Printing and Book Studies in Paradise

Tempus fugit. I attended my ten-year college reunion last weekend at Smith College in Northampton, Massachusetts. One activity advertised the opportunity to print a broadside keepsake on an 1834 Otis Tufts iron hand press.

I happily waited on line for an hour to feed a sheet of paper into the machine. Finally, I had my turn at the toggle lever and pressed an image of the college onto ivory paper.  Luckily, a local professional printer was there to assist eager compositors; without a guiding hand I would have used far less force than was required to create the impression. In fact, there are some places on my keepsake where the ink is lighter than others.   


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The front of my broadside keepsake, after I folded it. The chapel spire is lighter than other sections. 


Martin Antonetti, curator of rare books at Smith, spoke with me about how he had rescued the machine, and how it ended up on the third floor of the library.  "I found the press in pieces in the basement of Hillyer Hall when it was being cleared out for the renovation project about 10 years ago. Some of the parts were actually missing, but we had them fabricated by the machinist Greg Young on campus, using a diagram we found in a 19th-century printing handbook."  Now, alongside cases of antique type, the machine welcomes visitors at the entrance to the Mortimer Rare Book Room. 

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diagram of a hand press 


While waiting for my turn at the press, I also spoke with Barbara Blumenthal, the rare book specialist in the Mortimer Rare Book Room as well as an administrative assistant for the Book Studies Concentration Program at Smith. She explained the new concentration program to me. 


Since the program's inception in 2011, students have been able to choose from ten areas of interest. There's a concentration in poetry, the aforementioned Book Studies and even an exploration of Buddhism. Students may pursue a concentration in addition to declaring a major. 


The goal of such a course of study is to combine practical and intellectual experiences around one subject.  Each concentration culminates with a 'capstone' experience - an independent senior research project presented at the end of the spring semester. 


The Book Studies Concentration is an exciting addition to the Smith curriculum and an excellent way to explore the vibrant book arts community in the Pioneer Valley. 


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A 1997 first edition of Harry Potter and the Sorcerer's Stone, complete with personal annotations and twenty-two original illustrations by J. K. Rowling, grabbed a record-breaking £150,000 ($225,000) at a Sotheby's auction in London on May 21st.  A bidding war between two auction attendees rocketed the price skyward in increments of £25,000 until the hammer fell, to applause, at £150,000, setting a new record for Rowling.

The Sotheby's auction, entitled "First Editions, Second Thoughts," was a charity effort to raise funds for PEN, an English non-profit that fights censorship and advocates for freedom of expression.  Fifty British and Commonwealth writers annotated - and sometimes illustrated - copies of first editions of their work. The auction was curated by the rare book dealer Rick Gekoski and raised an impressive £439,000.

Other highlights included a first edition of Matilda by Roald Dahl with new illustrations by Quentin Blake, which brought in £30,000. Ishiguro's The Remains of the Day raised £18,000, Hilary Mantel's Wolf Hall went for £16,000, and Ralph Steadman's illustrated edition of Thompson's Fear and Loathing in Las Vegas took home £14,500.

The first edition of Harry Potter was, however, the talk of the night.  Dr. Philip Errington, Sotheby's director of printed books and manuscripts, referred to it as "the definitive copy of any Harry Potter book."  Rowling annotated the book with reflections on writing it in "snatched hours in clattering cafes or in the dead of night," and added twenty-two illustrations.

Anticipating a significant hammer price, Rowling dictated that 67% of the sale of the annotated Harry Potter would go toward PEN, with the remaining balance directed toward Rowling's own charity, the Lumos Foundation, which seeks to improve the lives of European children living in institutions and helps them transition into family care situations.




