 3" x 5" pieces and inserted them into the card catalog at the library. It took him a month and a half to finish. Picasso was well represented, his images turned into 55 file cards that were filed behind 'Guernica'.
Another one of his biblio works, "File Card Hidden in Books", is still alive at the Raymond Fogelman Library at the New School in New York City. Since 1997 Eyland has been inserting original file card size drawings into books at the library.
The current exhibit is the first in which Eyland has actually painted books. That alone, given his bookish history, is a good reason to go.

Illustrator Drawing on Paper, 3" x 5"
Gallery of the Bookshelf File Cards
Piece on the Bookshelf File Cards by Katherine Laidlaw, in Things of Desire Canada's Alternative Art Weekly
Three podcasts of note hit the airwaves in the last few weeks giving us a inside look on the current state of the trade.
Nigel Beale, host of the radio show The Biblio File, recently passed through the Twin Cities and interviewed booksellers Rob Rulon-Miller and Kathy Stransky co-owner of Midway Used and Rare Books
Sir Terry, 60, was named in the New Year Honours list.
Best known for his hugely popular Discworld series of comic fantasy novels, he has sold more than 55 million books worldwide.
In 2007 Sir Terry was diagnosed with early-onset Alzheimer's disease and has since campaigned to raise awareness of the condition.
I was reminded of this by the arrival a few days ago of not one, but two, impressive catalogs, each one a splendidly assembled list of collectible material, with every item scrupulously researched, authoritatively described, and beautifully illustrated.
Especially noteworthy is "The Bruce Kahn Collection,"
issued
Mass., and Tom Congalton, owner of Between the Covers Rare Books, of Gloucester City, NJ, a one-collector catalog that in itself is something of a rarity. The 154 items listed represent the creme de la creme of a 15,000-volume collection of modern first editions gathered over many years by Bruce Kahn, a Michigan lawyer specializing in mergers and acquisitions; other books in the collection will be offered in later catalogs.
In a prefatory note, Lopez explains that Kahn collected in the "style of the old-time book collectors," meaning he sought out authors "in depth, pursuing all their published titles, variant editions, such as proofs, advance copies and broadsides." In a note of his own, Congalton quips that he agreed to have Lopez, his partner in this collaboration of two prominent booksellers, be general editor of the catalog, and write the descriptions, for the paradoxical reason that he knows the collection too well, having sold many of these same books to Kahn in the first place. "I got sick of writing 'Very fine in dustwrapper. Signed by the author.' Where's the fun in that, anyway?"
The item on the cover--pictured herewith at right--is a detail from an 1893 oil painting titled "Buffalo Bill and the Frenchman's Bottle Gag," a comic tableau from the Wild West Show, by the French artist Alfred Agoust.
According to the catalog entry, almost all images of the Wild West Show are to be found in lithographic posters and photographs. "Period oil paintings of the Buffalo Bill act are very rare indeed." The price for this rarity: $47,000. Happily, I have the catalog in hand to enjoy.
Inspired by the Big Read program introduced a couple years ago by Dana Gioia, the director of the National Endowment for the Arts (and a subject of a recent column I wrote for Fine Books & Collections), the initiative in Sandwich has improvised by focusing on more than one book for community reading, and organized a continuing program centered around one basic theme, in this instance books that have touched people's lives.
The context of our discussion was the mysterious collector Haven O'More (see chapter 6 of AGM, "To Have and to Have No More"), and the sale in 1978 of a Gutenberg Bible. O'More had come by the auction gallery one day unannounced before the auction to look at the book, and there were some heated words exchanged between the two, with Massey saying, finally, that if O'More wanted to see it, he'd have to make an appointment. "I wasn't worried about losing him," Massey told me with great candor--and he was speaking at this point about bibliophiles and bibliomanes in general--"because if the book's good enough, they will always call back--they will crawl--if they really want the book."
There was a different feeling the last day of the fair, a sense of urgency and seriousness of purpose. Though many librarians and collectors said they felt restrained by incipient budget cuts, they looked intently, and made wish lists. Those who could buy, bought. I heard that Stanford's special collections curator, Roberto Trujillo, spent $30,000, but I think he was the exception. Still, everyone agreed that the overall level of artistry was even greater this year than in 2007.
Fine Books & Collections is pleased to welcome readers to what will be known simply as the "Fine Books Blog." Ian Kahn, owner of Lux Mentis, Booksellers, came to us with this idea a couple of months back. Ian is one of the enthusiastic young booksellers involved in the trade, and he's not only book-savvy, he's Internet-savvy as well (wait until you see the Facebook page he's created for us, but that's another story).
His notion was to have many voices participating in this blog. We liked that idea, since collecting and bookselling can often seem a very solitary activity. Our efforts online are very simply to build a community, and the Fine Books Blog, we hope, will contribute greatly to that effort. So, welcome, to the Fine Books Blog.
And now, Ian Kahn...
As you may have noticed, great things are afoot at Fine Books and
Collections. I am very pleased to introduce the cadre of bloggers who
will now be posting here. The intent is that all FB& C bloggers
will post one or two times each week, which should result in a steady
flow of interesting bits from many different areas of the book world.
Those helping launch this newly transitioned group blog will be:
- Exile Bibliophile, the ever mysterious Special Collections librarian
- Scott Brown, the original voice of this blog and owner of Eureka Books
- Brian Cassidy of Brian Cassidy, Bookseller fame.
- Jeremy Dibbell of Philobiblos
- Stephen Gertz of David Brass Rare Books
- Ian Kahn of Lux Mentis, Booksellers (that would be me...)
- Michael Leiberman who runs one of Seattle's great shops, Wessel and Lieberman
- Ann Loftin, editor of Fine Books and Collections
- Chris Lowenstein of the wonderfully named, Book Hunter's Holiday
- Forrest Proper, proprietor of Joslin Hall Rare Books
This great collection of bloggers is very excited to be involved in this project. Several of us are in San Francisco for the ABAA Book Fair
this weekend...so I can safely predict some postings from the front
lines of the first major fair of this economically complex season. This
sort of group blog is a new thing for most of us, and we appreciate
your support and feedback while the project evolves. Change makes for
interesting times. Personally, I side with G.B. Shaw, "The reasonable
man adapts himself to the world: the unreasonable one persists in
trying to adapt the world to himself. Therefore all progress depends on
the unreasonable man." I think we have a great cadre of unreasonable
men and women here...this should be great fun.
Two I heartily recommend:
Ron was a great champion of books and of promoting contact and communication among book people everywhere. Members of FABS (Fellowship of American Bibliophilic Societies) will recall with pleasure Ron's dedication to the group and to its principle of solidarity among book people. I first met Ron in 2004 when he invited the book artist and bookmaker Barry Moser and myself out to Columbus to participate in the Celebration of the Book, organized by Aldus and held in July of that year at Ohio State University. It was a most memorable event.