Screen shot 2013-05-20 at 1.57.59 PM.pngEarlier this spring Bonhams revealed the news that this unique portrait had turned up in its London office. The oval miniature is catalogued as 'Circle of Charles Hayter,' perhaps obscuring the fact that the image is generally accepted as one of the Romantic poet John Keats. Housed within a gold frame, the reverse reveals strands of dark blonde hair decorated with split seed pearls and gilt-wire. It has been consigned by an American, a descendant of Earle Vonard Weller (1890-1994), an author and avid collector of English Romantic poets. He is known to have purchased this miniature in 1931 from an antiques dealer in Knightsbridge. Though there is some debate over its identification as Keats, Bonhams' catalogue copy does a fine job in describing its history. 

The miniature will be auctioned on May 30th within its red leather traveling case, together with Autobiography of John Keats: Compiled from His Letters and Essays by none other than Earle Vonard Weller (Stanford University Press, 1933), in which an image of the very same miniature is color illustrated on the frontispiece. It is expected to reach £10,000-15,000 (US$ 15,000-23,000).

Image via Bonhams.com.
Our series profiling the next generation of antiquarian booksellers continues today with David Anthem of The Andalusia Bookman in Philadelphia.

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How did you get started in rare books?

I think it all started as a drooling infant surrounded by my theologian father's library; continued as a high schooler skipping school and heading to the public library; and culminated in adulthood via the typical channels: collecting; librarianship; scholarship (in the loosest most dilettantish sense of the word). My break came during my second buying trip to Andalusia Books, the best unknown book house in the Philadelphia area, when I insidiously strong-armed my way into a job. I convinced veteran and redoubtable bookman, Dave Miller, that people were still indeed buying books and we set to work dusting off the 60,000+ tomes ensconced in every room in his house. That was nearly two and a half years ago and I've been living and breathing rare books ever since. I attended the Colorado Antiquarian Book Seminar last summer, which further solidified my love for the trade and my determination to make a go of this bookselling thing. 
 
Do you still work for The Andalusia Bookman? Or have you branched off on your own?

I imagine myself always working for Andalusia Books in one way or another. Dave has become a trusted friend and an invaluable mentor and even though I'm slowly concentrating more on building up my own stock, I'll hopefully always have a hand in Andalusia. That said, I have begun to take my dream of metamorphosing into D. Anthem, Bookseller (or whatever pretentious moniker I choose to employ), more seriously. But, right now I'm a full-time librarian, I co-own a vegan coffee house, and I'm moonlighting for Andalusia, so I'm usually cataloging books for myself at work or when I'm supposed to be sleeping. I have been selling books online for the last couple of years, engaged in that whole passive bookselling model, but I'm slowly learning and trying to implement what's made others successful.     

What is your role at Andalusia?  What do you specialize in with your own bookselling?

It's a two man operation, so I do a little bit of everything, although cataloging is where I shine. But institutional quotes, auction and house calls, packaging and shipping, online selling, forgetting to call customers back, eating Dave's Grape Nuts, semi-maintaining a blog and Tumblr, I'm down for the whole game. Andalusia is a generalist shop, but we have robust collections of occult, erotica, modern lit., poetry, art, etc. I personally specialize in radical social movements ala Lorne Bair and Bolerium, although I concentrate mainly on anarchism. I also go in for a bit of fine press and have begun dabbling in finely cultivated miscellany ala Garrett Scott. I've got future plans for building some very specialized collections, but I'll keep those under wraps for now. 

What do you love about the book trade?

You know what I love about the book trade? Everything. The history, the mythology, the mysteries to solve, the forlorn volumes to save, the ineffable transcendence of delving into the past of a book that's not in OCLC. I love everything about the rare book trade. I want Walter Goldwater and Leon Kramer's stock, E.P. Goldschmidt's scholarly precision (and work schedule), and Rosenbach's nerve (I unfortunately have his hair, or lack of it). If I can wax personal and maudlin for a moment, I've gone through some pretty tough personal crises lately and when suicide seems like a dramatic yet welcome escape, I only have to walk around Oak Knoll for an hour, sit down with a cup of tea and a Lorne Bair catalog, scout some forgotten shop, finger the books in my own collection, or sneeze into a box of ephemera to realize that this beats the hell out of the mundaneness of death. So what do I love about the rare book trade? I love it for saving my life. 

The collegiality is tear-inducing. CABS blew me away. The dealers who gave so freely of their time, experience and knowledge to foster the development of youngish booksellers like myself. And when Kevin Johnson of Royal Books got choked up at the final dinner... That's real, man. I love all of these vessels of knowledge that find themselves cherished by someone and then passed on through our hands to be cherished by someone else. Touching a leaf printed by William Morris, a piece of handmade paper by Dard Hunter, a Grolier binding, the bookplate of some rich guy who possessed the mania. It stirs my soul.

Favorite rare book (or ephemera) that you've handled?

I have a few answers to this question. Back in March when I walked into the Washington fair, Lorne grabbed me and said, "I've got something to show you." He took me over to a dealer I wasn't familiar with, White Fox Rare Books, and I believe it was the proprietor Peter Blackman who placed a copy of an early Joseph Ishill publication, Oscar Wilde's The Ballad of Reading Gaol in my hand. I had never encountered this particular title before. It was the first book that Ishill printed and included an introduction by the ribald Frank Harris, author of the Casanovaesque memoir, My Life and Loves. It was his copy, signed by him, and although it was the most money I'd ever paid for a book, I certainly wasn't driving back to Philadelphia without it. It's now the high spot of my own collection. I can't fail to mention browsing the shelves of Rosenbach's study at the Rosenbach Museum here in Philadelphia and touching the Bay Psalm book, a Shakespeare First Folio, the Eliot Bible, etc. For me those experiences personify what Virginia Woolf called the "perfection of the moment" in Orlando, and I try to experience as many singular moments of perfection with individual books as I can. I remember perusing the shelves of Barbara Farnsworth's beautiful shop in CT last summer and coming across a book on William Morris with private press operator and chronicler Will Ransom's library ticket in the back and a note that said it had been given to him by the typographer Frederick Goudy. Who in their right mind saw that before me and left it on the shelf for me to buy?? God bless 'em. Likewise, I recently purchased a book from the inestimable Eugene Povirk of Southpaw Books on anarchism with the bookplate of Leon Malmed. Leon who? Leon Malmed! An Albany delicatessen owner who had an affair with Emma Goldman. Gold, man. This trade offers up pure gold.

What do you personally collect?

I'm an unapologetic and inveterate collector, which means I'll probably never be a great dealer. I have what is probably the largest private collection of Oriole Press titles, the imprint of the anarchist and indefatigable printer, Joseph Ishill. I'm currently working on a biography of the man and I get to pretend like I'm buying all of his work for "research" not for the intoxicating fetishistic qualities they possess. I collect books by and about William Morris (although I only have one Kelmscott), and a little Ruskin too; books by and about back-to-the-land pioneers Scott and Helen Nearing; I have a large collection of 19th and 20th century books on anarchism; I have nearly every book published by graphic designers and publisher, Fuel Publishing. I think I can personally blame you, Nate, for my growing collection of Scarlet Imprint and Three Hands Press titles; I collect books that have to do with the straight edge subculture; and of course books on books.

I hear that you have many tattoos.  Any bookish ones?

My tattoos are diaristic and represent certain time periods, ideologies, or artistic interests. I have just begun a bibliophilic tattoo phase, which I imagine will probably last for the next couple of years. I've started documenting the Philadelphia-area authors who I love the most with their portraits on my thigh: right now I have Poe, Whitman, and a third little known writer named George Lippard is in the works.

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Thoughts on the present state and/or future of the rare book trade?

Maybe it's my relative youth (read naivete) or my lack of years in the trade, but I've never bought into the doomsday predictions of other dealers or pundits. The physical book is not going away; our history and culture will never be solely represented by 1s and 0s. As an anarchist and a wanna be bookseller I have to be an optimist. As a semi-Luddite I have the luxury of despising much of the technological advances that have unfortunately enabled the trade to move forward (this goes for my beloved libraries too), and I accept its role in our world. But I'll never take a PDF of the latest Philip Pirages catalog to the bathroom or enjoy the sublimity of a grassy field with a Kindle, and I'd venture to guess that there's a lot of other folks who feel the same. We're selling more books at Andalusia than we've ever sold. I'm not saying that the trade hasn't had to subscribe to some kind of Darwinian adaptability, but so what? We are the purveyors of history, culture and art, and there will always be a role for us. I sat at CABS and felt the palpable excitement that pervaded the classes, the field trips, and the interactions. The CABS '12 Picnic Table Crew is crushing it: Heather O'Donnell; Philipp Penka; Jason Rovito; Travis Low; Seth Glick; Lesley Rains; Erin Barry-Dutro. Come on.  

Any upcoming fairs or catalogues?

We're not presenting at any upcoming fairs, but Dave and I are hard at work on an erotica catalog and I'm working on one of my own material called "White Power, Black Power, and Power to the People." And look for a specially-designed catalog on Satan later this year. Hit me up at david@thenadalusiabookman.com if you want to receive any of these catalogs when they're out. 

Shout outs to The Church of the Brotherhood of the Paradise Children, Lorne Bair, mentor and colleague, Dave Miller, CABS crew, god (Odin), the ALF, Nicholas Basbanes, who I've never met but who writes so inspiringly about books, Voltairine de Cleyre, and you for the interview on this wonderful, invaluable blog.

Almost a year ago, scholars at Canterbury Cathedral and the University of Kent became alarmed when the possibility arose that a major collection of early printed books and manuscripts might be broken up and sold to the highest bidder. The Mendham collection--named for its founder, Anglican vicar Joseph Mendham--was donated to The Law Society of England and Wales in the 1860s. Since 1984, the collection has been on deposit at Canterbury Cathedral Library under a loan agreement between the Cathedral, the University of Kent, and the Society. (That agreement is set to expire on Dec. 31, 2013.)

Lot15.jpgBut in July of last year, the Law Society plucked three hundred of the most valuable books from the collection and consigned them to Sotheby's. An uproar ensued, and a petition was circulated to save the historic library from an uncertain fate. Negotiations began, and there was hope that the scholars and the solicitors might reach an agreement. According to Dr. Clive Field, president of the Religious Archives Group, the Law Society invited bids to purchase the entire collection from a number of UK universities. With no deal in sight, "Highlights of the Mendham Collection"--142 lots of bibles, prayer books, and other rare theological works--is now officially on the Sotheby's calendar for June 5. The six-volume polyglot bible pictured here at left is estimated to be one of the top lots at £70,000-100,000 ($105,000-150,000).

In anticipation of the auction, a letter of support for keeping the collection intact was sent to the Times of London on May 11. Dr. Clive Field; Diarmaid Maccullouch, professor of the history of the church, Oxford; and Roly Keating, chief executive, British Library, wrote as a group describing their concern. "Many items will doubtless be lost to the nation as a result," they wrote. They urged the Law Society to explore "alternative options to the Sotheby's auction, with the attendant damage to scholarship and national heritage."

Some solicitors have also shown support for the effort to save the collection from dissemination. In a May 14 letter to the Times of London, Ian Stevens, director of policy for the Solicitors Regulation Authority, 2007-2010, wrote, "As a history graduate, solicitor and former employee of the Law Society of England and Wales, I am dismayed by the society's proposal to break up and dispose of the Mendham Collection ... The donor's intention was to find a secure home for the collection, not to provide the profession with a disposable asset." Two other UK solicitors followed up with a letter in the Times on May 15 urging other solicitors to "contact the Law Society, as we have done, to ask that the sale be delayed. Short-term financial considerations cannot be a justification for the break-up of a historical collection."

Dr. Alixe Bovey, director of the University of Kent's Centre for Medieval and Early Modern Studies, would very much like to see the collection preserved. In an email last week she wrote, "We're still making efforts to stop the break up of the collection but time is running out."

The Law Society, for its part, has refused to comment. A May 16 email from Fine Books went unanswered by the Society's press office.

Image via Sotheby's.com.

I is for Imagination in Appalachia


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Today, Northwestern University will be repatriating about 250 documents to France including a letter written by Napoleon Bonaparte's brother Joseph about the future Emperor's patriotism during the French Revolution.

How the documents ended up at Northwestern is an interesting story in itself: Jack McBride, an entertainer in a USO troupe was stationed in Corsica during WWII.  According to family tradition, McBride stumbled across a group of soldiers burning documents while he was wandering around the island.  McBride saved what he could, a parcel of about 250 documents, including the Bonaparte letter.  McBride shipped them home to his family, thinking they might prove to be valuable.  In the 1980s, McBride's descendants deposited the documents at Northwestern for further study.

Some twenty years later, in 2009, Northwestern finally got around to processing the documents. (Like many archival institutions, Northwestern has an extensive backlog of unprocessed documents).  They discovered the Bonaparte letter, which was written in 1792 to an unidentified colonel during the height of the French Revolution.  In the letter, Napoleon's brother, Joseph, insists that Napoleon is a patriot to the revolutionary cause.  The bundle of McBride papers included a variety of other documents over a 450 year time frame.

Northwestern consulted the French government about their find, who were interested in receiving the documents back.  Today, Northwestern will present the bundle to the French consulate in Chicago in a special ceremony at the University.

Northwestern's move raises again the question of repatriation of historical documents. Many special collections libraries (and private libraries) own documents that could arguably be repatriated to their country of origin. Whether they should or not remains a question of much debate.

[Image of Joseph Bonaparte from Wikipedia]
Daniel Rolnik and Ryan McIntosh of Intellectual Property Prints in Los Angeles are launching a run of 100% handmade fine-art screenprints. Timed to support the annual Venice Art Walk auction on May 19th, IPP will debut ten new prints by artists from all genres of contemporary art, including: Gary Baseman (subversive art), Jason Shawn Alexander (fine art), Bob Dob (pop surrealism), David Flores (vinyl toys), Daniel Edwards (sculpture), Christine Wu (fine art Illustration), Gregory Siff (street art), Eric Joyner (lowbrow), and Michael Sieben (skateboard illustration).

To see teasers of prints being produced, visit: http://instagram.com/intellectualpropertyprints#

Or check out this video of Bob Dob, whose new 3-color screenprint, "Blood Orange," made in an edition of fifty, is one of the featured IPP prints.


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Following in the footsteps of medieval scribes centuries before him, Phillip Patterson of upstate New York completed an enormous task: he copied the entirety of the Bible by hand.  Patterson, 63, began the project in 2007 and spent up to 14 hours per day writing passages.

The retired interior designer completed the final words of his manuscript last weekend in front of a crowd at his local church, St. Peter's Presbyterian in Spencertown, New York.  After finishing, he said "Amen."  He plans to spend the next year binding his 2,400 page manuscript before he will donate it to the same church.

Patterson said that he commenced work on the project to learn more about the Bible, rather than as a spiritual exercise, but that the act of copying the Bible taught him to be more loving, confident, and patient.  He began the project while living at a retirement home in 2007 where he felt most of the other residents just spent their days watching television.  Curious about the Bible, and seeking a meaningful diversion he could maintain in the face of deteriorating health, Patterson started copying out the King James Bible by hand.

The multi-year project was slowed by Patterson's health, which has been compromised by AIDS since 1985. Patterson was still able, however, to log lengthy days copying passages.  He often spent more than 10 hours per day with a Pigma Micron pen in hand, slowly filling blank pages with the text of one of the foundational books of Western civilization.

[Illustration of scribe from Wikipedia]
Recent and upcoming auction doings:

- 10 April was a pretty amazing day for Christie's New York. The sale of the first part of the Collection of Arthur & Charlotte Vershbow on 10 April can only be described as spectacular. The sale realized a grand total of $15,842,145, with Goya's Tauromaquia leading the way at $1,915,750. Another Goya lot, Los Caprichos, sold for $843,750. And in their single-item sale on the same day, Christie's sold Dr. Francis Crick's "secret of life" letter to his son for an eye-popping $6,059,750.

- Bloomsbury sold Books on Horology, Science, and Medicine on 11 April; results here.

- At Swann on 11 April, Fine Books Including Incunabula and Writing Manuals, in 148 lots. The Noble Fragment Gutenberg leaf sold for $55,200, and the first edition of Audubon's Quadrupeds made $288,000. The (only?) presentation copy of Goldsmith's The Vicar of Wakefield fetched $16,800, and early printing did especially well.

- Swann sold Printed & Manuscript Americana on 16 April. A collection of Civil War diaries and letters by two friends in a California regiment sold for $31,200, while an archive of material by natural historian William Cooper and his son James Graham Cooper made $40,800 (over estimates of just $1,500-2,500). An extreme Theodore Roosevelt rarity, a memorial volume to his wife and mother, sold for $38,400.

- Bloomsbury held a Bibliophile Sale on 18 April, in 655 lots. Results here.

- Christie's London sold Travel, Science, and Natural History items on 24 London, realizing £1,658,075. The manuscript speech by Wilbur Wright sold for £61,875, while the egg of an extinct elephant bird fetched £66,675.

- PBA Galleries sold Travel & Exploration, Cartography & Americana from the Library of Glen McLaughlin (with additions) on 25 April. Their website was having issues when I wrote this, so I don't have results information at present.

- Christie's Paris' sale of Importants Lives Anciens, Livres d'artistes et Manuscrits on 29 April brought in 2,407,762 Euros, with Hugo, Balzac and Proust manuscript lots taking top honors.

- At Sotheby's Paris on 29-30 April, the first part of the Bibliothèque des ducs de Luynes, Château de Dampierre was sold, for a total of 2,354,715 Euros. The grand folio volume with Blondel watercolors produced to mark the wedding of the dauphin in 1745 sold for 301,500 Euros, but it was a manuscript map noting action involving Lafayette during the American Revolution which took the top price, fetching 373,500 Euros (over estimates of just 60,000-80,000 Euros).

- Bloomsbury sold The Library of a Continental Gentleman: Natural History Books on 9 May, in 288 lots. Results here. A copy of Ventenat's Description des Plantes Nouvelles et peu Connues (1800-1802) sold for £13,000.

- Swann sold Art, Press & Illustrated Books, including inventory from the stock of Irving Oaklander on 9 May. See the summer Fine Books & Collection for an overview of this sale.

- Sotheby's London sells Travel, Atlases, Maps & Natural History on 14 May, in 219 lots. An early 18th-century illustrated manuscript of Piri Reis' Kitab-i Bahriye once in the Phillipps collection could fetch £100,000-150,000.

- At Bloomsbury on 16 May, a Bibliophile Sale, in 406 lots.

- Sotheby's London holds a sale of First Editions, Second Thoughts on 21 May. This sale includes 50 contemporary first editions, annotated by their authors, to benefit the charity English PEN. Browse the available lots here.

- On 29 May at Sotheby's Paris, Livres et Manuscrits, in 149 lots. An archive of Rousseau letters is estimated at 250,000-350,000 Euros.

- PBA Galleries sells South Sea: The Library of Richard Topel, Part II on 30 May, in 349 lots.

- Also on 30 May, Bloomsbury holds a 30th Anniversary Sale of Books, Manuscripts and Works on Paper, in 424 lots.

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